"Modern Lens Design" 2nd Edition by Warren J. Smith -&JQdrs
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Contents of Modern Lens Design 2nd Edition V3c7F4\
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1 Introduction
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1.1 Lens Design Books O8)N`#1>+
1.2 Reference Material MeW?z|x`'
1.3 Specifications R(on[g_1
1.4 Lens Design -)Of\4kx
1.5 Lens Design Program Features @ ~8*
1.6 About This Book Lf+"G p
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2 Automatic Lens Design ?3a: ntX h
2.2 The Merit Function /a? qtRw
2.3 Local Minima YuFR*W;$
2.4 The Landscape Lens SaSj9 \o
2.5 Types of Merit Function /M Z^;XG
2.6 Stagnation Q?/qQ}nNw
2.7 Generalized Simulated Annealing "WZ |
2.8 Considerations about Variables for Optimization & l?AC%a5
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems M$U Zn
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits 3{9d5p|\i
2.11 Spectral Weighting AH?4 F"
2.12 How to Get Started B/Z-Cp z]
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3 Improving a Design 1:22y:^j
3.1 Lens Design Tip Sheet: Standard Improvement Techniques AA<QI' 6
3.2 Glass Changes ( Index and V Values ) lb\VQZp!y
3.3 Splitting Elements e\r%"~v
3.4 Separating a Cemented Doublet !!d?o
3.5 Compounding an Element ^]MLEr!S
3.6 Vignetting and Its Uses h]pz12Yf
3.7 Eliminating a Weak Element; the Concentric Problem bk:mk[
3.8 Balancing Aberrations vX|5*T`(
3.9 The Symmetrical Principle #*X\pjZ
3.10 Aspheric Surfaces U X%J?;g
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4 Evaluation: How Good is This Design 0sI7UK`m
4.1 The Uses of a Preliminary Evaluation a!B"WNb+
4.2 OPD versus Measures of Performance ziC%Q8
4.3 Geometric Blur Spot Size versus Certain Aberrations L :Ldk
4.4 Interpreting MTF - The Modulation Transfer Function W_l XY Z<
4.5 Fabrication Considerations 2]=`^rC*
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5 Lens Design Data {A'_5 X9
5.1 About the Sample Lens Designs ?z&5g -/b
5.2 Lens Prescriptions, Drawings, and Aberration Plots u(i=-PN_<
5.3 Estimating the Potential of a Redesign _$i)bJ
5.4 Scaling a Desing, Its Aberrations, and Its MTF -tfUkGdx;l
5.5 Notes on the Interpretation of Ray Intercept Plots -ARks_\
5.6 Various Evaluation Plot xJ9aFpT C
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6 Telescope Objective 2P ^x'I
6.1 The Thin Airspaced Doublet }:57Ym)7w
6.2 Merit Function for a Telescope Objective )3k?{1:
6.3 The Design of an f/7 Cemented Doublet Telescope Objective es<8"CcP
6.4 Spherochromatism y/+ IPR
6.5 Zonal Spherical Aberration rFaG-R
6.6 Induced Aberrations
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6.7 Three-Element Objectives /xj`'8
6.8 Secondary Spectrum (Apochromatic Systems) LVT:oIQ
6.9 The Design of an f/7 Apochromatic Triplet r1:CHIwK
6.10 The Diffractive Surface in Lens Design %77uc9}
6.11 A Final Note a |#TnSk
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7 Eyepieces and Magnifiers FLX n%/
7.1 Eyepieces kpXxg: c
7.2 A Pair of Magnifier Designs )D ~ 5
7.3 The Simple, Classical Eyepieces nc6PSj X
7.4 Design Story of an Eyepiece for a 6*30 Binocular qA"BoSw 4
7.5 Four-Element Eyepieces AEkjy h\
7.6 Five-Element Eyepieces "6
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7.7 Very High Index Eyepiece/Magnifier W4UK?#S+
7.8 Six- and Seven-Element Eyepieces b!bg sd
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8 Cooke Triplet Anastigmats No` *-> R
8.1 Airspaced Triplet Anastigmats h'?v(k!
8.2 Glass Choice i%[+ C
8.3 Vertex Length and Residual Aberrations FzNj':D
8.4 Other Design Considerations "By$!R -&
8.5 A Plastic, Aspheric Triplet Camera Lens '$), i>6gJ
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet uehu\umt=
8.7 Possible Improvement to Our “Basic” Triplet |<'6rJ[i>
8.7 The Rear Earth (Lanthanum) Glasses ] E:NmBN<
8.9 Aspherizing the Surfaces Jy\0y[f*
8.10 Increasing the Element Thickness h ,n}=g+?
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9 Split Triplets ln+.=U6Tm
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10 The Tessar, Heliar, and Other Compounded Triplets p]ujip
10.1 The Classic Tessar i I`vu
10.2 The Heliar/Pentac U!NuiKaQ26
10.3 The Portrait Lens and the Enlarger Lens A Uu<@4R7
10.4 Other Compounded Triplets 3!$ +N\ #w
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar .]s? 01Z
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11 Double-Meniscus Anastigmats -+Ot' ^
11.1 Meniscus Components uVKe ?~RC
11.2 The Hypergon, Totogon, and Metrogon k%X
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11.3 A Two Element Aspheric Thick Meniscus Camera Lens A*~G[KC3 (
11.4 Protar, Dagor, and Convertible Lenses un4fnoc
11.5 The Split Dagor 6 Ia HaV+P
11.6 The Dogmar y0`;
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11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens 4wkv#vi7!-
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12 The Biotar or Double-Gauss Lens NyT%S?@y<
12.1 The Basic Six-Element Version 1Iy1xiP
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens /_})7I52
12.3 The Seven-Element Biotar - Split-Rear Singlet :9av]Yv &
12.4 The Seven-Element Biotar - Broken Contact Front Doublet %S%IW
12.5 The Seven-Element Biotar - One Compounded Outer Element @6 |<c
12.6 The Eight-Element Biotar v0VQ4>
12.7 A “Doubled Double-Gauss” Relay R k7F ;2
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13 Telephoto Lenses qZ'2M.;
13.1 The Basic Telephoto lg8@^Pm$r;
13.2 Close-up or Macro Lenses Li]96+C$}
13.3 Telephoto Designs e4 ,SR(O>
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch jU ~ x^Y
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses ]WY V
14.1 The Reverse Telephoto Principle CgmAxcK
14.2 The Basic Retrofocus Lens f} "eN/T
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses <g%A2 lI
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15 Wide Angle Lenses with Negative Outer Lenses ch :rAx
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16 The Petzval Lens; Head-up Display Lenses ah hl
16.1 The Petzval Portrait Lens C#nT@;VO5
16.2 The Petzval Projection Lens A&)2m
16.3 The Petzval with a Field Flattener +Wg/ O
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16.4 Very Height Speed Petzval Lenses 9?MzIt
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems ]95VM yN
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17 Microscope Objectives '/NpmNY:L
17.1 General Considerations [K$5 Rm5
17.2 Classic Objective Design Forms; The Aplanatic Front ij;NM:|Sd
17.3 Flat-Field Objectives xYCJO(&
17.4 Reflecting Objectives A5J41yH
17.5 The Microscope Objective Designs S 4`X^a}pY
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18 Mirror and Catadioptric Systems "WuUMt
18.1 The Good and Bad Points of Mirrors v: /\; 2
18.2 The Classic Two-Mirror Systems #
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18.3 Catadioptric Systems 9D+ k71"+
18.4 Aspheric Correctors and Schmidt Systems Qy0w'L/@
18.5 Confocal Paraboloids erW2 >^My
18.6 Unobscured Systems %K4M`R|2]
18.7 Design of a Schmidt-Cassegrain “from Scratch” ,we s*
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19 Infrared and Ultraviolet Systems 5RN!"YLI3
19.1 Infrared Optics n
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19.2 IR Objective Lenses -yBKA]"<I
19.3 IR Telescope RW+u5Y
19.4 Laser Beam Expanders -
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19,5 Ultraviolet Systems Or.u*!od&
19.6 Microlithographic Lenses / Qd` ?
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20 Zoom Lenses fMg9h9U
20.1 Zoom Lenses pQBn8H|Y
20.2 Zoom Lenses for Point and Shoot Cameras UjQz
20.3 A 20X Video Zoom Lens \ /YRhQ
20.4 A Zoom Scanner Lens Z8ea)_ {#
20.5 A Possible Zoom Lens Design Procedure P?/JyiO }
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21 Projection TV Lenses and Macro Lenses Zh;wQCDj
21.1 Projection TV Lenses <[)-Q~Gg5
21.2 Macro Lenses V^ n6~O
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22 Scanner/ , Laser Disk and Collimator Lenses &>,]YrU
22.1 Monochromatic Systems up'`)s'
22.2 Scanner Lenses zp;!HP;/=
22.3 Laser Disk, Focusing, and Collimator Lenses UgGa]b[9A
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23 Tolerance Budgeting O*l,&5
23.1 The Tolerance Budget ;,[0 bmL
23.2 Additive Tolerances {WrEe7dLy
23.3 Establishing the Tolerance Budget NUYKMo1ze
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24 Formulary \L(cFjLIl
24.1 Sign Conventions, Symbols, and Definitions l; _IH|A
24.2 The Cardinal Points ~^' ,4<K-}
24.3 Image Equations dgpE3
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24.4 Paraxial Ray Tracing (Surface by Surface) ~dr,;NhOLJ
24.5 Invariants S4_/%~?
24.6 Paraxial Ray Tracing (Component by Component) Gy/w #4xj
24.7 Two-Componenet Relationships cZxY,UvYa
24.8 Third-Order Aberrations – Surface Contributions Gn8 sB
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs '_G\_h} 5
24.10 Stop Shift Equations X6G{.Vh"
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces 6XWNJb
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) '-%1ILK$3r
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Glossary dR]-R/1|
Reference :E.a.-
Index
