"Modern Lens Design" 2nd Edition by Warren J. Smith hY.zwotH
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Contents of Modern Lens Design 2nd Edition c8sY#I
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1 Introduction {iqH 27\E
1.1 Lens Design Books ; 2vHdN
1.2 Reference Material ~h]
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1.3 Specifications ;wfzlUBC
1.4 Lens Design Z4Nl{
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1.5 Lens Design Program Features
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1.6 About This Book GQTMQXn(
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2 Automatic Lens Design xS` %3+|
2.2 The Merit Function !aD/I%X
2.3 Local Minima zLlu% Oc
2.4 The Landscape Lens FLO#!G
2.5 Types of Merit Function XQhBnam%
2.6 Stagnation c,1Yxg]|
2.7 Generalized Simulated Annealing M$z.S0"
2.8 Considerations about Variables for Optimization < @}~Fp@
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems M* (]hu0!
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits :0.Z/s -
2.11 Spectral Weighting bIP{ Dx KS
2.12 How to Get Started #]i*u1
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3 Improving a Design aD,sx#g0
3.1 Lens Design Tip Sheet: Standard Improvement Techniques Us'm9 J
3.2 Glass Changes ( Index and V Values ) Vh :%e24Z
3.3 Splitting Elements @eN x :}
3.4 Separating a Cemented Doublet dF*@G/p>V
3.5 Compounding an Element 8/f ,B:by
3.6 Vignetting and Its Uses }u&.n
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3.7 Eliminating a Weak Element; the Concentric Problem "_JGe#=
3.8 Balancing Aberrations FW: x XK
3.9 The Symmetrical Principle N. C<Mo
3.10 Aspheric Surfaces .N8AkQ (Ok
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4 Evaluation: How Good is This Design bR@ e6.<i
4.1 The Uses of a Preliminary Evaluation ~#dNGWwG
4.2 OPD versus Measures of Performance @^:R1c![s
4.3 Geometric Blur Spot Size versus Certain Aberrations <J@Y=#G$2
4.4 Interpreting MTF - The Modulation Transfer Function 5 fjeBfy
4.5 Fabrication Considerations 7</&=lly
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5 Lens Design Data h8oG5 |Y
5.1 About the Sample Lens Designs <Brq7:n|
5.2 Lens Prescriptions, Drawings, and Aberration Plots 3hr& p{/
5.3 Estimating the Potential of a Redesign OWFLw
5.4 Scaling a Desing, Its Aberrations, and Its MTF ywpk\
5.5 Notes on the Interpretation of Ray Intercept Plots KFdTw{GlJ7
5.6 Various Evaluation Plot C)`k{(-{
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6 Telescope Objective gmy$_4+6o
6.1 The Thin Airspaced Doublet u~ \u8X3
6.2 Merit Function for a Telescope Objective d6-a\]gF
6.3 The Design of an f/7 Cemented Doublet Telescope Objective (,`ypD +3q
6.4 Spherochromatism
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6.5 Zonal Spherical Aberration " 4#V$V
6.6 Induced Aberrations 1q<BYc +z
6.7 Three-Element Objectives LY[XPV]t
6.8 Secondary Spectrum (Apochromatic Systems) zRdL-u%(#
6.9 The Design of an f/7 Apochromatic Triplet <\GP\G
6.10 The Diffractive Surface in Lens Design 7y:%^sl
6.11 A Final Note mOr>*uR
k D S
7 Eyepieces and Magnifiers hm >JBc:n-
7.1 Eyepieces q' 7 7BRD3
7.2 A Pair of Magnifier Designs eKNZ?!c=
7.3 The Simple, Classical Eyepieces .{ x-A{l
7.4 Design Story of an Eyepiece for a 6*30 Binocular m'k.R
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7.5 Four-Element Eyepieces tvynl;Y/
7.6 Five-Element Eyepieces 9( DS"fgC
7.7 Very High Index Eyepiece/Magnifier B Rbx.
7.8 Six- and Seven-Element Eyepieces o CdWf63D
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8 Cooke Triplet Anastigmats BpZE
8.1 Airspaced Triplet Anastigmats +0\BI<aG
8.2 Glass Choice TaeN?jc5
8.3 Vertex Length and Residual Aberrations L O<R<zz
8.4 Other Design Considerations {^2``NYM_
8.5 A Plastic, Aspheric Triplet Camera Lens Mfe/(tlI
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet fEE[h uG
8.7 Possible Improvement to Our “Basic” Triplet NL
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8.7 The Rear Earth (Lanthanum) Glasses 6lOT5C eJ"
8.9 Aspherizing the Surfaces }YWLXxb;
8.10 Increasing the Element Thickness 6= s!~
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9 Split Triplets =.O8G=;DOA
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10 The Tessar, Heliar, and Other Compounded Triplets x zu) ``?
10.1 The Classic Tessar .'JO7of
10.2 The Heliar/Pentac r$} M,! J
10.3 The Portrait Lens and the Enlarger Lens z&[Rw<{Psb
10.4 Other Compounded Triplets Ecp]fUQK
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar M_* "g>Z
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11 Double-Meniscus Anastigmats XQ]no aU
11.1 Meniscus Components P2pdXNV
11.2 The Hypergon, Totogon, and Metrogon 0(A`Ia
11.3 A Two Element Aspheric Thick Meniscus Camera Lens 5xe } ljo
11.4 Protar, Dagor, and Convertible Lenses -/rP0h5#
11.5 The Split Dagor F7lhLly
11.6 The Dogmar P_6oMR
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens Ya{$:90(4
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12 The Biotar or Double-Gauss Lens esU9
12.1 The Basic Six-Element Version "C %<R
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens t=o2:p6&
12.3 The Seven-Element Biotar - Split-Rear Singlet / r6^]grg
12.4 The Seven-Element Biotar - Broken Contact Front Doublet Y!s94#OaZ
12.5 The Seven-Element Biotar - One Compounded Outer Element N Q~keN
12.6 The Eight-Element Biotar z5`AJrj%
12.7 A “Doubled Double-Gauss” Relay ){^o"A?-:
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13 Telephoto Lenses &{E 1w<uv
13.1 The Basic Telephoto RQhS]y@e
13.2 Close-up or Macro Lenses Kab"r_'
13.3 Telephoto Designs "=<T8M
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch `L# pN5
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses n4 A_vz
14.1 The Reverse Telephoto Principle a rt
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14.2 The Basic Retrofocus Lens k|V%*BvY>
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses hZ@frbuowk
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15 Wide Angle Lenses with Negative Outer Lenses r ,I';vm<`
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16 The Petzval Lens; Head-up Display Lenses &[71~.Od
16.1 The Petzval Portrait Lens D>tex/Of3
16.2 The Petzval Projection Lens }#%3y&7M7
16.3 The Petzval with a Field Flattener *-Y`7=^$
16.4 Very Height Speed Petzval Lenses } )D E
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems I)7STzlMj.
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17 Microscope Objectives oA/[>\y
17.1 General Considerations Q8-;w{%
17.2 Classic Objective Design Forms; The Aplanatic Front %-9?rOr
17.3 Flat-Field Objectives ][vm4U Y
17.4 Reflecting Objectives )B"k;dLm
17.5 The Microscope Objective Designs K9-;-{qb
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18 Mirror and Catadioptric Systems >? 3yVE
18.1 The Good and Bad Points of Mirrors 7\(m n$
18.2 The Classic Two-Mirror Systems GZ=7)eJ~<
18.3 Catadioptric Systems ctg U
18.4 Aspheric Correctors and Schmidt Systems ]k+XL*]' A
18.5 Confocal Paraboloids &.W,Hh
18.6 Unobscured Systems l-^2>K[
18.7 Design of a Schmidt-Cassegrain “from Scratch” lL8pIcQ W
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19 Infrared and Ultraviolet Systems /%&Kbd
19.1 Infrared Optics f6/<lS oW
19.2 IR Objective Lenses j8P qc]
19.3 IR Telescope ~l {*XM
19.4 Laser Beam Expanders J!{"^^*
19,5 Ultraviolet Systems 6ij L+ 5
19.6 Microlithographic Lenses ht>C 6y
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20 Zoom Lenses >T{G l/? p
20.1 Zoom Lenses +"mS<
20.2 Zoom Lenses for Point and Shoot Cameras S7!+8$2mc_
20.3 A 20X Video Zoom Lens Fh8 8DDJ
20.4 A Zoom Scanner Lens 8U8% XI EJ
20.5 A Possible Zoom Lens Design Procedure g2 RrBK ,
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21 Projection TV Lenses and Macro Lenses y<9' 3\
21.1 Projection TV Lenses D;1?IeS
21.2 Macro Lenses SI)QX\is8
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22 Scanner/ , Laser Disk and Collimator Lenses sA(d_ Yu_
22.1 Monochromatic Systems T 6ihEb$C
22.2 Scanner Lenses g49G 7sk
22.3 Laser Disk, Focusing, and Collimator Lenses MiK
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23 Tolerance Budgeting %3%bRP
23.1 The Tolerance Budget d/&W[jJ
23.2 Additive Tolerances N4HIQ\p
23.3 Establishing the Tolerance Budget Wg5<@=x!G
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24 Formulary 0#G@F5; <
24.1 Sign Conventions, Symbols, and Definitions ayGcc`
24.2 The Cardinal Points
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24.3 Image Equations !eu\ShI
24.4 Paraxial Ray Tracing (Surface by Surface) n2V
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24.5 Invariants bmzY^ %a
24.6 Paraxial Ray Tracing (Component by Component) @D[tljc^
24.7 Two-Componenet Relationships C ^IPddw>
24.8 Third-Order Aberrations – Surface Contributions }/bxe0px
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs ]Y 3NmL
24.10 Stop Shift Equations m{gw:69h
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces #lfW0?Y'
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) 88 &M8T'AP
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Glossary !kxJ&VmeF
Reference ;;|o+4Ob;
Index
