"Modern Lens Design" 2nd Edition by Warren J. Smith jo-2D[Q{
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Contents of Modern Lens Design 2nd Edition kk`K)PESi
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1 Introduction =,BDd$e
1.1 Lens Design Books 40e(p/Qka
1.2 Reference Material (jyT9'*wAT
1.3 Specifications vw'xmzgA
1.4 Lens Design *5QN:
1.5 Lens Design Program Features [S~/lm
1.6 About This Book +Rj8"p$K
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2 Automatic Lens Design \?D~&d,a=
2.2 The Merit Function c$.Zg=
2.3 Local Minima A_!N,<-
2.4 The Landscape Lens U#iGR5&^3
2.5 Types of Merit Function >]L\B w
2.6 Stagnation SeV`RUO
2.7 Generalized Simulated Annealing cMfJq}C<
2.8 Considerations about Variables for Optimization 0$qK: ze
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems tP:ER
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits rNK<p3=7)
2.11 Spectral Weighting SHc?C&^S
2.12 How to Get Started [59g] ')
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3 Improving a Design B,q)<z6<
3.1 Lens Design Tip Sheet: Standard Improvement Techniques ]+k]Gbty6
3.2 Glass Changes ( Index and V Values ) "X(9.6$_
3.3 Splitting Elements o5E5s9n
3.4 Separating a Cemented Doublet %{|67h
3.5 Compounding an Element }Ug O$1
3.6 Vignetting and Its Uses 43}uW,P
3.7 Eliminating a Weak Element; the Concentric Problem ,/YTW@N
3.8 Balancing Aberrations u}">b+{!
3.9 The Symmetrical Principle h]]B@~
3.10 Aspheric Surfaces #AR$'TE#
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4 Evaluation: How Good is This Design -kP$S qR~
4.1 The Uses of a Preliminary Evaluation ]IclA6
4.2 OPD versus Measures of Performance H
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4.3 Geometric Blur Spot Size versus Certain Aberrations Kr'Yz!
4.4 Interpreting MTF - The Modulation Transfer Function Hmx
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4.5 Fabrication Considerations M9QYYo@
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5 Lens Design Data FfX*bqy
5.1 About the Sample Lens Designs
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5.2 Lens Prescriptions, Drawings, and Aberration Plots ]&?8l:3-G
5.3 Estimating the Potential of a Redesign qoP/`Y6
5.4 Scaling a Desing, Its Aberrations, and Its MTF 5^97#;Q;J"
5.5 Notes on the Interpretation of Ray Intercept Plots kxLWk%V
5.6 Various Evaluation Plot |\U 5m6 q
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6 Telescope Objective #Y0ru9
6.1 The Thin Airspaced Doublet Sc?q}tt^C
6.2 Merit Function for a Telescope Objective j a4zLf(<
6.3 The Design of an f/7 Cemented Doublet Telescope Objective uqM=/T^A
6.4 Spherochromatism [VE>{4]W
6.5 Zonal Spherical Aberration oO^=%Mc(
6.6 Induced Aberrations O|nLIfT
6.7 Three-Element Objectives 3Ct:AJeg
6.8 Secondary Spectrum (Apochromatic Systems) 2@!B;6*8q
6.9 The Design of an f/7 Apochromatic Triplet [7\x(W-:@>
6.10 The Diffractive Surface in Lens Design \iA.{,VX
6.11 A Final Note d
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7 Eyepieces and Magnifiers 1'%n?\OK66
7.1 Eyepieces HPXJRQBE
7.2 A Pair of Magnifier Designs 6@VgLa,
7.3 The Simple, Classical Eyepieces e0M'\'J
7.4 Design Story of an Eyepiece for a 6*30 Binocular y
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7.5 Four-Element Eyepieces !-m 'diE
7.6 Five-Element Eyepieces 25;(`Td5
7.7 Very High Index Eyepiece/Magnifier "vfpG7CG
7.8 Six- and Seven-Element Eyepieces AqT}^fS
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8 Cooke Triplet Anastigmats y" |gC!V}
8.1 Airspaced Triplet Anastigmats %R<xe.X
8.2 Glass Choice XM)
8.3 Vertex Length and Residual Aberrations `PT'Lakf;3
8.4 Other Design Considerations G8.nKoHv7x
8.5 A Plastic, Aspheric Triplet Camera Lens ><qA+/4]_
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet aP]h03sS
8.7 Possible Improvement to Our “Basic” Triplet I9<%fv
8.7 The Rear Earth (Lanthanum) Glasses TU*Y?D
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8.9 Aspherizing the Surfaces E"7[|-`e6
8.10 Increasing the Element Thickness AYAbq}'Yt
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9 Split Triplets (v&iXD5t
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10 The Tessar, Heliar, and Other Compounded Triplets dwouw*8
10.1 The Classic Tessar # S(b2LEc
10.2 The Heliar/Pentac &@ ${@
10.3 The Portrait Lens and the Enlarger Lens ?z0W1a
10.4 Other Compounded Triplets "|BSGV!8
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar uQ%3?bx)T
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11 Double-Meniscus Anastigmats -56gg^Pnr
11.1 Meniscus Components Z^J7r&\V
11.2 The Hypergon, Totogon, and Metrogon J$d']%Dwb
11.3 A Two Element Aspheric Thick Meniscus Camera Lens qYQ
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11.4 Protar, Dagor, and Convertible Lenses MS]Q\g}U
11.5 The Split Dagor Q\}Ck+d`a
11.6 The Dogmar )SJ"IY\P
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens YRCOh:W*
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12 The Biotar or Double-Gauss Lens
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12.1 The Basic Six-Element Version g""Ep
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens iz 0:
12.3 The Seven-Element Biotar - Split-Rear Singlet 03.\!rZZ
12.4 The Seven-Element Biotar - Broken Contact Front Doublet i7e_~K
12.5 The Seven-Element Biotar - One Compounded Outer Element wG73GD38
12.6 The Eight-Element Biotar HM#|&_gV
12.7 A “Doubled Double-Gauss” Relay B=%x#em
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13 Telephoto Lenses r5y*SoD!
13.1 The Basic Telephoto EMDYeXpV
13.2 Close-up or Macro Lenses W\<HUd
13.3 Telephoto Designs i1K$~
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch 4(,M&NC
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses ?<T=g
14.1 The Reverse Telephoto Principle vOq N=bp
14.2 The Basic Retrofocus Lens ZZ
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14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses dkeMiLm
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15 Wide Angle Lenses with Negative Outer Lenses IG:2<G
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16 The Petzval Lens; Head-up Display Lenses 06?d#{?M1o
16.1 The Petzval Portrait Lens Er
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16.2 The Petzval Projection Lens r7^v@
16.3 The Petzval with a Field Flattener {vT9I4d8
16.4 Very Height Speed Petzval Lenses >WLHw!I!6
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems y.-Kqa~
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17 Microscope Objectives 5hh6;)
17.1 General Considerations )Cat$)I#,
17.2 Classic Objective Design Forms; The Aplanatic Front C{+JrHV%h
17.3 Flat-Field Objectives !,C8
17.4 Reflecting Objectives lPrAx0m13%
17.5 The Microscope Objective Designs /}
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18 Mirror and Catadioptric Systems 0M?zotv0#
18.1 The Good and Bad Points of Mirrors T^{=cx9x9
18.2 The Classic Two-Mirror Systems 64vj6 &L
18.3 Catadioptric Systems |9p0"#4u
18.4 Aspheric Correctors and Schmidt Systems /x4L,UJ= P
18.5 Confocal Paraboloids +~= j3U
18.6 Unobscured Systems R&$fWV;'
18.7 Design of a Schmidt-Cassegrain “from Scratch” ;rNX
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19 Infrared and Ultraviolet Systems rHuzGSX54
19.1 Infrared Optics 5"(FilM
19.2 IR Objective Lenses g1:%986jv
19.3 IR Telescope jfVw{\l
19.4 Laser Beam Expanders RS#C4NG
19,5 Ultraviolet Systems *_P'> V#p
19.6 Microlithographic Lenses ^8YBW<9
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20 Zoom Lenses *Vg) E*s
20.1 Zoom Lenses sXNb
20.2 Zoom Lenses for Point and Shoot Cameras LDYa{w-t
20.3 A 20X Video Zoom Lens uy<<m"cA;
20.4 A Zoom Scanner Lens -s1.v$g
20.5 A Possible Zoom Lens Design Procedure _'<FBlIN
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21 Projection TV Lenses and Macro Lenses kB%.i%9\\
21.1 Projection TV Lenses n&a\mGF
21.2 Macro Lenses &|#,Bsk"@
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22 Scanner/ , Laser Disk and Collimator Lenses 4#:C t* f
22.1 Monochromatic Systems rQJ\Y3.
22.2 Scanner Lenses L)1\=[Ov
22.3 Laser Disk, Focusing, and Collimator Lenses z@ `u$D$n
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23 Tolerance Budgeting I*$-[3/
23.1 The Tolerance Budget rO YD[+
23.2 Additive Tolerances }%<_>b\
23.3 Establishing the Tolerance Budget O1wo
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24 Formulary Ix<!0!
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24.1 Sign Conventions, Symbols, and Definitions Z[B:6\oQ
24.2 The Cardinal Points rq Uk_|Xa
24.3 Image Equations >3~)2)Q
24.4 Paraxial Ray Tracing (Surface by Surface) 2m} bddS
24.5 Invariants O%6D2d
24.6 Paraxial Ray Tracing (Component by Component) ?RW1%+[
24.7 Two-Componenet Relationships h%NM%;"H/
24.8 Third-Order Aberrations – Surface Contributions ,yvS c
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs ReL+V
24.10 Stop Shift Equations G
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24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces )heHERbJ
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) qJ<l$Ig
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Glossary SLUQFoz}
Reference /Ahh6=qQY
Index