"Modern Lens Design" 2nd Edition by Warren J. Smith QY&c=bWAX"
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Contents of Modern Lens Design 2nd Edition ou~$XZ7oi
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1 Introduction gggD "alDx
1.1 Lens Design Books .x,y[/[[)
1.2 Reference Material IAwS39B
1.3 Specifications ud5}jyJ
1.4 Lens Design CZu=/8?
1.5 Lens Design Program Features
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1.6 About This Book [O&}Qk
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2 Automatic Lens Design XK3O,XM
2.2 The Merit Function &T0]tzk*,
2.3 Local Minima N WF h<
2.4 The Landscape Lens ZwLr>?0$
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2.5 Types of Merit Function C 4C/
2.6 Stagnation \L~^c1s3r
2.7 Generalized Simulated Annealing 6_QAE6A
2.8 Considerations about Variables for Optimization ph6'(,
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems s)]T"87H'_
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits Os$E,4,py
2.11 Spectral Weighting OHBCanZZ,
2.12 How to Get Started HYGd
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3 Improving a Design qKd ="PR}
3.1 Lens Design Tip Sheet: Standard Improvement Techniques t :YZua
3.2 Glass Changes ( Index and V Values ) K=0xR*ll5
3.3 Splitting Elements /KOI%x
3.4 Separating a Cemented Doublet P}5bSQ( a3
3.5 Compounding an Element b<~8\\&
3.6 Vignetting and Its Uses d%qi~koN_
3.7 Eliminating a Weak Element; the Concentric Problem c:0n/DC
3.8 Balancing Aberrations :23S%B~X
3.9 The Symmetrical Principle EniV-Uj\D
3.10 Aspheric Surfaces grgs r_)[
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4 Evaluation: How Good is This Design tmS2%1o
4.1 The Uses of a Preliminary Evaluation mwLf)xt0'
4.2 OPD versus Measures of Performance Sxc)~y
4.3 Geometric Blur Spot Size versus Certain Aberrations )GVTa4}p
4.4 Interpreting MTF - The Modulation Transfer Function (BP p2^
4.5 Fabrication Considerations WJONk_WAc
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5 Lens Design Data K)>F03=uE
5.1 About the Sample Lens Designs BT8)t.+pv
5.2 Lens Prescriptions, Drawings, and Aberration Plots N7lg6$s Aj
5.3 Estimating the Potential of a Redesign "A+7G5
5.4 Scaling a Desing, Its Aberrations, and Its MTF H%Vf$1/TF
5.5 Notes on the Interpretation of Ray Intercept Plots &nr{-][
5.6 Various Evaluation Plot X\Zan$oi
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6 Telescope Objective PVlCj
6.1 The Thin Airspaced Doublet oX:&;KA
6.2 Merit Function for a Telescope Objective DKfpap}8u
6.3 The Design of an f/7 Cemented Doublet Telescope Objective _xh)]R
6.4 Spherochromatism JRz)A4P
6.5 Zonal Spherical Aberration B7'#8heDh
6.6 Induced Aberrations K% FK
6.7 Three-Element Objectives '9WTz(0?
6.8 Secondary Spectrum (Apochromatic Systems) Lw[=pe0e
6.9 The Design of an f/7 Apochromatic Triplet 1O0. CC,p
6.10 The Diffractive Surface in Lens Design %<DdX*Qp
6.11 A Final Note v.8kGF
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7 Eyepieces and Magnifiers hzM;{g>t
7.1 Eyepieces 7O*Sg2B
7.2 A Pair of Magnifier Designs 'J} ?'{.
7.3 The Simple, Classical Eyepieces R_/;U&R
7.4 Design Story of an Eyepiece for a 6*30 Binocular 2c[HA
7.5 Four-Element Eyepieces )-5e Iy
7.6 Five-Element Eyepieces _J,rql@nG<
7.7 Very High Index Eyepiece/Magnifier ?:`sE"
7.8 Six- and Seven-Element Eyepieces q7KHx b
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8 Cooke Triplet Anastigmats ,yNuz@^
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8.1 Airspaced Triplet Anastigmats CtN\-E-
8.2 Glass Choice KPz0;2}
8.3 Vertex Length and Residual Aberrations #$S~QS.g
8.4 Other Design Considerations a+lNXlh=
8.5 A Plastic, Aspheric Triplet Camera Lens JjI1^FRd
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet Q3hf =&$
8.7 Possible Improvement to Our “Basic” Triplet };rp25i
8.7 The Rear Earth (Lanthanum) Glasses i@rUZYF
8.9 Aspherizing the Surfaces rucw{)
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8.10 Increasing the Element Thickness ',`Qx{tQ)
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9 Split Triplets In?+
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10 The Tessar, Heliar, and Other Compounded Triplets 7P3/Ky@6
10.1 The Classic Tessar g`'!Vgd?M[
10.2 The Heliar/Pentac /_J{JGp9
10.3 The Portrait Lens and the Enlarger Lens Co nik`
10.4 Other Compounded Triplets zdPJ>PNU
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar x#SE%j?
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11 Double-Meniscus Anastigmats e)?}2
11.1 Meniscus Components ?`xF>P]M
11.2 The Hypergon, Totogon, and Metrogon REU&8J@k&?
11.3 A Two Element Aspheric Thick Meniscus Camera Lens ;\A_-a_(#
11.4 Protar, Dagor, and Convertible Lenses OHAU@*[lM
11.5 The Split Dagor C;:=r:bth
11.6 The Dogmar e?;c9]XO,o
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens }xr0m+/
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12 The Biotar or Double-Gauss Lens q)?!]|pZ
12.1 The Basic Six-Element Version BJ3<"D{.*4
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens u0+F2+ I
12.3 The Seven-Element Biotar - Split-Rear Singlet ^"I@ 8 k
12.4 The Seven-Element Biotar - Broken Contact Front Doublet V-(]L:[JQ
12.5 The Seven-Element Biotar - One Compounded Outer Element \41/84BA
12.6 The Eight-Element Biotar R%n*wGi_6b
12.7 A “Doubled Double-Gauss” Relay HTiLA%%6
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13 Telephoto Lenses ]SAY\;,_
13.1 The Basic Telephoto Q{S{|.w-
13.2 Close-up or Macro Lenses tQNc+>7k+u
13.3 Telephoto Designs sM)1w-
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch ) P9]/y
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses I:DAn!N-A*
14.1 The Reverse Telephoto Principle CzreX3i
14.2 The Basic Retrofocus Lens Q;>Yk_(S
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses 4KxuSI^q
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15 Wide Angle Lenses with Negative Outer Lenses NL|c5y<r
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16 The Petzval Lens; Head-up Display Lenses -J6`
16.1 The Petzval Portrait Lens a3M I+
16.2 The Petzval Projection Lens .?APDr"QQH
16.3 The Petzval with a Field Flattener aJ=)5%$6kc
16.4 Very Height Speed Petzval Lenses H1?C:R
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems 56kqG}mg&
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17 Microscope Objectives LrO[l0#'Q
17.1 General Considerations W.{+0xx
17.2 Classic Objective Design Forms; The Aplanatic Front ?1r;6
17.3 Flat-Field Objectives 7]?y
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17.4 Reflecting Objectives "h1ek*(?<
17.5 The Microscope Objective Designs g2?W@/pa
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18 Mirror and Catadioptric Systems ]Q.S Is
18.1 The Good and Bad Points of Mirrors X7K{P_5l
18.2 The Classic Two-Mirror Systems 1Z_w2D*
18.3 Catadioptric Systems C%<Dq0j
18.4 Aspheric Correctors and Schmidt Systems 4IOqSB|
18.5 Confocal Paraboloids 0#Us*:[6
18.6 Unobscured Systems z"z$.c
18.7 Design of a Schmidt-Cassegrain “from Scratch” -0;{
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19 Infrared and Ultraviolet Systems \>"Zn7
19.1 Infrared Optics lz>.mXdx
19.2 IR Objective Lenses
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19.3 IR Telescope Av n-Ug
19.4 Laser Beam Expanders ->{\7|^
19,5 Ultraviolet Systems yRQ1Szbjli
19.6 Microlithographic Lenses ^Ar1V!PFk
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20 Zoom Lenses
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20.1 Zoom Lenses !W&|kvT^
20.2 Zoom Lenses for Point and Shoot Cameras /8:e|
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20.3 A 20X Video Zoom Lens e)-$#qW
20.4 A Zoom Scanner Lens <x<qO=lq
20.5 A Possible Zoom Lens Design Procedure kda*rl~c
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21 Projection TV Lenses and Macro Lenses 3zfiegY@wm
21.1 Projection TV Lenses ]o'dr
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21.2 Macro Lenses suaP'0
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22 Scanner/ , Laser Disk and Collimator Lenses Cv>~%<
22.1 Monochromatic Systems 4\V/A+<W
22.2 Scanner Lenses A$\/D2S7!
22.3 Laser Disk, Focusing, and Collimator Lenses X}={:T+6s
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23 Tolerance Budgeting iV@\v0k
23.1 The Tolerance Budget $b^ niL
23.2 Additive Tolerances YGyw^$.w
23.3 Establishing the Tolerance Budget LoJEchRK
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24 Formulary }(na)B{m
24.1 Sign Conventions, Symbols, and Definitions pXQ$n:e
24.2 The Cardinal Points lt5Knz2G,Z
24.3 Image Equations J7EWaXGbz
24.4 Paraxial Ray Tracing (Surface by Surface) X?r$o>db
24.5 Invariants .
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24.6 Paraxial Ray Tracing (Component by Component) cF9ZnT.
24.7 Two-Componenet Relationships Mz)
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24.8 Third-Order Aberrations – Surface Contributions meap ;p
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs 5Em.sz;:8
24.10 Stop Shift Equations y{P~!Yn|
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces U
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24.12 Conversion of Aberrations to Wavefront Deformation (OPD) :c}PW"0v
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Glossary Bbb":c6w0
Reference @YS,)U)4S
Index