"Modern Lens Design" 2nd Edition by Warren J. Smith _V.MmA
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Contents of Modern Lens Design 2nd Edition s9Tp(Yr,k
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1 Introduction *&=sL
1.1 Lens Design Books yobcAV`
1.2 Reference Material pM|m*k
1.3 Specifications TZl^M h[a
1.4 Lens Design oc^j<!Rh
1.5 Lens Design Program Features K+s@.D9J
1.6 About This Book 3.t
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2 Automatic Lens Design !Qqi%
2.2 The Merit Function U
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2.3 Local Minima <-]qU}-
2.4 The Landscape Lens Az`c ?
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2.5 Types of Merit Function ]T?Py)
2.6 Stagnation RZ6[+Ygn
2.7 Generalized Simulated Annealing mSg{0_:
2.8 Considerations about Variables for Optimization MJzY|
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems c SV`?[a
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits BidTrO
2.11 Spectral Weighting @MoBR.
2.12 How to Get Started 'o!{YLJ fM
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3 Improving a Design AgBXB%).
3.1 Lens Design Tip Sheet: Standard Improvement Techniques 1Z h4)6x
3.2 Glass Changes ( Index and V Values ) `<"@&N^d
3.3 Splitting Elements 9i=HZ\s3
3.4 Separating a Cemented Doublet + n)_\@aQ
3.5 Compounding an Element G[bWjw86O
3.6 Vignetting and Its Uses x @a3STKT
3.7 Eliminating a Weak Element; the Concentric Problem zAZ+'9LB
3.8 Balancing Aberrations v>[U*E
3.9 The Symmetrical Principle BM
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3.10 Aspheric Surfaces wDv G5
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4 Evaluation: How Good is This Design |*T`3@R;3
4.1 The Uses of a Preliminary Evaluation _oILZ,
4.2 OPD versus Measures of Performance \C&[BQ\
4.3 Geometric Blur Spot Size versus Certain Aberrations )Z"
4.4 Interpreting MTF - The Modulation Transfer Function Jn#05Z
4.5 Fabrication Considerations eXYf"hU,
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5 Lens Design Data !lnRl8oV
5.1 About the Sample Lens Designs vg"$&YX9"
5.2 Lens Prescriptions, Drawings, and Aberration Plots -r'/PbV0
5.3 Estimating the Potential of a Redesign BKV,V/*p
5.4 Scaling a Desing, Its Aberrations, and Its MTF 4pJ #fkc^
5.5 Notes on the Interpretation of Ray Intercept Plots I&Z4?K
5.6 Various Evaluation Plot [wO|P{8\"
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6 Telescope Objective *M]@}'N
6.1 The Thin Airspaced Doublet =-m"y~{>3
6.2 Merit Function for a Telescope Objective S=@bb$4-T
6.3 The Design of an f/7 Cemented Doublet Telescope Objective ,O'#7Dj
6.4 Spherochromatism gic!yhsS_
6.5 Zonal Spherical Aberration @CUYl*.PD
6.6 Induced Aberrations h3`\L4b
6.7 Three-Element Objectives ( Ev=kO
6.8 Secondary Spectrum (Apochromatic Systems) *q$O6B-
6.9 The Design of an f/7 Apochromatic Triplet }|j\QjH
6.10 The Diffractive Surface in Lens Design Ifu[L&U
6.11 A Final Note Tp[-,3L
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7 Eyepieces and Magnifiers
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7.1 Eyepieces EW~M,+?
7.2 A Pair of Magnifier Designs s$wIL//=
7.3 The Simple, Classical Eyepieces !j8
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7.4 Design Story of an Eyepiece for a 6*30 Binocular ^Mm sja5K
7.5 Four-Element Eyepieces 5@-[[ $dk
7.6 Five-Element Eyepieces [X7KlS9x2
7.7 Very High Index Eyepiece/Magnifier &*YFK/ ]
7.8 Six- and Seven-Element Eyepieces v[+ ]
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8 Cooke Triplet Anastigmats i!i=6m.q7
8.1 Airspaced Triplet Anastigmats U(rY,4'
8.2 Glass Choice |6O7_U#q
8.3 Vertex Length and Residual Aberrations 2CY4nSKW
8.4 Other Design Considerations .dO8I/lhV
8.5 A Plastic, Aspheric Triplet Camera Lens )#Le"&D
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet ]/6i#fTw
8.7 Possible Improvement to Our “Basic” Triplet C)?tf[!_6
8.7 The Rear Earth (Lanthanum) Glasses bP)(4+t~
8.9 Aspherizing the Surfaces t8ZzBD!dP
8.10 Increasing the Element Thickness ak"W/"2:
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9 Split Triplets \n<9R8g5
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10 The Tessar, Heliar, and Other Compounded Triplets 9-"!v0['
10.1 The Classic Tessar :lBw0{fP
10.2 The Heliar/Pentac oiTSpd-
10.3 The Portrait Lens and the Enlarger Lens UGD B4S
10.4 Other Compounded Triplets [e f&|Pi-
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar ?P%-p
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11 Double-Meniscus Anastigmats bamQ]>0|>!
11.1 Meniscus Components ^5n#hSqZ=M
11.2 The Hypergon, Totogon, and Metrogon ^r@,(r6w
11.3 A Two Element Aspheric Thick Meniscus Camera Lens ?ocBRla
11.4 Protar, Dagor, and Convertible Lenses TFG0~"4Cz
11.5 The Split Dagor Jq*Q;}n
11.6 The Dogmar ;Qi0j<dXd
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens vI20G89E
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12 The Biotar or Double-Gauss Lens {`ByZB
12.1 The Basic Six-Element Version w'6sJ#ba(
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens +.-g`Vyz*
12.3 The Seven-Element Biotar - Split-Rear Singlet dlRTxb^Y>u
12.4 The Seven-Element Biotar - Broken Contact Front Doublet ^jE8
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12.5 The Seven-Element Biotar - One Compounded Outer Element BIXbdo5F
12.6 The Eight-Element Biotar f=IF_|@^S
12.7 A “Doubled Double-Gauss” Relay >+9:31p
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13 Telephoto Lenses )8`i%2i=
13.1 The Basic Telephoto MG,)|XpyWJ
13.2 Close-up or Macro Lenses ]YrgkC35
13.3 Telephoto Designs q&2L@l3A
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch 7nPjeh
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses 6>gm!6`
14.1 The Reverse Telephoto Principle zyB>peAp6j
14.2 The Basic Retrofocus Lens 5c0$oyl)M
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses NXMZTZpB7
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15 Wide Angle Lenses with Negative Outer Lenses [0!*<%BgK'
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16 The Petzval Lens; Head-up Display Lenses zm mkmTp
16.1 The Petzval Portrait Lens ~(`&hYE
16.2 The Petzval Projection Lens v ty:@?3\
16.3 The Petzval with a Field Flattener wUfm)Q#
16.4 Very Height Speed Petzval Lenses cs 58: G5
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems Pa'N)s<
hd W7Qck "
17 Microscope Objectives a1shP};pK
17.1 General Considerations pf&U$oR4
17.2 Classic Objective Design Forms; The Aplanatic Front )4RSo&9p`
17.3 Flat-Field Objectives P2F8[o!<
17.4 Reflecting Objectives QJSi|&Rx&?
17.5 The Microscope Objective Designs X!6$<8+1OV
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18 Mirror and Catadioptric Systems uFuP%f!yY
18.1 The Good and Bad Points of Mirrors LbuhKL}VN
18.2 The Classic Two-Mirror Systems LK<ZF=z]Z
18.3 Catadioptric Systems p}e| E!
18.4 Aspheric Correctors and Schmidt Systems j_.tg7X
18.5 Confocal Paraboloids n5y0$S/D
18.6 Unobscured Systems .O SQ8W}
18.7 Design of a Schmidt-Cassegrain “from Scratch” ?:6w6GwAA
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19 Infrared and Ultraviolet Systems Z>~7|vl
19.1 Infrared Optics /m4Y87
19.2 IR Objective Lenses Rm}G4Pq
19.3 IR Telescope MkWbPm)
19.4 Laser Beam Expanders J&bMox
19,5 Ultraviolet Systems [OS&eK 8
19.6 Microlithographic Lenses t]T't='
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20 Zoom Lenses |xT'+~u
20.1 Zoom Lenses =7EkN% V:{
20.2 Zoom Lenses for Point and Shoot Cameras [<sN "
20.3 A 20X Video Zoom Lens mnx`e>0
20.4 A Zoom Scanner Lens ]MC5 uKn
20.5 A Possible Zoom Lens Design Procedure So=
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21 Projection TV Lenses and Macro Lenses 4?]s%2U6
21.1 Projection TV Lenses ?@<Tzk]a.
21.2 Macro Lenses nd[Ja_h
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22 Scanner/ , Laser Disk and Collimator Lenses ^O}J',Fm%f
22.1 Monochromatic Systems Cq[Hh#q
22.2 Scanner Lenses U;M! jj
22.3 Laser Disk, Focusing, and Collimator Lenses 2cwJ);Eg2
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23 Tolerance Budgeting Qjd]BX;
23.1 The Tolerance Budget "bz.nE*
23.2 Additive Tolerances YxGqQO36
23.3 Establishing the Tolerance Budget !r9rTS]
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24 Formulary m}f{o
24.1 Sign Conventions, Symbols, and Definitions T-]UAN"O
24.2 The Cardinal Points cC]]H&'Hg+
24.3 Image Equations NErvX/qK
24.4 Paraxial Ray Tracing (Surface by Surface) PS0/Ok
24.5 Invariants EKS?3z%!
24.6 Paraxial Ray Tracing (Component by Component) Ec^2tx"=
24.7 Two-Componenet Relationships wr~Qy4 ny
24.8 Third-Order Aberrations – Surface Contributions kh8 M=
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs a-AA$U9hj
24.10 Stop Shift Equations MHGaf`7ro
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces w ~^{V4V
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) ;,7m
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Glossary nU 0##
Reference Qz"//=hC|H
Index