"Modern Lens Design" 2nd Edition by Warren J. Smith _?:jZ1wZ
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Contents of Modern Lens Design 2nd Edition >I0;MNX
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1 Introduction \c<;!vkZ04
1.1 Lens Design Books $K!Jm7O\
1.2 Reference Material S9Oz5_x
1.3 Specifications z]r'8Jc
1.4 Lens Design jhf#
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1.5 Lens Design Program Features hcj]T?
1.6 About This Book J}&U[ds p
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2 Automatic Lens Design )2RRa^=&
2.2 The Merit Function vRH^en
2.3 Local Minima ,|d9lK`" P
2.4 The Landscape Lens sWo}Xq#
2.5 Types of Merit Function Mib.,J~
2.6 Stagnation ^7wqb'xg
2.7 Generalized Simulated Annealing >vp4R`
2.8 Considerations about Variables for Optimization ?5J#
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2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems <zR{'7L/
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits VS/M@y_./
2.11 Spectral Weighting 9c[X[Qc
2.12 How to Get Started Bkd$'7UT
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3 Improving a Design `v!.
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3.1 Lens Design Tip Sheet: Standard Improvement Techniques +Ps.HW#NY
3.2 Glass Changes ( Index and V Values ) 9:4S[mz/hD
3.3 Splitting Elements !Pw*p*z
3.4 Separating a Cemented Doublet CyR`&u
3.5 Compounding an Element :-}K:ucaj
3.6 Vignetting and Its Uses \KnRQtlI
3.7 Eliminating a Weak Element; the Concentric Problem =4MTb_
3.8 Balancing Aberrations )`rD]0ua;
3.9 The Symmetrical Principle F|eWHw?t
3.10 Aspheric Surfaces TL2E|@k1]
9tJ0O5
4 Evaluation: How Good is This Design !nSa4U,$w<
4.1 The Uses of a Preliminary Evaluation n!4\w>h
4.2 OPD versus Measures of Performance {6H[[7i
4.3 Geometric Blur Spot Size versus Certain Aberrations 9 Gd6/2
4.4 Interpreting MTF - The Modulation Transfer Function ##6\~!P
4.5 Fabrication Considerations ekvs3a^
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5 Lens Design Data wHbkF#[:i
5.1 About the Sample Lens Designs 86OrJdD8
5.2 Lens Prescriptions, Drawings, and Aberration Plots ?OFa
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5.3 Estimating the Potential of a Redesign _K9`o^g%PJ
5.4 Scaling a Desing, Its Aberrations, and Its MTF sNDo@u7
5.5 Notes on the Interpretation of Ray Intercept Plots i"}z9Ae~.
5.6 Various Evaluation Plot 04-_ K
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6 Telescope Objective y017
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6.1 The Thin Airspaced Doublet ksC_F8Q+
6.2 Merit Function for a Telescope Objective DLrV{8%W
6.3 The Design of an f/7 Cemented Doublet Telescope Objective ~D9Cu>d9
6.4 Spherochromatism 20V~?xs~
6.5 Zonal Spherical Aberration 2 {&A)Z!I
6.6 Induced Aberrations :awkhx
6.7 Three-Element Objectives K>DN6{hnV;
6.8 Secondary Spectrum (Apochromatic Systems) d5l42^Z
6.9 The Design of an f/7 Apochromatic Triplet !b+4[xky
6.10 The Diffractive Surface in Lens Design ~{I.qv)>M~
6.11 A Final Note p[C"K0>:_F
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7 Eyepieces and Magnifiers ML_VD*t9
7.1 Eyepieces BuV71/Vb{Q
7.2 A Pair of Magnifier Designs D`JBK?~
7.3 The Simple, Classical Eyepieces ~o!-[
7.4 Design Story of an Eyepiece for a 6*30 Binocular pX_#Y)5
7.5 Four-Element Eyepieces \Osu1]Jn>
7.6 Five-Element Eyepieces ,GH`tK_
7.7 Very High Index Eyepiece/Magnifier &IQ=M.!r
7.8 Six- and Seven-Element Eyepieces U*[E+Uq}:N
8:{id>Mm^
8 Cooke Triplet Anastigmats F-/z@tM
8.1 Airspaced Triplet Anastigmats j+_fHADq
8.2 Glass Choice J 6KHc^,7
8.3 Vertex Length and Residual Aberrations L[Vk 6e
8.4 Other Design Considerations [h3xW
8.5 A Plastic, Aspheric Triplet Camera Lens vN{@c(=g
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet r!Aj5
8.7 Possible Improvement to Our “Basic” Triplet cX-M9Cz
8.7 The Rear Earth (Lanthanum) Glasses 6j(/uF4!#
8.9 Aspherizing the Surfaces g0grfGo2p
8.10 Increasing the Element Thickness bp?5GU&Uy
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9 Split Triplets >$ZG=&
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10 The Tessar, Heliar, and Other Compounded Triplets V.*TOU{{xh
10.1 The Classic Tessar (t-hi8"
10.2 The Heliar/Pentac `*8}q!.
10.3 The Portrait Lens and the Enlarger Lens /]`@.mZ9:
10.4 Other Compounded Triplets : .x((
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10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar &!8 WRJ
J9mK9{#q
11 Double-Meniscus Anastigmats ~*iF`T6
11.1 Meniscus Components ;MS.ag#
11.2 The Hypergon, Totogon, and Metrogon uE's&H
11.3 A Two Element Aspheric Thick Meniscus Camera Lens d)AYY}pw
11.4 Protar, Dagor, and Convertible Lenses KYpS4&Xh
11.5 The Split Dagor gs'M^|e)
11.6 The Dogmar NpH8=H9
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens 9[.HWe,
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12 The Biotar or Double-Gauss Lens KOy{?
12.1 The Basic Six-Element Version i|^Q{3?o#
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens /L^g. ~
12.3 The Seven-Element Biotar - Split-Rear Singlet FHOw ]"#
12.4 The Seven-Element Biotar - Broken Contact Front Doublet t$!zgUJ
12.5 The Seven-Element Biotar - One Compounded Outer Element ]pR?/3
12.6 The Eight-Element Biotar )7
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12.7 A “Doubled Double-Gauss” Relay Ce}`z
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13 Telephoto Lenses DhM=q
13.1 The Basic Telephoto 40kAGs>_
13.2 Close-up or Macro Lenses z0 9Gp}^;
13.3 Telephoto Designs v+nXKNL
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch I0}.!
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses JH.XZM&
14.1 The Reverse Telephoto Principle uuY^Q;^I*
14.2 The Basic Retrofocus Lens kd'b_D[$H
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses 9\_s&p=:.
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15 Wide Angle Lenses with Negative Outer Lenses c]9gf\WW
e gq,)6>
16 The Petzval Lens; Head-up Display Lenses %>
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16.1 The Petzval Portrait Lens o[!'JUxZ
16.2 The Petzval Projection Lens \}b2oiY
16.3 The Petzval with a Field Flattener OR@
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16.4 Very Height Speed Petzval Lenses X/4CXtX^
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems +M=h+3hw](
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17 Microscope Objectives px;~20$e
17.1 General Considerations <,~OcJG(
17.2 Classic Objective Design Forms; The Aplanatic Front d7V/#34
17.3 Flat-Field Objectives KtQs uL%
17.4 Reflecting Objectives ^OY$
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17.5 The Microscope Objective Designs :4{
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18 Mirror and Catadioptric Systems lju5+0BSb
18.1 The Good and Bad Points of Mirrors puOtF YZ\
18.2 The Classic Two-Mirror Systems zVE" 6
18.3 Catadioptric Systems wC{sP"D
18.4 Aspheric Correctors and Schmidt Systems Dge#e
18.5 Confocal Paraboloids oywiX@]~7
18.6 Unobscured Systems Oa/^A-'Q
18.7 Design of a Schmidt-Cassegrain “from Scratch” XVs]Y'*x
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19 Infrared and Ultraviolet Systems l+Wux$6U
19.1 Infrared Optics 8>C4w 5kF
19.2 IR Objective Lenses JO|j?%6YY
19.3 IR Telescope {vD$od i
19.4 Laser Beam Expanders 'Dfs&sm
19,5 Ultraviolet Systems RE t&QP
19.6 Microlithographic Lenses
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20 Zoom Lenses BwHJr(n
20.1 Zoom Lenses LDg9@esi
20.2 Zoom Lenses for Point and Shoot Cameras s\d3u`G
20.3 A 20X Video Zoom Lens Gpu[<Z4
20.4 A Zoom Scanner Lens :I#.d7`uk
20.5 A Possible Zoom Lens Design Procedure mlByE,S2E
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21 Projection TV Lenses and Macro Lenses t=7Gfv
21.1 Projection TV Lenses EE'2<"M
21.2 Macro Lenses 2VV>?s
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22 Scanner/ , Laser Disk and Collimator Lenses oRbWqN`F.
22.1 Monochromatic Systems nFni1cCD
22.2 Scanner Lenses hrniZ^
22.3 Laser Disk, Focusing, and Collimator Lenses XoyxS:=>|[
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23 Tolerance Budgeting M{L<aYe
23.1 The Tolerance Budget [],[LkS
23.2 Additive Tolerances 0Jv6?7]LKa
23.3 Establishing the Tolerance Budget dg|+?M^9`
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24 Formulary P"7` :a
24.1 Sign Conventions, Symbols, and Definitions |co#X8J
24.2 The Cardinal Points 8J,^O04<
24.3 Image Equations !hHe`
24.4 Paraxial Ray Tracing (Surface by Surface) gNr4oOR{
24.5 Invariants ^?e[$}
24.6 Paraxial Ray Tracing (Component by Component) \gP?uJ
24.7 Two-Componenet Relationships pqg2#@F.
24.8 Third-Order Aberrations – Surface Contributions cEHpa%_5
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs 7O)ATb#up
24.10 Stop Shift Equations }e7/F[c.U
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces E:rJi]
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) Dml?.-Uv<
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Glossary jpi,BVTI-X
Reference I6WHC*
Index