"Modern Lens Design" 2nd Edition by Warren J. Smith mlolSD;7
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Contents of Modern Lens Design 2nd Edition 9~8UG (
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1 Introduction Hu"?wZj
1.1 Lens Design Books -]1F]d
1.2 Reference Material ?eUhHKS5
1.3 Specifications Pb05>J3N
1.4 Lens Design JJL#Y
1.5 Lens Design Program Features _e/>CiN/
1.6 About This Book Mz}yf5{f
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2 Automatic Lens Design xngK_n
2.2 The Merit Function ]YF[W`2h
2.3 Local Minima %M+ID['K9/
2.4 The Landscape Lens ulM6R/V:?
2.5 Types of Merit Function 9Ra_[1
2.6 Stagnation Y{]RhRR
2.7 Generalized Simulated Annealing %T3L-{s5
2.8 Considerations about Variables for Optimization
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2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems QO;W}c:N
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits qq0bIfF\4
2.11 Spectral Weighting )*[3Imq/
2.12 How to Get Started @pueM+(L&
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3 Improving a Design |2,'QTm=
3.1 Lens Design Tip Sheet: Standard Improvement Techniques v#EXlpS
3.2 Glass Changes ( Index and V Values ) we6']iaV
3.3 Splitting Elements ]V!q"|
3.4 Separating a Cemented Doublet s'yA^
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3.5 Compounding an Element X9^a:7(
3.6 Vignetting and Its Uses <&3qFK*9r
3.7 Eliminating a Weak Element; the Concentric Problem 4u;db_gX
3.8 Balancing Aberrations )M5:aSRz
3.9 The Symmetrical Principle Xz`?b4i
3.10 Aspheric Surfaces ~2Jvb[IM
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4 Evaluation: How Good is This Design a%2r]:?^?
4.1 The Uses of a Preliminary Evaluation Fwn4c4-%
4.2 OPD versus Measures of Performance 8NLTq|sW
4.3 Geometric Blur Spot Size versus Certain Aberrations y>zPsc,
4.4 Interpreting MTF - The Modulation Transfer Function .VF4?~+M-
4.5 Fabrication Considerations I13nmI\
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5 Lens Design Data E]PHO\f-m}
5.1 About the Sample Lens Designs yw'b^D/
5.2 Lens Prescriptions, Drawings, and Aberration Plots K9Dxb
5.3 Estimating the Potential of a Redesign !@E=\Sm8EV
5.4 Scaling a Desing, Its Aberrations, and Its MTF 1-C 2Y`
5.5 Notes on the Interpretation of Ray Intercept Plots ]Y!$HT7\
5.6 Various Evaluation Plot "y@B|
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6 Telescope Objective XjpFJ#T*$A
6.1 The Thin Airspaced Doublet uZ mi
6.2 Merit Function for a Telescope Objective Cg NfqT0
6.3 The Design of an f/7 Cemented Doublet Telescope Objective LO8V*H(
6.4 Spherochromatism oy90|.]G
6.5 Zonal Spherical Aberration M|e
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6.6 Induced Aberrations =VkbymIZ4y
6.7 Three-Element Objectives @A(*&PU>j
6.8 Secondary Spectrum (Apochromatic Systems) =>".
6.9 The Design of an f/7 Apochromatic Triplet @$ E&H`da
6.10 The Diffractive Surface in Lens Design qG.HJD
6.11 A Final Note WlnmW(uahW
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7 Eyepieces and Magnifiers +o)o4l%3
7.1 Eyepieces -~Kw~RX<(
7.2 A Pair of Magnifier Designs .L'>1H]B
7.3 The Simple, Classical Eyepieces {f]K3V
7.4 Design Story of an Eyepiece for a 6*30 Binocular /5:C$ik
7.5 Four-Element Eyepieces ON~jt[
7.6 Five-Element Eyepieces "`Q~rjc$2
7.7 Very High Index Eyepiece/Magnifier D_r&B@4w
7.8 Six- and Seven-Element Eyepieces !gv/ jdF
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8 Cooke Triplet Anastigmats XiE
8.1 Airspaced Triplet Anastigmats COJny/FT|
8.2 Glass Choice "\bbe @
8.3 Vertex Length and Residual Aberrations bY:A7.p7#
8.4 Other Design Considerations gV]]?X&
8.5 A Plastic, Aspheric Triplet Camera Lens F)KUup)gc
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet ikf6Y$nWfF
8.7 Possible Improvement to Our “Basic” Triplet p
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8.7 The Rear Earth (Lanthanum) Glasses D}59fWz@
8.9 Aspherizing the Surfaces a[iuE`
8.10 Increasing the Element Thickness e
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9 Split Triplets _y{z%-
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10 The Tessar, Heliar, and Other Compounded Triplets [r%WVf.#d
10.1 The Classic Tessar :lQl;Q -e
10.2 The Heliar/Pentac D. !m*oq
10.3 The Portrait Lens and the Enlarger Lens kxU<?0
10.4 Other Compounded Triplets -miWXEe@l
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar 7)sEW#d!
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11 Double-Meniscus Anastigmats Fl\X&6k
11.1 Meniscus Components wb^Yg9
11.2 The Hypergon, Totogon, and Metrogon sev^
11.3 A Two Element Aspheric Thick Meniscus Camera Lens *'=JT#
11.4 Protar, Dagor, and Convertible Lenses cwiHHf>
11.5 The Split Dagor c RBdIDIc
11.6 The Dogmar x]|8
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens p.,o@GcL~
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12 The Biotar or Double-Gauss Lens Eyu]0+
12.1 The Basic Six-Element Version g#0h{%3A
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12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens qa
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12.3 The Seven-Element Biotar - Split-Rear Singlet pE(\q+1<
12.4 The Seven-Element Biotar - Broken Contact Front Doublet p@`rBzGp
12.5 The Seven-Element Biotar - One Compounded Outer Element FT'_{e!M
12.6 The Eight-Element Biotar :|/bEP]p/
12.7 A “Doubled Double-Gauss” Relay Cw1Jl5OVZ
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13 Telephoto Lenses *gRg--PY%
13.1 The Basic Telephoto Erz{{kf]1V
13.2 Close-up or Macro Lenses &>kklP
13.3 Telephoto Designs ]37k\O?vd
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch Am=D kkP%
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses oK1"8k|Z
14.1 The Reverse Telephoto Principle /5M@>A^?'
14.2 The Basic Retrofocus Lens H'68K8i0
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses -AwR$<q'
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15 Wide Angle Lenses with Negative Outer Lenses 1Y iUf
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16 The Petzval Lens; Head-up Display Lenses c`~aiC`l
16.1 The Petzval Portrait Lens R~u0!
16.2 The Petzval Projection Lens 5fi6>>
16.3 The Petzval with a Field Flattener IE*GF27n
16.4 Very Height Speed Petzval Lenses AnVj
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16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems ?Pz:H/$
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17 Microscope Objectives r2?-QvQ
17.1 General Considerations QW :-q(s
17.2 Classic Objective Design Forms; The Aplanatic Front SrzlR)
17.3 Flat-Field Objectives k]FP1\Y
17.4 Reflecting Objectives #iD5&
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17.5 The Microscope Objective Designs AkdONKO8{
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18 Mirror and Catadioptric Systems v|acKux=t
18.1 The Good and Bad Points of Mirrors F XJI,(:-
18.2 The Classic Two-Mirror Systems &$uQ$]&H
18.3 Catadioptric Systems Qj(q)!Ku
18.4 Aspheric Correctors and Schmidt Systems a.)Gd]}g
18.5 Confocal Paraboloids \wR bhN
18.6 Unobscured Systems %v=z|d5-3
18.7 Design of a Schmidt-Cassegrain “from Scratch” `?VtB!p@x=
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19 Infrared and Ultraviolet Systems q,-bw2
19.1 Infrared Optics g2%&/zq/
19.2 IR Objective Lenses w^N xR,
19.3 IR Telescope ]$/TsN
19.4 Laser Beam Expanders 7M#2Tze}
19,5 Ultraviolet Systems [G:wPp.y
19.6 Microlithographic Lenses K~**. NF-n
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20 Zoom Lenses QUd`({/@:
20.1 Zoom Lenses Z#.J>_u
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20.2 Zoom Lenses for Point and Shoot Cameras [su2kOX|X
20.3 A 20X Video Zoom Lens ,[enGw
20.4 A Zoom Scanner Lens @f442@_4
20.5 A Possible Zoom Lens Design Procedure c;DWSgIw
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21 Projection TV Lenses and Macro Lenses s>d@=P>R
21.1 Projection TV Lenses ?H8w/{J
21.2 Macro Lenses cy|]}n85
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22 Scanner/ , Laser Disk and Collimator Lenses GKdQ
22.1 Monochromatic Systems HHu|X`tc
22.2 Scanner Lenses vgRjd1k.\y
22.3 Laser Disk, Focusing, and Collimator Lenses MB|+F
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23 Tolerance Budgeting fis**f0
23.1 The Tolerance Budget xZAc~~9tD
23.2 Additive Tolerances JmB7tRM8
23.3 Establishing the Tolerance Budget n%PHHu
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24 Formulary 1iBOf8
24.1 Sign Conventions, Symbols, and Definitions 7z!|sPW](b
24.2 The Cardinal Points y7aBF13Kl
24.3 Image Equations )70-q yA
24.4 Paraxial Ray Tracing (Surface by Surface) HJ[@;F|aU
24.5 Invariants X%Jq9_
24.6 Paraxial Ray Tracing (Component by Component) i-Ck:-J
24.7 Two-Componenet Relationships nQ >?{"
24.8 Third-Order Aberrations – Surface Contributions V&82U w
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs 3]DUUXg$
24.10 Stop Shift Equations B-`d7c5
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces 8Wx>,$k
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) g[<K FVlG
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Glossary ]5W|^%
Reference l<I.;FN^9@
Index