"Modern Lens Design" 2nd Edition by Warren J. Smith pFXDo4eH
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Contents of Modern Lens Design 2nd Edition SouPk/-B80
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1 Introduction ,)hUL/r6
1.1 Lens Design Books X3tpW`alo
1.2 Reference Material [?r`8K2!,
1.3 Specifications $xNM^O
1.4 Lens Design \CM/KrCR
1.5 Lens Design Program Features qXR>Z=K<
1.6 About This Book fKY6stJE
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2 Automatic Lens Design C|5eV=f)P
2.2 The Merit Function ` :eXXE
2.3 Local Minima 1Y$ gt
2.4 The Landscape Lens wQgW9546
2.5 Types of Merit Function "1$OPt5
2.6 Stagnation Q9t BHz
2.7 Generalized Simulated Annealing rY4{,4V
2.8 Considerations about Variables for Optimization B4bC6$Lg
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems r@5_LD@f
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits L#Uk=
2.11 Spectral Weighting 'e_^s+l)a
2.12 How to Get Started biKom|<nm
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3 Improving a Design OE]zC
3.1 Lens Design Tip Sheet: Standard Improvement Techniques ?wt%e;
3.2 Glass Changes ( Index and V Values ) }
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3.3 Splitting Elements jw?/@(AC6
3.4 Separating a Cemented Doublet cq >{
3.5 Compounding an Element |'9%vtbM
3.6 Vignetting and Its Uses j2\bCGY
3.7 Eliminating a Weak Element; the Concentric Problem k"Y9Kc0XoU
3.8 Balancing Aberrations j$'L-kK+
3.9 The Symmetrical Principle -D?T0>
3.10 Aspheric Surfaces J3KY?,g3O_
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4 Evaluation: How Good is This Design B!0o6)u'
4.1 The Uses of a Preliminary Evaluation ?lW-NPr
4.2 OPD versus Measures of Performance lM`M70~
4.3 Geometric Blur Spot Size versus Certain Aberrations =kH7
4.4 Interpreting MTF - The Modulation Transfer Function Tjma'3H*T0
4.5 Fabrication Considerations t}>6"^}U
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5 Lens Design Data 6*8"?S'
5.1 About the Sample Lens Designs O]>9\!0{
5.2 Lens Prescriptions, Drawings, and Aberration Plots :0|]cHm
5.3 Estimating the Potential of a Redesign Tqz{{]%j~$
5.4 Scaling a Desing, Its Aberrations, and Its MTF S1sNVW
5.5 Notes on the Interpretation of Ray Intercept Plots U\a.'K50F
5.6 Various Evaluation Plot #_0OYL`(mE
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6 Telescope Objective {G&*\5W
6.1 The Thin Airspaced Doublet `WQz_}TqB
6.2 Merit Function for a Telescope Objective {XH!`\
6.3 The Design of an f/7 Cemented Doublet Telescope Objective <aR9,:
6.4 Spherochromatism =cI -<0QSn
6.5 Zonal Spherical Aberration S&_Z,mT./
6.6 Induced Aberrations 2eo]D?}
6.7 Three-Element Objectives Vp{! Ft8>
6.8 Secondary Spectrum (Apochromatic Systems) xS?[v&"2
6.9 The Design of an f/7 Apochromatic Triplet j hf%ze
6.10 The Diffractive Surface in Lens Design /?uA{/8
6.11 A Final Note iU"jV*P]
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7 Eyepieces and Magnifiers (8qD'(@
7.1 Eyepieces WP[h@#7<
7.2 A Pair of Magnifier Designs dZcRLLR
7.3 The Simple, Classical Eyepieces DjY&)oce(
7.4 Design Story of an Eyepiece for a 6*30 Binocular -x)Oo`
7.5 Four-Element Eyepieces xO?w8 *d
7.6 Five-Element Eyepieces |YCGWJaci
7.7 Very High Index Eyepiece/Magnifier s\2t|d
7.8 Six- and Seven-Element Eyepieces *'4+kj7>
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8 Cooke Triplet Anastigmats .|W0B+Z8
8.1 Airspaced Triplet Anastigmats CeQL8yJ;
8.2 Glass Choice Ks'msSMC
8.3 Vertex Length and Residual Aberrations GcN[bH(@
8.4 Other Design Considerations ,l/~epx4v)
8.5 A Plastic, Aspheric Triplet Camera Lens 8g0By;h;
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet WO$9Svh8
8.7 Possible Improvement to Our “Basic” Triplet ~2u~}v5m7
8.7 The Rear Earth (Lanthanum) Glasses D=Ia$O0.
8.9 Aspherizing the Surfaces <%w)EQf4m
8.10 Increasing the Element Thickness uc;1{[5`1q
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9 Split Triplets K8`Jl=}z%&
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10 The Tessar, Heliar, and Other Compounded Triplets XTboFrf
10.1 The Classic Tessar wJ#fmQXKJ5
10.2 The Heliar/Pentac &j=FxF9o
10.3 The Portrait Lens and the Enlarger Lens ?pSb,kN}'
10.4 Other Compounded Triplets kS_oj
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar ffyDi 1Q
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11 Double-Meniscus Anastigmats ~*"]XE?M
11.1 Meniscus Components pT3p!/pl3
11.2 The Hypergon, Totogon, and Metrogon <ua` WRQr
11.3 A Two Element Aspheric Thick Meniscus Camera Lens 12l-NWXf
11.4 Protar, Dagor, and Convertible Lenses <[iw1>
11.5 The Split Dagor 6zv-nMZc
11.6 The Dogmar Mn$w_Z?
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens ZqT8G
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12 The Biotar or Double-Gauss Lens .quui\I3
12.1 The Basic Six-Element Version eh4` a<gC
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens ]`@= ;w
12.3 The Seven-Element Biotar - Split-Rear Singlet bu[PQsT
12.4 The Seven-Element Biotar - Broken Contact Front Doublet _cPGS=Ew
12.5 The Seven-Element Biotar - One Compounded Outer Element `y"(\1
12.6 The Eight-Element Biotar t~_j+k0K#
12.7 A “Doubled Double-Gauss” Relay EFpV
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13 Telephoto Lenses n1
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13.1 The Basic Telephoto ":=\ci]e%
13.2 Close-up or Macro Lenses kpF")0qr
13.3 Telephoto Designs $ glt%a
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch DJ&ni`
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses 5:S=gARz
14.1 The Reverse Telephoto Principle tc-pVw:TV
14.2 The Basic Retrofocus Lens VN3"$@-POK
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses kH;DAphk
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15 Wide Angle Lenses with Negative Outer Lenses _FpZc?=
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16 The Petzval Lens; Head-up Display Lenses ]0[Gc
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16.1 The Petzval Portrait Lens 0}LBnV
16.2 The Petzval Projection Lens ^:krfXT
16.3 The Petzval with a Field Flattener j:|um&`)
16.4 Very Height Speed Petzval Lenses 6t zUp/O
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems 18`YY\u(
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17 Microscope Objectives +#* F"k(
17.1 General Considerations r'|V z*/h
17.2 Classic Objective Design Forms; The Aplanatic Front U%.%:'eV=
17.3 Flat-Field Objectives 'YQVf]4P
17.4 Reflecting Objectives PhUG}94
17.5 The Microscope Objective Designs TRLz>m Q
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18 Mirror and Catadioptric Systems j 3/ I=
18.1 The Good and Bad Points of Mirrors 1gK<dg
18.2 The Classic Two-Mirror Systems gu1:%raXd
18.3 Catadioptric Systems N@qP}/}8
18.4 Aspheric Correctors and Schmidt Systems +,;"?j6<p
18.5 Confocal Paraboloids 6[.#B!;9
18.6 Unobscured Systems B=ckRWq
18.7 Design of a Schmidt-Cassegrain “from Scratch” "+0Yhr ?
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19 Infrared and Ultraviolet Systems MWGs:tpL4
19.1 Infrared Optics g3V
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19.2 IR Objective Lenses S['rfD>9
19.3 IR Telescope %-nYK3
19.4 Laser Beam Expanders n'?AZ4&z
19,5 Ultraviolet Systems OM>,1;UH]
19.6 Microlithographic Lenses ,(&p"O":
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20 Zoom Lenses |\}&mBR
20.1 Zoom Lenses @Sr{6g*I
20.2 Zoom Lenses for Point and Shoot Cameras sn!E$ls3O
20.3 A 20X Video Zoom Lens l+ ,p=
20.4 A Zoom Scanner Lens v[7iWBqJ
20.5 A Possible Zoom Lens Design Procedure XBr-UjQ
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21 Projection TV Lenses and Macro Lenses :CeK
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21.1 Projection TV Lenses (^{tu89ab
21.2 Macro Lenses B|f
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22 Scanner/ , Laser Disk and Collimator Lenses KD<smwXjG
22.1 Monochromatic Systems (yJY/|
22.2 Scanner Lenses N1',`L5
22.3 Laser Disk, Focusing, and Collimator Lenses =~D QX\
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23 Tolerance Budgeting *+i1m`6Q
23.1 The Tolerance Budget 3 P=I)q
23.2 Additive Tolerances t6,bA1*5y
23.3 Establishing the Tolerance Budget @%^JB
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24 Formulary |&oTxx$S
24.1 Sign Conventions, Symbols, and Definitions gh?3 [q6
24.2 The Cardinal Points \PzJ66DL!
24.3 Image Equations '5)PYjMnH
24.4 Paraxial Ray Tracing (Surface by Surface) )K}-z+$)k
24.5 Invariants '+s ?\X4VC
24.6 Paraxial Ray Tracing (Component by Component) XsEotW
24.7 Two-Componenet Relationships [yhK4A
24.8 Third-Order Aberrations – Surface Contributions FUO 9jX
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs j&N {j_M
24.10 Stop Shift Equations d :vuRK4+
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces c:[8ng 2v
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) #FhgKwx
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Glossary 'PqKb%B|
Reference `x:O&2
Index