[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith un6W|
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Contents of Modern Lens Design 2nd Edition eJOo~HIWQ  
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1    Introduction         @zR_[s  
1.1    Lens Design Books     ;XY#Jl>tg  
1.2    Reference Material     {KqW<X6Hp  
1.3    Specifications     -?T|1FA,  
1.4    Lens Design     MMRO@MdfV  
1.5    Lens Design Program Features     "=f,4Zbj  
1.6    About This Book     ORo +]9)Yv  
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2    Automatic Lens Design         }LBrk0]  
2.2    The Merit Function         -J!k|GK#MX  
2.3    Local Minima     blV'-Al  
2.4    The Landscape Lens     Y$q--JA  
2.5    Types of Merit Function     /4BYH?*  
2.6    Stagnation     Ky7-6$  
2.7    Generalized Simulated Annealing     K!jau|FS  
2.8    Considerations about Variables for Optimization     &)Wm rF  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems \LS s@\$ g  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     mpCKF=KL.  
2.11    Spectral Weighting     P>6wr\9i[  
2.12    How to Get Started     Q!Dr3x  
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3    Improving a Design     5PHAd4=bJ  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     !]f:dWSLB  
3.2    Glass Changes ( Index and V Values )     {-c[w&q
 
3.3    Splitting Elements     $_Lcw"xO  
3.4    Separating a Cemented Doublet     `Oi6o[a  
3.5    Compounding an Element     l$p"%5]_  
3.6    Vignetting and Its Uses     Yi"jj;!^S  
3.7    Eliminating a Weak Element; the Concentric Problem     IW|1)8d  
3.8    Balancing Aberrations     N'5!4JUI  
3.9    The Symmetrical Principle     YKj PE  
3.10    Aspheric Surfaces     oX]c$<w5  
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4    Evaluation: How Good is This Design     bF3}L=z  
4.1    The Uses of a Preliminary Evaluation     DOo34l6#  
4.2    OPD versus Measures of Performance     zI>,A|yy  
4.3    Geometric Blur Spot Size versus Certain Aberrations     ^nL_*+V`f  
4.4    Interpreting MTF - The Modulation Transfer Function     r+l3J>:K  
4.5    Fabrication Considerations     2ap0/l[  
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5    Lens Design Data     0SLn0vD!  
5.1    About the Sample Lens Designs     Oz,/y3_  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     UD r@  
5.3    Estimating the Potential of a Redesign     78+PG(Q_M  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     [.iz<Yh  
5.5    Notes on the Interpretation of Ray Intercept Plots     [[:wSAO>6'  
5.6    Various Evaluation Plot     4[]4KKO3Q2  
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6    Telescope Objective     szb],)|18  
6.1    The Thin Airspaced Doublet     ~); 7D'[  
6.2    Merit Function for a Telescope Objective     l7JY`x  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     A0Hsd  
6.4    Spherochromatism     |4FvPR[  
6.5    Zonal Spherical Aberration     E^jb#9\R  
6.6    Induced Aberrations     m]U`7!  
6.7    Three-Element Objectives     {7X80KI  
6.8    Secondary Spectrum (Apochromatic Systems)     wg,w;Gle  
6.9    The Design of an f/7 Apochromatic Triplet     G_x<2E"d  
6.10    The Diffractive Surface in Lens Design     V`"A|Y  
6.11    A Final Note     Y;XEC;PXD  
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7    Eyepieces and Magnifiers     %,*{hhfu  
7.1    Eyepieces     co%ttH\ n  
7.2    A Pair of Magnifier Designs     {^ ^)bf|1'  
7.3    The Simple, Classical Eyepieces     D@>^_cTO24  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     h=~TgTv  
7.5    Four-Element Eyepieces     &<sDbNS  
7.6    Five-Element Eyepieces     /g!', r,  
7.7    Very High Index Eyepiece/Magnifier     t/aT  
7.8    Six- and Seven-Element Eyepieces     <Cw)S8t  
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8    Cooke Triplet Anastigmats     %<8lLRl  
8.1    Airspaced Triplet Anastigmats     3Ga!)  
8.2    Glass Choice     TM|ycS'  
8.3    Vertex Length and Residual Aberrations     ]MP6VT  
8.4    Other Design Considerations     G? "6[w/p  
8.5    A Plastic, Aspheric Triplet Camera Lens     Ytnk^/Z1L  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet |^i+Srh  
8.7    Possible Improvement to Our “Basic” Triplet     >h7qI-  
8.7    The Rear Earth (Lanthanum) Glasses     (TV ye4Z  
8.9    Aspherizing the Surfaces     qJN2\e2~f  
8.10    Increasing the Element Thickness     eZm,K'/!  
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9    Split Triplets     jdGoPa\  
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10    The Tessar, Heliar, and Other Compounded Triplets    
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10.1    The Classic Tessar     1/YWDxo,  
10.2    The Heliar/Pentac     @4D$Xl  
10.3    The Portrait Lens and the Enlarger Lens     O&?i8XsB  
10.4    Other Compounded Triplets     {(#>%f+|C  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar q(J3fjY)  
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11    Double-Meniscus Anastigmats     --S2lN/:T  
11.1    Meniscus Components     A-&C.g  
11.2    The Hypergon, Totogon, and Metrogon      c6;tbL  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     XOzd{  
11.4    Protar, Dagor, and Convertible Lenses     pN"d~Z8  
11.5    The Split Dagor     MGd 7Ont  
11.6    The Dogmar     &JM|u ww?1  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     dw8Ce8W  
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12    The Biotar or Double-Gauss Lens     d3AOuVUf  
12.1    The Basic Six-Element Version     ~JsTHE$F  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens <8>gb!DG  
12.3    The Seven-Element Biotar - Split-Rear Singlet     jd|? aK;(  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     k"V| f&  
12.5    The Seven-Element Biotar - One Compounded Outer Element     r(IQ)\GR  
12.6    The Eight-Element Biotar     D}wM$B@S  
12.7    A “Doubled Double-Gauss” Relay     t%wC~1  
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13    Telephoto Lenses     V6Y:l9  
13.1    The Basic Telephoto     {(i>$RG_  
13.2    Close-up or Macro Lenses     pzP~,cdf  
13.3    Telephoto Designs     #N?EPV$  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch [ 44d(P'  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     18
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14.1    The Reverse Telephoto Principle     %:2<'s2Si  
14.2    The Basic Retrofocus Lens     *wcb5p  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     EM+#h'%-  
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15    Wide Angle Lenses with Negative Outer Lenses     /ov&h;  
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16    The Petzval Lens; Head-up Display Lenses     UUGwXq96i  
16.1    The Petzval Portrait Lens     Iq`:h&'!L  
16.2    The Petzval Projection Lens     rYbb&z!u  
16.3    The Petzval with a Field Flattener     00 Qn1  
16.4    Very Height Speed Petzval Lenses     {%ZD^YSA  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     JW;DA E<  

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17    Microscope Objectives     <taN3  
17.1    General Considerations     3zU!5
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17.2    Classic Objective Design Forms; The Aplanatic Front     <J4|FOz!=  
17.3    Flat-Field Objectives     7KOM,FWKe  
17.4    Reflecting Objectives     ]42bd  
17.5    The Microscope Objective Designs     &o>ctf.x  
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18    Mirror and Catadioptric Systems     p.kJNPO\@  
18.1    The Good and Bad Points of Mirrors     gz-X4A"  
18.2    The Classic Two-Mirror Systems KiU/N$E  
18.3    Catadioptric Systems     <\<[J0  
18.4    Aspheric Correctors and Schmidt Systems     2`qO'V3Q  
18.5    Confocal Paraboloids     z;GR(;w/  
18.6    Unobscured Systems     ;q&6WO  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     t(YrF,  
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19    Infrared and Ultraviolet Systems     Z<6XB{Nh\  
19.1    Infrared Optics     ?z>7&  
19.2    IR Objective Lenses     Zi5d"V[}T  
19.3    IR Telescope     ;v0M ::  
19.4    Laser Beam Expanders     1Uzsw  
19,5    Ultraviolet Systems     LP?E  
19.6    Microlithographic Lenses     jEwfa_Q%  
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20    Zoom Lenses     ##~";j  
20.1    Zoom Lenses     [EUp4%Z #  
20.2    Zoom Lenses for Point and Shoot Cameras     ,;LxFS5\  
20.3    A 20X Video Zoom Lens     B -XM(Cj  
20.4    A Zoom Scanner Lens     bkfwsYZx  
20.5    A Possible Zoom Lens Design Procedure     C'mYR3?m;  
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21    Projection TV Lenses and Macro Lenses     i`-,=RJ  
21.1    Projection TV Lenses     #p@8m_g  
21.2    Macro Lenses     "L'
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22    Scanner/ , Laser Disk and Collimator Lenses     xxWrSl`fB  
22.1    Monochromatic Systems     dLb9p"EE#  
22.2    Scanner Lenses     (\^| @  
22.3    Laser Disk, Focusing, and Collimator Lenses     ^V]DQ%v"I  
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23    Tolerance Budgeting     <T?H H$es)  
23.1    The Tolerance Budget     "J|_1!9  
23.2    Additive Tolerances     WqX#T  
23.3    Establishing the Tolerance Budget     aChyl;#E  
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24    Formulary 8YNii-pl  
24.1    Sign Conventions, Symbols, and Definitions     CG!/Lbd  
24.2    The Cardinal Points     i[obQx S94  
24.3    Image Equations     gd~# uR\  
24.4    Paraxial Ray Tracing (Surface by Surface)     VJ1(|v{D4[  
24.5    Invariants     rv>K0= t0  
24.6    Paraxial Ray Tracing (Component by Component)     2$8#ePyq*  
24.7    Two-Componenet Relationships     qI-q%]l  
24.8    Third-Order Aberrations – Surface Contributions     nO{@p_3mi  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     n3w(zB  
24.10    Stop Shift Equations     xlQl1lOX  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     t Dx!m~[  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     HZ$q`e  
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Glossary L`E^BuP/  
Reference ,0ZkE}<=w  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 =2%EIZ0oW  
我怎么瞧不明白。

有没有人呀 Qi^MfHW  
有个问题想请教大家