"Modern Lens Design" 2nd Edition by Warren J. Smith [x8_ax} w
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Contents of Modern Lens Design 2nd Edition aExt TE
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1 Introduction ,,=VF(@G
1.1 Lens Design Books B]#^&89wG)
1.2 Reference Material E]dc4US
1.3 Specifications K3xt,g
1.4 Lens Design Jt(RF*i
1.5 Lens Design Program Features u2
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1.6 About This Book ^ /ZNdwx
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2 Automatic Lens Design 76(/(v.x
2.2 The Merit Function ?<efKs
2.3 Local Minima >J) 9&?
2.4 The Landscape Lens ?M B Od9
2.5 Types of Merit Function y&L Lx[8 ^
2.6 Stagnation X ImX1GH
2.7 Generalized Simulated Annealing V>(>wSR
2.8 Considerations about Variables for Optimization SQT]'
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems YkF52_^_
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits 3g87 i r
2.11 Spectral Weighting ~B\O {5W
2.12 How to Get Started $bFH%EA.
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3 Improving a Design 9Ecc~'f
3.1 Lens Design Tip Sheet: Standard Improvement Techniques uNf9 7*~_
3.2 Glass Changes ( Index and V Values ) !:c _i,N
3.3 Splitting Elements w0P Atu
3.4 Separating a Cemented Doublet oq9gFJG(
3.5 Compounding an Element ]]9 VI0
3.6 Vignetting and Its Uses Hq
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3.7 Eliminating a Weak Element; the Concentric Problem sL], @z8<k
3.8 Balancing Aberrations nhy:5eSK
3.9 The Symmetrical Principle -,q
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3.10 Aspheric Surfaces VQ;'SY:`
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4 Evaluation: How Good is This Design
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4.1 The Uses of a Preliminary Evaluation nQ@<[KNd
4.2 OPD versus Measures of Performance Yy0U2N [i
4.3 Geometric Blur Spot Size versus Certain Aberrations U;#G $
4.4 Interpreting MTF - The Modulation Transfer Function "2 ZuI; w
4.5 Fabrication Considerations R>hL.+l.
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5 Lens Design Data :Q ?p^OC
5.1 About the Sample Lens Designs L KLLBrm:
5.2 Lens Prescriptions, Drawings, and Aberration Plots {~`{bnx^]7
5.3 Estimating the Potential of a Redesign V3<# _:;
5.4 Scaling a Desing, Its Aberrations, and Its MTF ?{%"v \w
5.5 Notes on the Interpretation of Ray Intercept Plots gjzU%{ T ?
5.6 Various Evaluation Plot Y-+JDrK
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6 Telescope Objective D< 0))r
6.1 The Thin Airspaced Doublet =klfCFwP
6.2 Merit Function for a Telescope Objective G^:?)WRG
6.3 The Design of an f/7 Cemented Doublet Telescope Objective WsW] 1p
6.4 Spherochromatism {7Hc00FM
6.5 Zonal Spherical Aberration nd"$gi
6.6 Induced Aberrations " ~q~)T1Z
6.7 Three-Element Objectives
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6.8 Secondary Spectrum (Apochromatic Systems) |3BxNFe`%
6.9 The Design of an f/7 Apochromatic Triplet
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6.10 The Diffractive Surface in Lens Design e4FR)d0x
6.11 A Final Note <B!DwMk;.
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7 Eyepieces and Magnifiers @w(X} q1
7.1 Eyepieces 8On MtP
7.2 A Pair of Magnifier Designs n7.85p@ua
7.3 The Simple, Classical Eyepieces [U:P&)
7.4 Design Story of an Eyepiece for a 6*30 Binocular vC UbbQz
7.5 Four-Element Eyepieces y?Pw6;e.
7.6 Five-Element Eyepieces W4(GI]`_+
7.7 Very High Index Eyepiece/Magnifier ,z#S= I
7.8 Six- and Seven-Element Eyepieces Cx&l0ZXHEX
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8 Cooke Triplet Anastigmats 4m6/ ba
8.1 Airspaced Triplet Anastigmats T1%}H3
8.2 Glass Choice yp) D"w4@
8.3 Vertex Length and Residual Aberrations K{:[0oIHc
8.4 Other Design Considerations Js^(mRv=
8.5 A Plastic, Aspheric Triplet Camera Lens %<`sDO6Q?
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet vy-q<6T}:p
8.7 Possible Improvement to Our “Basic” Triplet rdsZ[ii
8.7 The Rear Earth (Lanthanum) Glasses a% /D~5Z
8.9 Aspherizing the Surfaces FSkLR h
8.10 Increasing the Element Thickness D ^6Q`o
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9 Split Triplets z:= E- +
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10 The Tessar, Heliar, and Other Compounded Triplets 9CAu 0N5<
10.1 The Classic Tessar WM7LCP
10.2 The Heliar/Pentac jhJ<JDJ?`
10.3 The Portrait Lens and the Enlarger Lens ,y@WFRsx
10.4 Other Compounded Triplets #Z,@yJ2wl
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar ^$]iUb{\
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11 Double-Meniscus Anastigmats K"ly\$F
11.1 Meniscus Components ~[=d{M!$W
11.2 The Hypergon, Totogon, and Metrogon m'M5O@?
11.3 A Two Element Aspheric Thick Meniscus Camera Lens E{}J-_oS45
11.4 Protar, Dagor, and Convertible Lenses =Y*@8=V
11.5 The Split Dagor f4VdH#eng`
11.6 The Dogmar 9@}5 FoX"
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens 0sH~H[ap
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12 The Biotar or Double-Gauss Lens gLg.mV1<
12.1 The Basic Six-Element Version Q(O0z3 b
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens dnV& U%fO
12.3 The Seven-Element Biotar - Split-Rear Singlet }2S)CL=
12.4 The Seven-Element Biotar - Broken Contact Front Doublet O8Z+g{
12.5 The Seven-Element Biotar - One Compounded Outer Element (?ULp{VPFl
12.6 The Eight-Element Biotar s p+'c;a
12.7 A “Doubled Double-Gauss” Relay ,/k Zt!
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13 Telephoto Lenses 9W, % [
13.1 The Basic Telephoto ) I(9qt>Y
13.2 Close-up or Macro Lenses JJ'f\ f9
13.3 Telephoto Designs 9|Ylv: sR
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch 5,-:31(j\
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses 4iZg2"[D
14.1 The Reverse Telephoto Principle &%g$Bi,G
14.2 The Basic Retrofocus Lens f>e0 l'\
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses `\'V]9wS
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15 Wide Angle Lenses with Negative Outer Lenses
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16 The Petzval Lens; Head-up Display Lenses R0mkEM
16.1 The Petzval Portrait Lens 7{7Y[F0
16.2 The Petzval Projection Lens %dzO*/8cWo
16.3 The Petzval with a Field Flattener M8$e MS1
16.4 Very Height Speed Petzval Lenses apt$e$g
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems R_>. O?U4
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17 Microscope Objectives Ep:hObWG)
17.1 General Considerations 5Ar gM%
17.2 Classic Objective Design Forms; The Aplanatic Front i7cUp3
17.3 Flat-Field Objectives (nXnP{yb
17.4 Reflecting Objectives s
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17.5 The Microscope Objective Designs \S1W,H|
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18 Mirror and Catadioptric Systems k+*pg4 '
18.1 The Good and Bad Points of Mirrors +@yU `
18.2 The Classic Two-Mirror Systems !YI< A\P
18.3 Catadioptric Systems s:_a.4& Y
18.4 Aspheric Correctors and Schmidt Systems [zXC\)&!
18.5 Confocal Paraboloids 2`j{n \/
18.6 Unobscured Systems 0pG + yec
18.7 Design of a Schmidt-Cassegrain “from Scratch” (:O6sTx-hE
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19 Infrared and Ultraviolet Systems uA;#*eiA/
19.1 Infrared Optics #XB3Wden2
19.2 IR Objective Lenses 7a^D[f0V
19.3 IR Telescope Dsn=fht
19.4 Laser Beam Expanders uqU&k@
19,5 Ultraviolet Systems *SIYZE'
19.6 Microlithographic Lenses 1P'A*`!K
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20 Zoom Lenses jSH.e?
20.1 Zoom Lenses -84%6p2-
20.2 Zoom Lenses for Point and Shoot Cameras 5j$&Zgx51
20.3 A 20X Video Zoom Lens I/!AjB8W4
20.4 A Zoom Scanner Lens R9Wr?
20.5 A Possible Zoom Lens Design Procedure \13Q >iA u
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21 Projection TV Lenses and Macro Lenses .MRN)p
21.1 Projection TV Lenses q5JQx**g
21.2 Macro Lenses </@5>hx/
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22 Scanner/ , Laser Disk and Collimator Lenses i+_=7(e
22.1 Monochromatic Systems 6xwjKh:9
22.2 Scanner Lenses A Rt{ 2|
22.3 Laser Disk, Focusing, and Collimator Lenses 8 x LXXB
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23 Tolerance Budgeting 7R
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23.1 The Tolerance Budget Ge=^q.
23.2 Additive Tolerances J~4 mp\4b
23.3 Establishing the Tolerance Budget WT")tjVKA
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24 Formulary { dh,sbl
24.1 Sign Conventions, Symbols, and Definitions jkta]#O
24.2 The Cardinal Points 54JZOtC3~
24.3 Image Equations 'q_ Z
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24.4 Paraxial Ray Tracing (Surface by Surface) &-p~UZy
24.5 Invariants /; /:>c
24.6 Paraxial Ray Tracing (Component by Component) 5Phsh
24.7 Two-Componenet Relationships l4.ql1BX@y
24.8 Third-Order Aberrations – Surface Contributions JZ
