"Modern Lens Design" 2nd Edition by Warren J. Smith %\A~w3 E
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Contents of Modern Lens Design 2nd Edition uZfo[_g0S
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1 Introduction %EuSP0
1.1 Lens Design Books ~Y{K^:wN^
1.2 Reference Material uB\A8zC
1.3 Specifications Ae"B]Cxb_X
1.4 Lens Design PH6uP]
1.5 Lens Design Program Features y0xte&
1.6 About This Book +p2)uXqW
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2 Automatic Lens Design , vWcWT
2.2 The Merit Function ~sOAm
2.3 Local Minima >B==*,|
2.4 The Landscape Lens V[~/sc )
2.5 Types of Merit Function i9d.Ls
2.6 Stagnation [ACa<U/
2.7 Generalized Simulated Annealing &W1cc#(
2.8 Considerations about Variables for Optimization xT%CY(:9X
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems lyP<&<Y5
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits @>:r'Fmu-
2.11 Spectral Weighting =oBV.BST u
2.12 How to Get Started V[#jrwhA
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3 Improving a Design 8q_nOGd
3.1 Lens Design Tip Sheet: Standard Improvement Techniques D_g+O"];P
3.2 Glass Changes ( Index and V Values ) ~x2azY2DP
3.3 Splitting Elements d;K,2
3.4 Separating a Cemented Doublet cY5h6+ _
3.5 Compounding an Element BV|LRB}G
3.6 Vignetting and Its Uses GujmBb
3.7 Eliminating a Weak Element; the Concentric Problem f|u!?NGl
3.8 Balancing Aberrations )Zox;}WK+
3.9 The Symmetrical Principle Uo# Pe@ieQ
3.10 Aspheric Surfaces Bx)4BPaN
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4 Evaluation: How Good is This Design yN9/'c~
4.1 The Uses of a Preliminary Evaluation }}<^fM
4.2 OPD versus Measures of Performance }5EvBEv-)
4.3 Geometric Blur Spot Size versus Certain Aberrations *5u0`k^j
4.4 Interpreting MTF - The Modulation Transfer Function /@:I\&{f'9
4.5 Fabrication Considerations o^mW`g8[
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5 Lens Design Data Yf1?3(0O
5.1 About the Sample Lens Designs af)L+%Q%R
5.2 Lens Prescriptions, Drawings, and Aberration Plots V!uW\i/
5.3 Estimating the Potential of a Redesign G@s
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5.4 Scaling a Desing, Its Aberrations, and Its MTF b:2#3;)
5.5 Notes on the Interpretation of Ray Intercept Plots v#TU7v?~
5.6 Various Evaluation Plot 6YNd;,it>p
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6 Telescope Objective 1GE[*$vuq
6.1 The Thin Airspaced Doublet W|4:3c4
6.2 Merit Function for a Telescope Objective rytves%;C
6.3 The Design of an f/7 Cemented Doublet Telescope Objective \<TWy&2&
6.4 Spherochromatism !#3v<_]#d
6.5 Zonal Spherical Aberration |cs]98FEf
6.6 Induced Aberrations Pd)mLs Jg
6.7 Three-Element Objectives A{MMY{K3
6.8 Secondary Spectrum (Apochromatic Systems) ZwM(H[iqL
6.9 The Design of an f/7 Apochromatic Triplet HQX.oW
6.10 The Diffractive Surface in Lens Design ~6DaM!
6.11 A Final Note lxf+$Z`~:
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7 Eyepieces and Magnifiers %py3fzg
7.1 Eyepieces 1R-WJph
7.2 A Pair of Magnifier Designs yw\Q>~$n[=
7.3 The Simple, Classical Eyepieces zc K`hS
7.4 Design Story of an Eyepiece for a 6*30 Binocular Zjd9@
7.5 Four-Element Eyepieces 6Z.Fyte
7.6 Five-Element Eyepieces ]Q$S ei5
7.7 Very High Index Eyepiece/Magnifier a5caryZ"z
7.8 Six- and Seven-Element Eyepieces #x*\dL
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8 Cooke Triplet Anastigmats >cJix
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8.1 Airspaced Triplet Anastigmats g-? @a
8.2 Glass Choice {.eo?dQ
8.3 Vertex Length and Residual Aberrations u:.w/k%+
8.4 Other Design Considerations ia@ |+r
8.5 A Plastic, Aspheric Triplet Camera Lens 2)hfYLi
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet 9k/L m
8.7 Possible Improvement to Our “Basic” Triplet Wz%H?m:g#
8.7 The Rear Earth (Lanthanum) Glasses |P@N}P@
8.9 Aspherizing the Surfaces ,<k%'a!B
8.10 Increasing the Element Thickness 9A~w2z\G
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9 Split Triplets !#d5hjoX
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10 The Tessar, Heliar, and Other Compounded Triplets >v2/0>U
10.1 The Classic Tessar ~y{_NgMo
10.2 The Heliar/Pentac Jr5dw=B gw
10.3 The Portrait Lens and the Enlarger Lens ,oykOda:|
10.4 Other Compounded Triplets t0,=U8]w
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar bgLa`8
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11 Double-Meniscus Anastigmats A3)"+`&PUl
11.1 Meniscus Components /k8I6
11.2 The Hypergon, Totogon, and Metrogon 3^[P
11.3 A Two Element Aspheric Thick Meniscus Camera Lens _B>'07D0
11.4 Protar, Dagor, and Convertible Lenses :_}xN!9LA
11.5 The Split Dagor Om^(CAp
11.6 The Dogmar Sl/]1[|mb
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens )(0if0D4
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12 The Biotar or Double-Gauss Lens +5S>"KAUt0
12.1 The Basic Six-Element Version vJxEF&X
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens 3Q'vVNFh<
12.3 The Seven-Element Biotar - Split-Rear Singlet l`.z^+!8@
12.4 The Seven-Element Biotar - Broken Contact Front Doublet elAWQE us
12.5 The Seven-Element Biotar - One Compounded Outer Element
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12.6 The Eight-Element Biotar ]DKRug5
12.7 A “Doubled Double-Gauss” Relay FRuPv6
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13 Telephoto Lenses /{f"0]-RA
13.1 The Basic Telephoto ugN t7P,^
13.2 Close-up or Macro Lenses v^ "qr?3V
13.3 Telephoto Designs A|GtF3:G
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch b{qN7X~>
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses %cLS*=MO
14.1 The Reverse Telephoto Principle [0EWIdT*b
14.2 The Basic Retrofocus Lens [I=|"Ic~
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses w i[9RD@
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15 Wide Angle Lenses with Negative Outer Lenses XVkw/l
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16 The Petzval Lens; Head-up Display Lenses 0KnL{Cj
16.1 The Petzval Portrait Lens {;DAKWm@T
16.2 The Petzval Projection Lens Ie(i1?`A8
16.3 The Petzval with a Field Flattener ele@xl
16.4 Very Height Speed Petzval Lenses 4XNheP;b
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems s>m2qSu
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17 Microscope Objectives & ?x R
17.1 General Considerations jB(+9?;1${
17.2 Classic Objective Design Forms; The Aplanatic Front =B9-}]DDO
17.3 Flat-Field Objectives PQDLbSe)\
17.4 Reflecting Objectives p;>A:i
17.5 The Microscope Objective Designs kh9'W<tE
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18 Mirror and Catadioptric Systems g35!a<JW
18.1 The Good and Bad Points of Mirrors nm@h5ON_
18.2 The Classic Two-Mirror Systems gzIx!sc
18.3 Catadioptric Systems :a6LfPEAX
18.4 Aspheric Correctors and Schmidt Systems (oi:lC@h*
18.5 Confocal Paraboloids EW|$qLg
18.6 Unobscured Systems qFD ZD)K
18.7 Design of a Schmidt-Cassegrain “from Scratch” ,U3
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19 Infrared and Ultraviolet Systems sSh{.XuB+3
19.1 Infrared Optics .JPN ';
19.2 IR Objective Lenses X>8,C^~$1
19.3 IR Telescope B:Ts_9*
19.4 Laser Beam Expanders 2
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19,5 Ultraviolet Systems G9f6'5 O
19.6 Microlithographic Lenses sq!$+=1-X
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20 Zoom Lenses 3]l)uoNt/
20.1 Zoom Lenses D`T;j[SsS#
20.2 Zoom Lenses for Point and Shoot Cameras SI=$s>1
20.3 A 20X Video Zoom Lens g}NO$?ndg
20.4 A Zoom Scanner Lens |Y>Jf~SN
20.5 A Possible Zoom Lens Design Procedure /?eVWCR
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21 Projection TV Lenses and Macro Lenses 5dm ~yQN/
21.1 Projection TV Lenses Qs elW]
21.2 Macro Lenses .\ ;'>qy
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22 Scanner/ , Laser Disk and Collimator Lenses {Sf[<I
22.1 Monochromatic Systems C(ij_>
22.2 Scanner Lenses UGSZg|&6#*
22.3 Laser Disk, Focusing, and Collimator Lenses &"^F;z/
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23 Tolerance Budgeting 8M99cx*K
23.1 The Tolerance Budget WO_Uc_R
23.2 Additive Tolerances *4}_2"[
23.3 Establishing the Tolerance Budget <0})%V?-
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24 Formulary M]s\F(*ib
24.1 Sign Conventions, Symbols, and Definitions Vh^y6U<
24.2 The Cardinal Points 1Cw]~jh
24.3 Image Equations F_Y]>,U
24.4 Paraxial Ray Tracing (Surface by Surface) g&s.
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24.5 Invariants X`.##S KC
24.6 Paraxial Ray Tracing (Component by Component) g'7E6n"!,
24.7 Two-Componenet Relationships Dh8ECy5k<*
24.8 Third-Order Aberrations – Surface Contributions Sc7 Ftb%
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs N&HI)X2&
24.10 Stop Shift Equations %L=e%E=m
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces 4>d4g\Z0L
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) geme_
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Glossary #*o0n>O
Reference Zw]"p63eMa
Index