"Modern Lens Design" 2nd Edition by Warren J. Smith y<|)'(
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Contents of Modern Lens Design 2nd Edition qp\BV #E
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1 Introduction Ih()/(
1.1 Lens Design Books QhCY}Q?X
1.2 Reference Material v{.\iIg N
1.3 Specifications o_O+u%y
1.4 Lens Design )
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1.5 Lens Design Program Features E3f9<hm
1.6 About This Book P% Q@9kO>
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2 Automatic Lens Design l~['[Ub0)
2.2 The Merit Function ?ql2wWsQO
2.3 Local Minima n26>>N
2.4 The Landscape Lens kxh 5}eB
2.5 Types of Merit Function v
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2.6 Stagnation PPj[;(A
2.7 Generalized Simulated Annealing n8$=f'Hgb
2.8 Considerations about Variables for Optimization xor TL8
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems =53bLzr
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits lBmm(<~Z
2.11 Spectral Weighting sQtf,e|p
2.12 How to Get Started LEK/mCL
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3 Improving a Design
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3.1 Lens Design Tip Sheet: Standard Improvement Techniques q &
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3.2 Glass Changes ( Index and V Values ) [f/.!@sj
3.3 Splitting Elements JOHRmfqR
3.4 Separating a Cemented Doublet `NSy"6{Z
3.5 Compounding an Element 2e.N"eLNt
3.6 Vignetting and Its Uses ~.6|dw\p!
3.7 Eliminating a Weak Element; the Concentric Problem +#s;yc#=2
3.8 Balancing Aberrations 1ef'7a7e8
3.9 The Symmetrical Principle V&[eSVY?
3.10 Aspheric Surfaces -\Z `z}D
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4 Evaluation: How Good is This Design ?'wsIH]m
4.1 The Uses of a Preliminary Evaluation ik5|,#}m&
4.2 OPD versus Measures of Performance #Qd'+M
4.3 Geometric Blur Spot Size versus Certain Aberrations O:^'x*}
4.4 Interpreting MTF - The Modulation Transfer Function ?/'}JS(Sm
4.5 Fabrication Considerations VFSz-<L
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5 Lens Design Data ax_YKJ5#P
5.1 About the Sample Lens Designs c
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5.2 Lens Prescriptions, Drawings, and Aberration Plots sofu
5.3 Estimating the Potential of a Redesign 8%ik853`
5.4 Scaling a Desing, Its Aberrations, and Its MTF P'tMu6+)
5.5 Notes on the Interpretation of Ray Intercept Plots Pz@/|&]
5.6 Various Evaluation Plot K%gP5>y*9>
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6 Telescope Objective [N:BM% FQ
6.1 The Thin Airspaced Doublet 6>,#
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6.2 Merit Function for a Telescope Objective %hINpZMr
6.3 The Design of an f/7 Cemented Doublet Telescope Objective k|FSz#Y
6.4 Spherochromatism 62kb2C
6.5 Zonal Spherical Aberration {155b0
6.6 Induced Aberrations eg3L:rk_
6.7 Three-Element Objectives WeC(w+}p
6.8 Secondary Spectrum (Apochromatic Systems) \zu}\{
6.9 The Design of an f/7 Apochromatic Triplet iYKU[UP?
6.10 The Diffractive Surface in Lens Design p)3nyN=|_
6.11 A Final Note -;pOh;WG
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7 Eyepieces and Magnifiers U=cWmH
7.1 Eyepieces FP@qh
7.2 A Pair of Magnifier Designs QaQ'OrP
7.3 The Simple, Classical Eyepieces iF9_b
7.4 Design Story of an Eyepiece for a 6*30 Binocular xU}M;4kH~
7.5 Four-Element Eyepieces OCnFEX"
7.6 Five-Element Eyepieces |pW\Ec#(
7.7 Very High Index Eyepiece/Magnifier l>&sIX
7.8 Six- and Seven-Element Eyepieces VT=K"`EpQ
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8 Cooke Triplet Anastigmats Np2ci~"<.
8.1 Airspaced Triplet Anastigmats %idk@~H Cg
8.2 Glass Choice ll<mE,
8.3 Vertex Length and Residual Aberrations </s,pe79B
8.4 Other Design Considerations t1ze-Ht;
8.5 A Plastic, Aspheric Triplet Camera Lens \c7>:DH
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet \[#t<dD
8.7 Possible Improvement to Our “Basic” Triplet o| D^`Z
8.7 The Rear Earth (Lanthanum) Glasses 4:1)~z
8.9 Aspherizing the Surfaces 64U6C *w+
8.10 Increasing the Element Thickness y3IWfiz>/d
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9 Split Triplets n &}s-`D
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10 The Tessar, Heliar, and Other Compounded Triplets H}nJbnU
10.1 The Classic Tessar OM:v`<T!z
10.2 The Heliar/Pentac B QjGv?p0s
10.3 The Portrait Lens and the Enlarger Lens 9.&mz}q
10.4 Other Compounded Triplets 6G_<2bO
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar YaL]>.;Z:"
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11 Double-Meniscus Anastigmats iiNSDc
11.1 Meniscus Components Eg8i _s~:
11.2 The Hypergon, Totogon, and Metrogon w sY}JT
11.3 A Two Element Aspheric Thick Meniscus Camera Lens .y): Rh^
11.4 Protar, Dagor, and Convertible Lenses ndi+xaQtG
11.5 The Split Dagor ,W*H6fw+
11.6 The Dogmar u^4h&fL
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens 3~%!m<1:
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12 The Biotar or Double-Gauss Lens N:W9},
12.1 The Basic Six-Element Version fKkjn4&W
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens /1fwl5\
12.3 The Seven-Element Biotar - Split-Rear Singlet R^8{bP
12.4 The Seven-Element Biotar - Broken Contact Front Doublet y=H@6$2EQ
12.5 The Seven-Element Biotar - One Compounded Outer Element U<bYFuS"
12.6 The Eight-Element Biotar l[%lE
12.7 A “Doubled Double-Gauss” Relay /fwgqFVk
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13 Telephoto Lenses gx;O6S{
13.1 The Basic Telephoto P}r)wAt
13.2 Close-up or Macro Lenses Gr)-5qh
13.3 Telephoto Designs x-_vl
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13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch o""~jc~
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses 6 hiC?2b{x
14.1 The Reverse Telephoto Principle {a"RXa
14.2 The Basic Retrofocus Lens C-SLjJw
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses )2.)3w1_4
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15 Wide Angle Lenses with Negative Outer Lenses c K <)$*
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16 The Petzval Lens; Head-up Display Lenses V#^yX%
16.1 The Petzval Portrait Lens 12(wj6Q
16.2 The Petzval Projection Lens !B^K[2`)N
16.3 The Petzval with a Field Flattener o4Q3<T7nI
16.4 Very Height Speed Petzval Lenses >i~^TY-&
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems fL6e?\Pw
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17 Microscope Objectives #n7Yr,|Z
17.1 General Considerations TV:<TR
17.2 Classic Objective Design Forms; The Aplanatic Front AH d-
17.3 Flat-Field Objectives DW2>&|
17.4 Reflecting Objectives 5D' bJ6PO
17.5 The Microscope Objective Designs D}{b;Un
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18 Mirror and Catadioptric Systems d2jr8U
18.1 The Good and Bad Points of Mirrors _>_j\b
18.2 The Classic Two-Mirror Systems hbfq]v*X
18.3 Catadioptric Systems "J19*<~
18.4 Aspheric Correctors and Schmidt Systems ' 4O-
18.5 Confocal Paraboloids VLI'
18.6 Unobscured Systems -%m3-xZA
18.7 Design of a Schmidt-Cassegrain “from Scratch” oU+F3b}5p
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19 Infrared and Ultraviolet Systems >"d?(@PJ
19.1 Infrared Optics E*CcV;
19.2 IR Objective Lenses 2@Lbfo A
19.3 IR Telescope r88"#C6E'
19.4 Laser Beam Expanders <z0WLw0'z
19,5 Ultraviolet Systems k<Sl1vK
19.6 Microlithographic Lenses oF|N O^H
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20 Zoom Lenses {j
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20.1 Zoom Lenses b?VV'{4
20.2 Zoom Lenses for Point and Shoot Cameras .i/m
20.3 A 20X Video Zoom Lens npH?4S-8G
20.4 A Zoom Scanner Lens 2<r\/-#pU
20.5 A Possible Zoom Lens Design Procedure -x]`DQUg
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21 Projection TV Lenses and Macro Lenses r"wtZ]69
21.1 Projection TV Lenses mP^SS
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21.2 Macro Lenses p3]Q^KFS
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22 Scanner/ , Laser Disk and Collimator Lenses T|) {<
22.1 Monochromatic Systems xeA#u
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22.2 Scanner Lenses "/+zMLY
22.3 Laser Disk, Focusing, and Collimator Lenses ZFxLBb:
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23 Tolerance Budgeting Qc"'8kt
23.1 The Tolerance Budget 6mPm=I[oh
23.2 Additive Tolerances B3
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23.3 Establishing the Tolerance Budget ejePDgi_[
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24 Formulary y8
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24.1 Sign Conventions, Symbols, and Definitions Hfc"L>
24.2 The Cardinal Points @,OT/egF4:
24.3 Image Equations PLR0#).n
24.4 Paraxial Ray Tracing (Surface by Surface) {1Eu7l-4
24.5 Invariants p]&j;H.
24.6 Paraxial Ray Tracing (Component by Component) w"zE_9I\
24.7 Two-Componenet Relationships hYg'2OG
24.8 Third-Order Aberrations – Surface Contributions =1hr2R(V
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs uzU{z;
24.10 Stop Shift Equations WxUxc75
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces WlVl[/qt
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) u$*>`Xe6
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Glossary #1/}3+=5B
Reference SoQR#(73HK
Index