"Modern Lens Design" 2nd Edition by Warren J. Smith {c?JuV4 q?
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Contents of Modern Lens Design 2nd Edition I){\0vb@
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1 Introduction
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1.1 Lens Design Books }R[#?ty; ]
1.2 Reference Material mW2,1}Jv
1.3 Specifications f/,>%j=Ms
1.4 Lens Design o X@ya3!Pz
1.5 Lens Design Program Features 0MMEo~dih
1.6 About This Book h^9"i3H
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2 Automatic Lens Design 9>zcBG8f
2.2 The Merit Function 1=sXdcy;
2.3 Local Minima KlV :L 4a~
2.4 The Landscape Lens TGXa,A{
2.5 Types of Merit Function {GDmVWG0q
2.6 Stagnation )n49lr6 X
2.7 Generalized Simulated Annealing `p
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2.8 Considerations about Variables for Optimization ).` S/F
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems bzDIhnw
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits =gfI!w
2.11 Spectral Weighting YJg,B\z}
2.12 How to Get Started znJhP}(
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3 Improving a Design %W,D;?lEo>
3.1 Lens Design Tip Sheet: Standard Improvement Techniques .:p2Tbo
3.2 Glass Changes ( Index and V Values ) hz;|NW{u
3.3 Splitting Elements =deMd`=J
3.4 Separating a Cemented Doublet l0&EZN0V2
3.5 Compounding an Element ]5~s "fnG
3.6 Vignetting and Its Uses _=ua 6}Xp
3.7 Eliminating a Weak Element; the Concentric Problem sDr/k`>
3.8 Balancing Aberrations taGU
3.9 The Symmetrical Principle [ EFMu;q
3.10 Aspheric Surfaces S po?i.#
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4 Evaluation: How Good is This Design ] Z8Vj7~
4.1 The Uses of a Preliminary Evaluation I? THa<
4.2 OPD versus Measures of Performance w -Nhs6
4.3 Geometric Blur Spot Size versus Certain Aberrations t }IkK=f
4.4 Interpreting MTF - The Modulation Transfer Function Uv
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4.5 Fabrication Considerations ~\x:<)
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5 Lens Design Data >hBxY]< \
5.1 About the Sample Lens Designs /bj
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5.2 Lens Prescriptions, Drawings, and Aberration Plots Go,N> HN
5.3 Estimating the Potential of a Redesign H&r,FmI@
5.4 Scaling a Desing, Its Aberrations, and Its MTF 3lV^B[$
5.5 Notes on the Interpretation of Ray Intercept Plots +`7KSwa
5.6 Various Evaluation Plot EbeI{ -'aF
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6 Telescope Objective -a*K$rnB
6.1 The Thin Airspaced Doublet 4Mk-2 Dx
6.2 Merit Function for a Telescope Objective ]yj l~3
6.3 The Design of an f/7 Cemented Doublet Telescope Objective s yU9O&<
6.4 Spherochromatism m}>F<;hQ
6.5 Zonal Spherical Aberration go+Q~NV
6.6 Induced Aberrations cvwhSdZu8
6.7 Three-Element Objectives LIg{J%
6.8 Secondary Spectrum (Apochromatic Systems) ,-x!$VqS
6.9 The Design of an f/7 Apochromatic Triplet
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6.10 The Diffractive Surface in Lens Design 3@5=+z~CW
6.11 A Final Note 2[0JO.K
4
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7 Eyepieces and Magnifiers I`z@2Z+pJ
7.1 Eyepieces .jy]8S8[|%
7.2 A Pair of Magnifier Designs v]__%_
7.3 The Simple, Classical Eyepieces .NtbL./=|
7.4 Design Story of an Eyepiece for a 6*30 Binocular ==i[w|
7.5 Four-Element Eyepieces +[SgO}sF
7.6 Five-Element Eyepieces V]*b4nX 7
7.7 Very High Index Eyepiece/Magnifier @ HZKc\1
7.8 Six- and Seven-Element Eyepieces E}%hz*Q)(
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8 Cooke Triplet Anastigmats L[5=h
8.1 Airspaced Triplet Anastigmats 5*[2yKsTi
8.2 Glass Choice 2Z20E$Cb
8.3 Vertex Length and Residual Aberrations 099sN"kf
8.4 Other Design Considerations [AV4m
8.5 A Plastic, Aspheric Triplet Camera Lens 8kP3+
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet EUsI% p
8.7 Possible Improvement to Our “Basic” Triplet j~ j\\Y
8.7 The Rear Earth (Lanthanum) Glasses *T0q|P~o%
8.9 Aspherizing the Surfaces Kscd}f)yx?
8.10 Increasing the Element Thickness @
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9 Split Triplets 1s1=rZ!
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10 The Tessar, Heliar, and Other Compounded Triplets fO#vF.k%
10.1 The Classic Tessar Lg"C ]
10.2 The Heliar/Pentac )Ud-}* g
10.3 The Portrait Lens and the Enlarger Lens $%VuSrZ&
10.4 Other Compounded Triplets a<]B B$~
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar \QU^>2 3
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11 Double-Meniscus Anastigmats 2w)-\/j }
11.1 Meniscus Components };'\~g,1
11.2 The Hypergon, Totogon, and Metrogon dL|+d: v
11.3 A Two Element Aspheric Thick Meniscus Camera Lens d#2$!z#
11.4 Protar, Dagor, and Convertible Lenses Fs[aa#v4B
11.5 The Split Dagor m|OO,gR
11.6 The Dogmar BB|?1"neg
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens Pz$R(T V
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12 The Biotar or Double-Gauss Lens MQin"\
12.1 The Basic Six-Element Version .jMq
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens ~ }R j$%_
12.3 The Seven-Element Biotar - Split-Rear Singlet <T[E=#
12.4 The Seven-Element Biotar - Broken Contact Front Doublet .5
12.5 The Seven-Element Biotar - One Compounded Outer Element s`>[F@N7.o
12.6 The Eight-Element Biotar | >z3E z
12.7 A “Doubled Double-Gauss” Relay "kZ[N'z (
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13 Telephoto Lenses ;2Q~0a|
13.1 The Basic Telephoto ?)e37
13.2 Close-up or Macro Lenses i*CZV|t US
13.3 Telephoto Designs !Ra*)b "
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch 5E notp[
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses [V:\\$
14.1 The Reverse Telephoto Principle LY-2sa#B$-
14.2 The Basic Retrofocus Lens }%D^8>S
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses "--t e
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15 Wide Angle Lenses with Negative Outer Lenses c&L"N!4 z
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16 The Petzval Lens; Head-up Display Lenses 0T46sm r
16.1 The Petzval Portrait Lens a N(|'uO@
16.2 The Petzval Projection Lens /a6Xa&(B
16.3 The Petzval with a Field Flattener |\n_OS 7
16.4 Very Height Speed Petzval Lenses O(_[ayE
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems +>4;Z d!@d
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17 Microscope Objectives [k-+AA>:
17.1 General Considerations "le>_Ze_>|
17.2 Classic Objective Design Forms; The Aplanatic Front ^%` wJ.c
17.3 Flat-Field Objectives hdVdcn M
17.4 Reflecting Objectives -1J[n0O.
17.5 The Microscope Objective Designs MM j9{ou
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18 Mirror and Catadioptric Systems /JT#^Y
18.1 The Good and Bad Points of Mirrors D1 &A,2wO
18.2 The Classic Two-Mirror Systems Bm]8m=p
18.3 Catadioptric Systems S%`0'lzzj
18.4 Aspheric Correctors and Schmidt Systems (64y g
18.5 Confocal Paraboloids NB< A>baL*
18.6 Unobscured Systems !A%<#Gjt
18.7 Design of a Schmidt-Cassegrain “from Scratch” ?@V[# .
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19 Infrared and Ultraviolet Systems HF(KN{0.B
19.1 Infrared Optics 9*a=iL*Nw
19.2 IR Objective Lenses :kGU,>BN
19.3 IR Telescope Q f@
19.4 Laser Beam Expanders __.+s32SS$
19,5 Ultraviolet Systems !o$!Fr c
19.6 Microlithographic Lenses p}cw{
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20 Zoom Lenses :>=\. \
20.1 Zoom Lenses YY!Rz[/
20.2 Zoom Lenses for Point and Shoot Cameras 7nuU^wc
20.3 A 20X Video Zoom Lens h*v8#\b$J_
20.4 A Zoom Scanner Lens GI&h `X5,e
20.5 A Possible Zoom Lens Design Procedure J_;o|gqX
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21 Projection TV Lenses and Macro Lenses AA7C$;Z15~
21.1 Projection TV Lenses #_u~/jhX
21.2 Macro Lenses F >rH^F
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22 Scanner/ , Laser Disk and Collimator Lenses bcYF\@};
22.1 Monochromatic Systems hvaSH69*m
22.2 Scanner Lenses ,I, \ml
22.3 Laser Disk, Focusing, and Collimator Lenses @mfEKU!
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23 Tolerance Budgeting {E8~ Z8tT
23.1 The Tolerance Budget LEtG|3Dx
23.2 Additive Tolerances ' <=+;q
23.3 Establishing the Tolerance Budget ?F3h)(}
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24 Formulary m |G'K[8
24.1 Sign Conventions, Symbols, and Definitions &U db9
24.2 The Cardinal Points yYfs y?3
24.3 Image Equations R~6$oeWAw
24.4 Paraxial Ray Tracing (Surface by Surface) 1aTB %F
24.5 Invariants %QP0
24.6 Paraxial Ray Tracing (Component by Component) &oX>* 6L
24.7 Two-Componenet Relationships
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24.8 Third-Order Aberrations – Surface Contributions [D4 Es
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs % S os
24.10 Stop Shift Equations c3CW Ri`LE
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces .yEBOMNZ
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) S@/I QR
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Glossary n~V ]Z
Reference XD2v*l|Po
Index
