[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith pn){v  
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Contents of Modern Lens Design 2nd Edition e=eip?p  
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1    Introduction         a2kAZCQ  
1.1    Lens Design Books     $|TLt{ K  
1.2    Reference Material      Zy8tI#  
1.3    Specifications     uJeJ=7,EO  
1.4    Lens Design     zjSl;ru  
1.5    Lens Design Program Features     -5|el3%)  
1.6    About This Book     T:9M|mD  
[TFp2B~)#  
2    Automatic Lens Design         vts"  
2.2    The Merit Function         *K@O3n   
2.3    Local Minima     m/(/!MVy  
2.4    The Landscape Lens     hY!>>  
2.5    Types of Merit Function     Z,81L3#6  
2.6    Stagnation     \pTv;(  
2.7    Generalized Simulated Annealing     rmtCCPF?0  
2.8    Considerations about Variables for Optimization     YnW9uy5  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems Msfxce  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     [p}~M-$V8Y  
2.11    Spectral Weighting     Aayd3Ph0%  
2.12    How to Get Started     H\N}0^ea  
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3    Improving a Design     _x#y   
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     k B4Fz  
3.2    Glass Changes ( Index and V Values )     _`0DO4IU  
3.3    Splitting Elements     jG)66E*"  
3.4    Separating a Cemented Doublet     J$sp6g>K  
3.5    Compounding an Element     +aPe)U<t  
3.6    Vignetting and Its Uses     Q)qJ6-R|HD  
3.7    Eliminating a Weak Element; the Concentric Problem     M"u=)CT  
3.8    Balancing Aberrations     ]#rV]As  
3.9    The Symmetrical Principle     !|]k2=+I  
3.10    Aspheric Surfaces     qLc&.O.=  
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4    Evaluation: How Good is This Design     #F2DEo^0  
4.1    The Uses of a Preliminary Evaluation     QZa^Cng~  
4.2    OPD versus Measures of Performance     d(R8^v/L  
4.3    Geometric Blur Spot Size versus Certain Aberrations     AN[pjC<  
4.4    Interpreting MTF - The Modulation Transfer Function     cfg.&P>  
4.5    Fabrication Considerations     jUR* |  
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5    Lens Design Data     [;F!\B-  
5.1    About the Sample Lens Designs     2Ur&_c6P  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     :?m"kh ~  
5.3    Estimating the Potential of a Redesign     Eb63O  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     WX_g  
5.5    Notes on the Interpretation of Ray Intercept Plots     "{H{-`Ni  
5.6    Various Evaluation Plot     m(kv:5<>  
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6    Telescope Objective     _%B,^0;C  
6.1    The Thin Airspaced Doublet     c'Z)uquvP  
6.2    Merit Function for a Telescope Objective     G{Ju2HY  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     {_$['D^az  
6.4    Spherochromatism     QQS"K g  
6.5    Zonal Spherical Aberration     v$(Z}Hg  
6.6    Induced Aberrations     es.Y  
6.7    Three-Element Objectives     DAORfFG74  
6.8    Secondary Spectrum (Apochromatic Systems)     B>
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6.9    The Design of an f/7 Apochromatic Triplet      CWYOzqf  
6.10    The Diffractive Surface in Lens Design     7v0VZ(UR  
6.11    A Final Note     NiE`
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7    Eyepieces and Magnifiers     D+jvF  
7.1    Eyepieces     f4NN?"W)  
7.2    A Pair of Magnifier Designs     2e3AmR@*  
7.3    The Simple, Classical Eyepieces     xcQ^y}JN  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     ,pf\g[tz  
7.5    Four-Element Eyepieces     [
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7.6    Five-Element Eyepieces     v@s"*E/PF7  
7.7    Very High Index Eyepiece/Magnifier     @ptrF pSL  
7.8    Six- and Seven-Element Eyepieces     T-kHk(  
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8    Cooke Triplet Anastigmats     }NdLd!  
8.1    Airspaced Triplet Anastigmats     2.v`J=R  
8.2    Glass Choice     0QrRG$<4X  
8.3    Vertex Length and Residual Aberrations     2~r2ErtS  
8.4    Other Design Considerations     9:Bn-3)  
8.5    A Plastic, Aspheric Triplet Camera Lens     bu\(KR$s  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet HL>l.IG?  
8.7    Possible Improvement to Our “Basic” Triplet     * 0JF|'  
8.7    The Rear Earth (Lanthanum) Glasses     6I
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8.9    Aspherizing the Surfaces     4 EA$<n(A-  
8.10    Increasing the Element Thickness     /6n"$qon6  
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9    Split Triplets     ]_|%!/_  
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10    The Tessar, Heliar, and Other Compounded Triplets     bS55/M w  
10.1    The Classic Tessar     Bqk+ne  
10.2    The Heliar/Pentac     gQY`qz  
10.3    The Portrait Lens and the Enlarger Lens     .i` -t"  
10.4    Other Compounded Triplets     <dBz]W  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar u3&#UN  
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11    Double-Meniscus Anastigmats     16.?45  
11.1    Meniscus Components     +G7[(Wz(z  
11.2    The Hypergon, Totogon, and Metrogon     ["ocZ? x  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     7/
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11.4    Protar, Dagor, and Convertible Lenses     4@a/k[,  
11.5    The Split Dagor     j{=}?+M  
11.6    The Dogmar     "15frr?  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     [W<j  
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12    The Biotar or Double-Gauss Lens     61HJ%  
12.1    The Basic Six-Element Version     w^3S6lK  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens v"Ryg]^_  
12.3    The Seven-Element Biotar - Split-Rear Singlet     8/ukzY1!  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     ;\j'~AyCn  
12.5    The Seven-Element Biotar - One Compounded Outer Element     c5i7mx:.  
12.6    The Eight-Element Biotar     6KN6SN$  
12.7    A “Doubled Double-Gauss” Relay     /@DJf\`vM  
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13    Telephoto Lenses     :inVwc  
13.1    The Basic Telephoto     j[t2Bp  
13.2    Close-up or Macro Lenses     @|'9nPern  
13.3    Telephoto Designs     X~\O]  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch M$6;&T  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     ;MlPP)*k  
14.1    The Reverse Telephoto Principle     G2|G}#E  
14.2    The Basic Retrofocus Lens     8e`HXU(A  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     6W;`}'ap  
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15    Wide Angle Lenses with Negative Outer Lenses     u{l4O1k/c  
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16    The Petzval Lens; Head-up Display Lenses     !l6ht{  
16.1    The Petzval Portrait Lens     ps/|^8aGZ  
16.2    The Petzval Projection Lens     >.XXB 5a  
16.3    The Petzval with a Field Flattener     }XCh>LvX  
16.4    Very Height Speed Petzval Lenses     eOZ~p  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     v+<4?]EJ  
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17    Microscope Objectives     5fmQ+2AC1  
17.1    General Considerations     m-cw5lW  
17.2    Classic Objective Design Forms; The Aplanatic Front     Dx9k%G)!  
17.3    Flat-Field Objectives     rj1%IzaXU^  
17.4    Reflecting Objectives     7WmY:g#s  
17.5    The Microscope Objective Designs     rQTG-& ,  
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18    Mirror and Catadioptric Systems     !rG-[7K  
18.1    The Good and Bad Points of Mirrors     <v\x<ul6  
18.2    The Classic Two-Mirror Systems vEt+^3=  
18.3    Catadioptric Systems     z38Pi  
18.4    Aspheric Correctors and Schmidt Systems     ;^)4u  
18.5    Confocal Paraboloids     .n?i'8  
18.6    Unobscured Systems     J10&iCr{r*  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     m/,8\+  
q)YHhH\  
19    Infrared and Ultraviolet Systems     'BVI^H4  
19.1    Infrared Optics     lg^Lk\Y+re  
19.2    IR Objective Lenses     WaE%g   
19.3    IR Telescope     hN!{/Gc|  
19.4    Laser Beam Expanders     :8?l=B9("g  
19,5    Ultraviolet Systems     O8LIKD_I[  
19.6    Microlithographic Lenses     +.m:-^9  
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20    Zoom Lenses     dzV2;  
20.1    Zoom Lenses     $:v
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20.2    Zoom Lenses for Point and Shoot Cameras     C2DAsSw  
20.3    A 20X Video Zoom Lens     KHeeB`V>J  
20.4    A Zoom Scanner Lens     1ZvXRJ)%  
20.5    A Possible Zoom Lens Design Procedure     B? XK;*])  
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21    Projection TV Lenses and Macro Lenses     /\E3p6\*  
21.1    Projection TV Lenses     #X?E#^6?E  
21.2    Macro Lenses     <DEu]-'>  
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22    Scanner/ , Laser Disk and Collimator Lenses     -"bC[WN  
22.1    Monochromatic Systems     jgfr_"@A  
22.2    Scanner Lenses     iU#"G" &  
22.3    Laser Disk, Focusing, and Collimator Lenses     ^r{N^   
    aZo>3z;
  
23    Tolerance Budgeting     81)i>]  
23.1    The Tolerance Budget     un)PW&~E  
23.2    Additive Tolerances     t^~itlE{  
23.3    Establishing the Tolerance Budget     Hig.` P  
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24    Formulary
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24.1    Sign Conventions, Symbols, and Definitions     ?H8dyQ5"  
24.2    The Cardinal Points     # `@jVX0  
24.3    Image Equations     Pup%lO`.0  
24.4    Paraxial Ray Tracing (Surface by Surface)     xhMAWFg|  
24.5    Invariants     bPuO~#iN~  
24.6    Paraxial Ray Tracing (Component by Component)     M{YN^ Kk  
24.7    Two-Componenet Relationships     ;i?R+T  
24.8    Third-Order Aberrations – Surface Contributions     ?07}\N0~  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     nu[["f~  
24.10    Stop Shift Equations     z|$9%uz"  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     LK>;\BRe?  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     0XA0b1VX  
`9
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]?Q<lMG  
Glossary K4OiKYq  
Reference j%81q  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 Q2F20b  
我怎么瞧不明白。

有没有人呀 mc{W\H  
有个问题想请教大家