"Modern Lens Design" 2nd Edition by Warren J. Smith }()5"QB
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Contents of Modern Lens Design 2nd Edition >7lx=T
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1 Introduction K28+]qy[
1.1 Lens Design Books (G zb
1.2 Reference Material 27
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1.3 Specifications U`R5'Tf;
1.4 Lens Design 1"zDin!A
1.5 Lens Design Program Features )97SnCkal
1.6 About This Book Dv| #u|iw
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2 Automatic Lens Design K0-ypU*P
2.2 The Merit Function "?]{%-u
2.3 Local Minima 2D75:@JL}|
2.4 The Landscape Lens B~ ]k#Ot)
2.5 Types of Merit Function <sWprR
2.6 Stagnation 4 !i$4
2.7 Generalized Simulated Annealing 6IBgt!=,
2.8 Considerations about Variables for Optimization W5EDVPur
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems msP{l^%0
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits tNO-e|~'
2.11 Spectral Weighting 0Vlk;fIh
2.12 How to Get Started N4^-`
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3 Improving a Design /1"(cQ%?
3.1 Lens Design Tip Sheet: Standard Improvement Techniques 'Y*E<6:
3.2 Glass Changes ( Index and V Values ) @Z*W
3.3 Splitting Elements mw_~*Nc'9
3.4 Separating a Cemented Doublet ^T*? >%`
3.5 Compounding an Element /(u}KMR!f
3.6 Vignetting and Its Uses `IP/d
3.7 Eliminating a Weak Element; the Concentric Problem Eo{"9j\
3.8 Balancing Aberrations .<jr0,i
3.9 The Symmetrical Principle S{]x
3.10 Aspheric Surfaces )U~=Pf"
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4 Evaluation: How Good is This Design
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4.1 The Uses of a Preliminary Evaluation C"6?bg5N
4.2 OPD versus Measures of Performance <v)1<*I
4.3 Geometric Blur Spot Size versus Certain Aberrations QqFR\6
4.4 Interpreting MTF - The Modulation Transfer Function
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4.5 Fabrication Considerations cJ{ Nh;"
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5 Lens Design Data .:@Ykdm4I
5.1 About the Sample Lens Designs W#^2#sjO
5.2 Lens Prescriptions, Drawings, and Aberration Plots 9{RB{<Se!
5.3 Estimating the Potential of a Redesign
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5.4 Scaling a Desing, Its Aberrations, and Its MTF HBy[FYa4
5.5 Notes on the Interpretation of Ray Intercept Plots / :
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5.6 Various Evaluation Plot ^Y=\#-Dd
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6 Telescope Objective ti5mIW\
6.1 The Thin Airspaced Doublet M$y+q
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6.2 Merit Function for a Telescope Objective (zgW%{V@
6.3 The Design of an f/7 Cemented Doublet Telescope Objective S]bmS6#
6.4 Spherochromatism Cbg!:Cws
6.5 Zonal Spherical Aberration ~<O7$~
6.6 Induced Aberrations a6D &/8
6.7 Three-Element Objectives wLi4G@jJ
6.8 Secondary Spectrum (Apochromatic Systems) V}J)\VZ2#
6.9 The Design of an f/7 Apochromatic Triplet 3N dq>
6.10 The Diffractive Surface in Lens Design dYG,_ji
6.11 A Final Note @Fluc,Il
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7 Eyepieces and Magnifiers `);AW(Q
7.1 Eyepieces I%r{]-Obr-
7.2 A Pair of Magnifier Designs lt
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7.3 The Simple, Classical Eyepieces a2dnbfSWa[
7.4 Design Story of an Eyepiece for a 6*30 Binocular 43|XSyS
7.5 Four-Element Eyepieces ;1:Js0=;H
7.6 Five-Element Eyepieces x.f]1S7h[
7.7 Very High Index Eyepiece/Magnifier ZG>PQA
7.8 Six- and Seven-Element Eyepieces {1IfU
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8 Cooke Triplet Anastigmats HW=C),*]cR
8.1 Airspaced Triplet Anastigmats Z)! qW?
8.2 Glass Choice Hc>m;[M)l
8.3 Vertex Length and Residual Aberrations S& SQ
8.4 Other Design Considerations I/&%]"[^u
8.5 A Plastic, Aspheric Triplet Camera Lens [#l*_0
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet mp=z
8.7 Possible Improvement to Our “Basic” Triplet vK9E
8.7 The Rear Earth (Lanthanum) Glasses ;*Ivn@L
8.9 Aspherizing the Surfaces X#*JWQO=
8.10 Increasing the Element Thickness o9JMH.G
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9 Split Triplets H7d/X
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10 The Tessar, Heliar, and Other Compounded Triplets .$qnZWcgG
10.1 The Classic Tessar b\3Oyp>
10.2 The Heliar/Pentac $"FQj4%d
10.3 The Portrait Lens and the Enlarger Lens p^Ak1qm~e
10.4 Other Compounded Triplets ,u+PyG7 cb
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar {)BTR %t
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11 Double-Meniscus Anastigmats UJM1VAJ0
11.1 Meniscus Components [U5\bX@$
11.2 The Hypergon, Totogon, and Metrogon ToJ$A`_!`
11.3 A Two Element Aspheric Thick Meniscus Camera Lens kMb}1J0i"
11.4 Protar, Dagor, and Convertible Lenses fz\9 S
11.5 The Split Dagor
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11.6 The Dogmar Tw""}|] g
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens +3BBQ+x!
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12 The Biotar or Double-Gauss Lens }% `.h"
12.1 The Basic Six-Element Version *:Vq:IU[D
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens cki81bOT
12.3 The Seven-Element Biotar - Split-Rear Singlet 7*
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12.4 The Seven-Element Biotar - Broken Contact Front Doublet MRb-H1+Xf
12.5 The Seven-Element Biotar - One Compounded Outer Element (-ufBYO6
12.6 The Eight-Element Biotar .#rJ+.2
12.7 A “Doubled Double-Gauss” Relay LcUh;=r}&
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13 Telephoto Lenses \#Pfj&*
13.1 The Basic Telephoto {OXFN;2
13.2 Close-up or Macro Lenses %kS(LlL+6
13.3 Telephoto Designs =p*]Az
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch :-/M?,Q"
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses n?- })
14.1 The Reverse Telephoto Principle }T&iewk
14.2 The Basic Retrofocus Lens v6>_ j
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14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses /J=v]<87a
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15 Wide Angle Lenses with Negative Outer Lenses B" !l2
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16 The Petzval Lens; Head-up Display Lenses U<DZ:ds?T
16.1 The Petzval Portrait Lens ,n3a
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16.2 The Petzval Projection Lens "Y~:|?(@-
16.3 The Petzval with a Field Flattener wVEm:/;z&
16.4 Very Height Speed Petzval Lenses xlA$:M&
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems %-c*C $
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17 Microscope Objectives ;[M}MFc/`
17.1 General Considerations z^#;~I @M
17.2 Classic Objective Design Forms; The Aplanatic Front ~N<4L>y<
17.3 Flat-Field Objectives W g02 A\
17.4 Reflecting Objectives Jl#%uU/sx
17.5 The Microscope Objective Designs ]pH-2_
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18 Mirror and Catadioptric Systems LR".pH13
18.1 The Good and Bad Points of Mirrors 0{,Z{&E
18.2 The Classic Two-Mirror Systems ?zw|kl
18.3 Catadioptric Systems ?4q4J8j
18.4 Aspheric Correctors and Schmidt Systems A
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18.5 Confocal Paraboloids Q9Kve3u-i
18.6 Unobscured Systems L?WFmn
18.7 Design of a Schmidt-Cassegrain “from Scratch” e=B|==E10M
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19 Infrared and Ultraviolet Systems 05b_)&4R
19.1 Infrared Optics ,
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19.2 IR Objective Lenses ABD)}n=%c
19.3 IR Telescope CG Y]r.O*
19.4 Laser Beam Expanders uRZ ZxZ
19,5 Ultraviolet Systems x{n`^;Y1
19.6 Microlithographic Lenses <{V(.=11
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20 Zoom Lenses BG6B :
20.1 Zoom Lenses a@@)6FM
20.2 Zoom Lenses for Point and Shoot Cameras Yu)NO\3&
20.3 A 20X Video Zoom Lens GP?M!C,/}k
20.4 A Zoom Scanner Lens wr$M$i:
20.5 A Possible Zoom Lens Design Procedure ST:A<Da"
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21 Projection TV Lenses and Macro Lenses $$Oey)*
21.1 Projection TV Lenses 0
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21.2 Macro Lenses +nXK-g;)'
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22 Scanner/ , Laser Disk and Collimator Lenses "Zl5<
22.1 Monochromatic Systems JBE!j-F
22.2 Scanner Lenses x:),P-~w
22.3 Laser Disk, Focusing, and Collimator Lenses }<@b=_>S
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23 Tolerance Budgeting 8Kg n"M3
23.1 The Tolerance Budget ADDSCY=,
23.2 Additive Tolerances r'^Hg/Jzt
23.3 Establishing the Tolerance Budget }1Gv)l7
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24 Formulary jQ2Ot <
24.1 Sign Conventions, Symbols, and Definitions PsnWWj?c
24.2 The Cardinal Points ^p[rc@+
24.3 Image Equations &O9 |#YUq
24.4 Paraxial Ray Tracing (Surface by Surface) xe{!wX
24.5 Invariants H*ow\
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24.6 Paraxial Ray Tracing (Component by Component) #gz
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24.7 Two-Componenet Relationships n>ULRgiT:o
24.8 Third-Order Aberrations – Surface Contributions o]yl;I
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs $c0h.t
24.10 Stop Shift Equations piPR=B+
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces B8f8w)m
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) Qw-~>d
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Glossary >,F bX8Zz
Reference z\K"Rg~J
Index