"Modern Lens Design" 2nd Edition by Warren J. Smith &c #N)U
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Contents of Modern Lens Design 2nd Edition ?h2}#wg
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1 Introduction FgO)DQm
1.1 Lens Design Books V43H/hl
1.2 Reference Material hv+zGID7
1.3 Specifications ,+ ~W4<f
1.4 Lens Design !!y a
1.5 Lens Design Program Features ~)'k 9?0
1.6 About This Book DTs;{c
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2 Automatic Lens Design tnIX:6
2.2 The Merit Function "7`<~>9t.
2.3 Local Minima QS j]ZA
2.4 The Landscape Lens ItCv.yv35
2.5 Types of Merit Function 92-I~
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2.6 Stagnation wNX]7wMX
2.7 Generalized Simulated Annealing ^C%<l(b
2.8 Considerations about Variables for Optimization "w_aM7x_
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems (iGTACoF
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits $ulOp;~A%
2.11 Spectral Weighting y?!"6t7&
2.12 How to Get Started \[nut;
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3 Improving a Design <7$1kGlA
3.1 Lens Design Tip Sheet: Standard Improvement Techniques C.QO#b
3.2 Glass Changes ( Index and V Values ) -.3w^D"l
3.3 Splitting Elements CH/rp4NeSy
3.4 Separating a Cemented Doublet zn(PI3+]!
3.5 Compounding an Element 6zn5UW#q
3.6 Vignetting and Its Uses F&Hrk|a
3.7 Eliminating a Weak Element; the Concentric Problem tI{_y
3.8 Balancing Aberrations jq-_4}w?C
3.9 The Symmetrical Principle 3N:D6w-R
3.10 Aspheric Surfaces iR0y"Cii
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4 Evaluation: How Good is This Design =qIyqbXz
4.1 The Uses of a Preliminary Evaluation cGD(.=
4.2 OPD versus Measures of Performance UZ$/Ni
4.3 Geometric Blur Spot Size versus Certain Aberrations P
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4.4 Interpreting MTF - The Modulation Transfer Function S@sO;-^+
4.5 Fabrication Considerations 07 $o;W@
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5 Lens Design Data QdC<Sk!G
5.1 About the Sample Lens Designs %07SFu#
5.2 Lens Prescriptions, Drawings, and Aberration Plots M@ZI\
5.3 Estimating the Potential of a Redesign X8`Sf>
5.4 Scaling a Desing, Its Aberrations, and Its MTF Lh<).<S
5.5 Notes on the Interpretation of Ray Intercept Plots FGQzoS
5.6 Various Evaluation Plot E~:x(5'%d
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6 Telescope Objective Y4(
6.1 The Thin Airspaced Doublet 8x{'@WCG%
6.2 Merit Function for a Telescope Objective 2Hv+W-6v
6.3 The Design of an f/7 Cemented Doublet Telescope Objective yCX?!E;La
6.4 Spherochromatism 8sCv]|cn
6.5 Zonal Spherical Aberration EZ`{Wnbq
6.6 Induced Aberrations f
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6.7 Three-Element Objectives e0 T\tc
6.8 Secondary Spectrum (Apochromatic Systems) xP,hTE
6.9 The Design of an f/7 Apochromatic Triplet uM'Jp?
6.10 The Diffractive Surface in Lens Design Hq 188<
6.11 A Final Note j8`BdKg
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7 Eyepieces and Magnifiers :a)u&g@G
7.1 Eyepieces 9&ids!W~yx
7.2 A Pair of Magnifier Designs @ry_nKr9
7.3 The Simple, Classical Eyepieces z$xo$R(
7.4 Design Story of an Eyepiece for a 6*30 Binocular PiYxk+N
7.5 Four-Element Eyepieces ofv)SCjd
7.6 Five-Element Eyepieces = 9]~yt
7.7 Very High Index Eyepiece/Magnifier BVO<e \>3
7.8 Six- and Seven-Element Eyepieces
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8 Cooke Triplet Anastigmats O1mKe%'|
8.1 Airspaced Triplet Anastigmats WeiFmar
8.2 Glass Choice >e"#'K0?\
8.3 Vertex Length and Residual Aberrations jalg5`PU0
8.4 Other Design Considerations VU d\QR-
8.5 A Plastic, Aspheric Triplet Camera Lens XvlU*TO~(~
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet
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8.7 Possible Improvement to Our “Basic” Triplet W{gb:^;zb
8.7 The Rear Earth (Lanthanum) Glasses 1y4
8.9 Aspherizing the Surfaces 7Rt9od<
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8.10 Increasing the Element Thickness k)Qtfj}uij
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9 Split Triplets `$C
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10 The Tessar, Heliar, and Other Compounded Triplets f`=-US
10.1 The Classic Tessar hfy_3} _
10.2 The Heliar/Pentac &IB