"Modern Lens Design" 2nd Edition by Warren J. Smith :_[cT,3
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Contents of Modern Lens Design 2nd Edition =S7C(;=4
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1 Introduction m{=~|I
1.1 Lens Design Books nr9#3Lb
1.2 Reference Material AK\g-]8
1.3 Specifications 1)kl
1.4 Lens Design 0kr& c;~
1.5 Lens Design Program Features y0y;1N'KK
1.6 About This Book UOL%tT
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2 Automatic Lens Design Gpp}Jpj
2.2 The Merit Function sOtNd({
2.3 Local Minima )<&CnK
2.4 The Landscape Lens
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2.5 Types of Merit Function /JY ph^3][
2.6 Stagnation ?ia[KLt"
2.7 Generalized Simulated Annealing \#*;H|U.x
2.8 Considerations about Variables for Optimization -,CndRKx
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems Jj _+YfIM
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits L08;z
2.11 Spectral Weighting ,i((;/O6
2.12 How to Get Started Ognq*[om
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3 Improving a Design [g
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3.1 Lens Design Tip Sheet: Standard Improvement Techniques \(7# N<-
3.2 Glass Changes ( Index and V Values ) w5JC 2
3.3 Splitting Elements Qmh(+-Mp(
3.4 Separating a Cemented Doublet vWfef~}~
3.5 Compounding an Element l4.@YYzbp.
3.6 Vignetting and Its Uses n7YWc5:CaL
3.7 Eliminating a Weak Element; the Concentric Problem :usBeho
3.8 Balancing Aberrations f(ec/0W
3.9 The Symmetrical Principle T%vbD*nt.
3.10 Aspheric Surfaces tf}Q%)`f
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4 Evaluation: How Good is This Design $">NW&
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4.1 The Uses of a Preliminary Evaluation .&!{8jBX
4.2 OPD versus Measures of Performance c!FjHlAnP
4.3 Geometric Blur Spot Size versus Certain Aberrations !suiqP1\*
4.4 Interpreting MTF - The Modulation Transfer Function YY>Uf1}*9
4.5 Fabrication Considerations OL+40 J
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5 Lens Design Data +P;D}1B#I?
5.1 About the Sample Lens Designs L|Gk}n
5.2 Lens Prescriptions, Drawings, and Aberration Plots ialk6i![
5.3 Estimating the Potential of a Redesign ,]N%(>ot
5.4 Scaling a Desing, Its Aberrations, and Its MTF g<5Pc,
5.5 Notes on the Interpretation of Ray Intercept Plots +}Wo=R}
5.6 Various Evaluation Plot FQ ^^6Rl
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6 Telescope Objective bM_(`]&*
6.1 The Thin Airspaced Doublet . T>}O0L"
6.2 Merit Function for a Telescope Objective J]YN2{(x
6.3 The Design of an f/7 Cemented Doublet Telescope Objective 2gI_*fG1
6.4 Spherochromatism QnAf A%
6.5 Zonal Spherical Aberration <^Nj~+G'
6.6 Induced Aberrations i*E`<9
6.7 Three-Element Objectives <"P
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6.8 Secondary Spectrum (Apochromatic Systems) HWAqJb [
6.9 The Design of an f/7 Apochromatic Triplet 8WQ%rN={8
6.10 The Diffractive Surface in Lens Design M!i5StGC
6.11 A Final Note 85~h+Q;
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7 Eyepieces and Magnifiers jmNj#R@t
7.1 Eyepieces dNt|"9~&
7.2 A Pair of Magnifier Designs @z RB4d$
7.3 The Simple, Classical Eyepieces Hmd:>_[f
7.4 Design Story of an Eyepiece for a 6*30 Binocular {j@)sDMX
7.5 Four-Element Eyepieces -$ft `Ih
7.6 Five-Element Eyepieces *<j @+Ch
7.7 Very High Index Eyepiece/Magnifier 9\0 K%LL
7.8 Six- and Seven-Element Eyepieces A^pp'{ !.
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8 Cooke Triplet Anastigmats D/`E!6Fk=
8.1 Airspaced Triplet Anastigmats '$^ F.2
8.2 Glass Choice :*nBo
8.3 Vertex Length and Residual Aberrations H)+kN'J
8.4 Other Design Considerations Ol0|)0
8.5 A Plastic, Aspheric Triplet Camera Lens Z9^$jw]
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet [SvwJIJJ
8.7 Possible Improvement to Our “Basic” Triplet EKD>c$T^
8.7 The Rear Earth (Lanthanum) Glasses YTit=4|
8.9 Aspherizing the Surfaces O{R5<"g
8.10 Increasing the Element Thickness N^N?!I
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9 Split Triplets 7T Bo*-!
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10 The Tessar, Heliar, and Other Compounded Triplets 21 j+c{O
10.1 The Classic Tessar uK5Px!
10.2 The Heliar/Pentac pwC/&bu
10.3 The Portrait Lens and the Enlarger Lens Xlw=R2`)~
10.4 Other Compounded Triplets v a;wQ~&
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar ufPQ~,.
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11 Double-Meniscus Anastigmats ?O?~|nI
11.1 Meniscus Components z\5Nni/~6D
11.2 The Hypergon, Totogon, and Metrogon zl?N1>KS
11.3 A Two Element Aspheric Thick Meniscus Camera Lens ]f~YeOB@
11.4 Protar, Dagor, and Convertible Lenses N8vl<
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11.5 The Split Dagor {`Z)'G\`
11.6 The Dogmar [9^e
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11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens RJ44o>L4O
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12 The Biotar or Double-Gauss Lens e{:qW'%
12.1 The Basic Six-Element Version XQ+hTtP
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens d:''qgz`
12.3 The Seven-Element Biotar - Split-Rear Singlet
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12.4 The Seven-Element Biotar - Broken Contact Front Doublet '3->G/Pu
12.5 The Seven-Element Biotar - One Compounded Outer Element 5?MvO]_
12.6 The Eight-Element Biotar 1gJ!!SHPo
12.7 A “Doubled Double-Gauss” Relay +s}28U!
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13 Telephoto Lenses vGw}e&YI
13.1 The Basic Telephoto ^S|^1
13.2 Close-up or Macro Lenses Y."[k&P-
13.3 Telephoto Designs 8=9sIK2
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch o*xEaD
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses .Dmvgi]
14.1 The Reverse Telephoto Principle 3R><AFMY?
14.2 The Basic Retrofocus Lens jGCW^#GE
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses IM/\t!*7
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15 Wide Angle Lenses with Negative Outer Lenses H<yec"
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16 The Petzval Lens; Head-up Display Lenses )J0VB't
16.1 The Petzval Portrait Lens &Te:l-x
16.2 The Petzval Projection Lens L8J/GVmj
16.3 The Petzval with a Field Flattener o<4LL7$A!
16.4 Very Height Speed Petzval Lenses
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16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems .Yx.Lm}
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17 Microscope Objectives f@mM&e=f
17.1 General Considerations \=<.0K A~
17.2 Classic Objective Design Forms; The Aplanatic Front z4goa2@Z
17.3 Flat-Field Objectives !l|Qyk[
17.4 Reflecting Objectives /MC\!,K
17.5 The Microscope Objective Designs SccU@3.X~
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18 Mirror and Catadioptric Systems Yy}aQF#M
18.1 The Good and Bad Points of Mirrors +}Pa/8ybJ
18.2 The Classic Two-Mirror Systems U
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18.3 Catadioptric Systems t-Wn@a
18.4 Aspheric Correctors and Schmidt Systems mx yT==E
18.5 Confocal Paraboloids 1"k@O)?JP
18.6 Unobscured Systems pK`rm"6G
18.7 Design of a Schmidt-Cassegrain “from Scratch” pqK3u)
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19 Infrared and Ultraviolet Systems slx^" BF^
19.1 Infrared Optics khfE<<