[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith ze8MFz'm  
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Contents of Modern Lens Design 2nd Edition A]'XC"lS  
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1    Introduction         [p0_I7  
1.1    Lens Design Books     E_D@7a  
1.2    Reference Material     xOxyz6B\  
1.3    Specifications     m=iKu(2xRq  
1.4    Lens Design     *g'%5i1ed  
1.5    Lens Design Program Features     ki`ur%h  
1.6    About This Book     5 r<cna  
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2    Automatic Lens Design         ? R[GSS1  
2.2    The Merit Function         sx[mbKj<  
2.3    Local Minima     7O=7lQ  
2.4    The Landscape Lens     bV)h\:oC  
2.5    Types of Merit Function     Y!u">M#@  
2.6    Stagnation     G&N),wsNZK  
2.7    Generalized Simulated Annealing     |BbrB[+ v[  
2.8    Considerations about Variables for Optimization     n#P?JyGm1g  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems {oo(HD;5  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     68qCY  
2.11    Spectral Weighting     KAy uv  
2.12    How to Get Started    
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3    Improving a Design     Y$hLsM\%  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     q"g4fzCD  
3.2    Glass Changes ( Index and V Values )     8f&#WIZ  
3.3    Splitting Elements     sPX~>8}|VP  
3.4    Separating a Cemented Doublet     J<iiA:&J  
3.5    Compounding an Element     |' kC9H[>  
3.6    Vignetting and Its Uses     Jj1lAg0  
3.7    Eliminating a Weak Element; the Concentric Problem     Zqg AgN@  
3.8    Balancing Aberrations     P=4o)e7E!  
3.9    The Symmetrical Principle     <;Td8T;  
3.10    Aspheric Surfaces     n3hlo@gYW  
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4    Evaluation: How Good is This Design     j{%'A  
4.1    The Uses of a Preliminary Evaluation     S }G3ha  
4.2    OPD versus Measures of Performance     b:*( f#"q  
4.3    Geometric Blur Spot Size versus Certain Aberrations     ot^$/(W  
4.4    Interpreting MTF - The Modulation Transfer Function     M1Th~W9l  
4.5    Fabrication Considerations     h4>q~&Pd  
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5    Lens Design Data     +\
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5.1    About the Sample Lens Designs     ALR`z~1  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     `=W#owAF  
5.3    Estimating the Potential of a Redesign     i"M$hXO  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     /
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5.5    Notes on the Interpretation of Ray Intercept Plots     WWIQ6EJO  
5.6    Various Evaluation Plot     HqA~q  
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6    Telescope Objective     `hl1R3nBM  
6.1    The Thin Airspaced Doublet     kkV*
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6.2    Merit Function for a Telescope Objective     G8hDR^ra  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     J#k.!]r,Y  
6.4    Spherochromatism     4g/Ly8  
6.5    Zonal Spherical Aberration     G]>P!]  
6.6    Induced Aberrations     ]K>x:vMKH  
6.7    Three-Element Objectives     u6p nO  
6.8    Secondary Spectrum (Apochromatic Systems)     {F$MZ2E  
6.9    The Design of an f/7 Apochromatic Triplet     \8-PCD  
6.10    The Diffractive Surface in Lens Design     R%%h=]  
6.11    A Final Note     l$!g#?w  
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7    Eyepieces and Magnifiers     BxXP]od  
7.1    Eyepieces     mr#XN&e  
7.2    A Pair of Magnifier Designs     a)M#O\i`  
7.3    The Simple, Classical Eyepieces     n@| &jh  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     -*"Q-GO  
7.5    Four-Element Eyepieces     k/#321Z  
7.6    Five-Element Eyepieces     pS<j>y  
7.7    Very High Index Eyepiece/Magnifier     ]`n6H[6O  
7.8    Six- and Seven-Element Eyepieces     8` f=Eh  
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8    Cooke Triplet Anastigmats     JdA3O{mT)  
8.1    Airspaced Triplet Anastigmats     \}})U#   
8.2    Glass Choice     Ru^j~Cj5  
8.3    Vertex Length and Residual Aberrations     }^3ICwzm  
8.4    Other Design Considerations     "0A !fRI~  
8.5    A Plastic, Aspheric Triplet Camera Lens     hXsH9R  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet 7S]akcT/  
8.7    Possible Improvement to Our “Basic” Triplet     `Ot;KDz  
8.7    The Rear Earth (Lanthanum) Glasses     T,Zfz9{n  
8.9    Aspherizing the Surfaces     x4bj?=+  
8.10    Increasing the Element Thickness     %'i`Chc^!;  
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9    Split Triplets     095ZZ20  
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10    The Tessar, Heliar, and Other Compounded Triplets     "G @(AE(  
10.1    The Classic Tessar     TYh_uox6  
10.2    The Heliar/Pentac     B[6y2+6$0  
10.3    The Portrait Lens and the Enlarger Lens     aJ}Cqk  
10.4    Other Compounded Triplets     +zLh<q0  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar JRl`evTS  
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11    Double-Meniscus Anastigmats     (
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11.1    Meniscus Components     ZQPv@6+oY  
11.2    The Hypergon, Totogon, and Metrogon      } h0 )  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     J+6bp0RIh  
11.4    Protar, Dagor, and Convertible Lenses     2OJ=Xb1  
11.5    The Split Dagor     7IH^5r  
11.6    The Dogmar     8'X:}O/  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     A~UDtXN*4  
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12    The Biotar or Double-Gauss Lens     <[mvfw  
12.1    The Basic Six-Element Version     %4rPkPAtrp  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens hJ1:#%Qe.  
12.3    The Seven-Element Biotar - Split-Rear Singlet     LxC"j1wfl  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     4
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12.5    The Seven-Element Biotar - One Compounded Outer Element     ?
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12.6    The Eight-Element Biotar     JQ.w6aE  
12.7    A “Doubled Double-Gauss” Relay     'v*Y7zZ#K  
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13    Telephoto Lenses     *q.qO )X}3  
13.1    The Basic Telephoto     ^Q$U.sN?R  
13.2    Close-up or Macro Lenses     5+[`x']l  
13.3    Telephoto Designs     `d[ja,  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch Nn;p1n dN  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     /"M7YPX;  
14.1    The Reverse Telephoto Principle     Gf{FFIe
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14.2    The Basic Retrofocus Lens     s!d"(K9E  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     S4?N_"
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15    Wide Angle Lenses with Negative Outer Lenses     g
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16    The Petzval Lens; Head-up Display Lenses     mnM!^[|z  
16.1    The Petzval Portrait Lens     .v3~2r*&  
16.2    The Petzval Projection Lens     P|OjtI  
16.3    The Petzval with a Field Flattener     AW+q#Is  
16.4    Very Height Speed Petzval Lenses     s2-p-n  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     M)oy3y^&  
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17    Microscope Objectives     noBGP/Av=:  
17.1    General Considerations     T53|*~u  
17.2    Classic Objective Design Forms; The Aplanatic Front     ~#b&UR  
17.3    Flat-Field Objectives     >6(91J  
17.4    Reflecting Objectives     [o=v"s't)  
17.5    The Microscope Objective Designs     A:3:Cr  
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18    Mirror and Catadioptric Systems     uZ-yu|1  
18.1    The Good and Bad Points of Mirrors     Lit@ m2{\  
18.2    The Classic Two-Mirror Systems D:gskK+o6M  
18.3    Catadioptric Systems     4ISZyO=  
18.4    Aspheric Correctors and Schmidt Systems     C>vp oCA  
18.5    Confocal Paraboloids     ]oN:MS4r  
18.6    Unobscured Systems     fr1/9E;  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     K0i[D"
 
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19    Infrared and Ultraviolet Systems     xYJ|G=h&A  
19.1    Infrared Optics     I3A@0'Vm;L  
19.2    IR Objective Lenses     ^uu)
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19.3    IR Telescope     {/x["2a1  
19.4    Laser Beam Expanders     Dwq}O  
19,5    Ultraviolet Systems     tnbtfG;z#  
19.6    Microlithographic Lenses     lkWID  
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20    Zoom Lenses     7B`,q-x.  
20.1    Zoom Lenses     D|u! KH  
20.2    Zoom Lenses for Point and Shoot Cameras     R(c:#KF#8  
20.3    A 20X Video Zoom Lens     5y
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20.4    A Zoom Scanner Lens     KrhAObK  
20.5    A Possible Zoom Lens Design Procedure     QPf#y7_@u  
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21    Projection TV Lenses and Macro Lenses     @iZ"I i&+  
21.1    Projection TV Lenses     GT[,[l  
21.2    Macro Lenses     %=:*yf>}  
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22    Scanner/ , Laser Disk and Collimator Lenses     ^rI<}cfR  
22.1    Monochromatic Systems     g7*ii X  
22.2    Scanner Lenses     km;M!}D  
22.3    Laser Disk, Focusing, and Collimator Lenses     Zc"Vf]:  
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23    Tolerance Budgeting     s6(iiB%d  
23.1    The Tolerance Budget     [Yx)`e  
23.2    Additive Tolerances     '1lr "}"Q+  
23.3    Establishing the Tolerance Budget     KLI(Rve24  
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24    Formulary %ec9`0^4S  
24.1    Sign Conventions, Symbols, and Definitions     h*_h M1*;  
24.2    The Cardinal Points     Y"GU"n~  
24.3    Image Equations     g0m6D:f  
24.4    Paraxial Ray Tracing (Surface by Surface)     q
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24.5    Invariants     ;- D1n  
24.6    Paraxial Ray Tracing (Component by Component)     +?[,y  
24.7    Two-Componenet Relationships     ffuV158a&  
24.8    Third-Order Aberrations – Surface Contributions     _c=[P@  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     &+?JY|u  
24.10    Stop Shift Equations     oyGO!j  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     pu(a&0  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     )P:r;a'  
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Glossary &TqY\l  
Reference $EjM)  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 QJc3@  
我怎么瞧不明白。

有没有人呀 -"qw5Y_oF?  
有个问题想请教大家