"Modern Lens Design" 2nd Edition by Warren J. Smith ?r]0 %W^
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Contents of Modern Lens Design 2nd Edition J7wwM'\
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1 Introduction s,C>l_4-
1.1 Lens Design Books s%#u)nw19
1.2 Reference Material FME,W&_d
1.3 Specifications Ac*)z#H
1.4 Lens Design mGwJ>'+d
1.5 Lens Design Program Features e?XGv0^qu
1.6 About This Book ~6u|@pnI
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2 Automatic Lens Design CyVi{"aF3
2.2 The Merit Function ]9<H[5>$R
2.3 Local Minima &f A1kG%
2.4 The Landscape Lens ),o=~,v:
2.5 Types of Merit Function Z@JTZMN_
2.6 Stagnation I8W9Kzf
2.7 Generalized Simulated Annealing N1>M<N03
2.8 Considerations about Variables for Optimization _=[pW2p
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems 4;jAdWj3
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits INCanE`+
2.11 Spectral Weighting <X5V]f
2.12 How to Get Started 'L1yFv
tOj5b7'ui
3 Improving a Design M.$=tuUL
3.1 Lens Design Tip Sheet: Standard Improvement Techniques O" [#g
3.2 Glass Changes ( Index and V Values ) H]dN'c-
3.3 Splitting Elements 21?>rezJ
3.4 Separating a Cemented Doublet DfOigLG*
3.5 Compounding an Element >
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3.6 Vignetting and Its Uses Tz(Dhb,
3.7 Eliminating a Weak Element; the Concentric Problem Ox aS<vQ3
3.8 Balancing Aberrations MA 6uJT
3.9 The Symmetrical Principle naY#`xig
3.10 Aspheric Surfaces A~a7/N6s;
~W gO{@Mw
4 Evaluation: How Good is This Design Vx n-
4.1 The Uses of a Preliminary Evaluation (WGEX(|
4.2 OPD versus Measures of Performance h9%.tGx
4.3 Geometric Blur Spot Size versus Certain Aberrations DY87NS*HF
4.4 Interpreting MTF - The Modulation Transfer Function
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4.5 Fabrication Considerations Je#3
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5 Lens Design Data NCx)zJ\S
5.1 About the Sample Lens Designs FxX nX
5.2 Lens Prescriptions, Drawings, and Aberration Plots K!G/iz9SB
5.3 Estimating the Potential of a Redesign xAf?E%_pi
5.4 Scaling a Desing, Its Aberrations, and Its MTF ;p(Doy)i
5.5 Notes on the Interpretation of Ray Intercept Plots i+Xb3+R
5.6 Various Evaluation Plot aXD|XE%
`7
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6 Telescope Objective nlx~yUXL4
6.1 The Thin Airspaced Doublet U&gl$/4U@
6.2 Merit Function for a Telescope Objective 0mT.J~}1v
6.3 The Design of an f/7 Cemented Doublet Telescope Objective *_uGzGB&G
6.4 Spherochromatism $I3}%'`+
6.5 Zonal Spherical Aberration e0o)Jo.P
6.6 Induced Aberrations 8rjiW#
6.7 Three-Element Objectives a&`Lfw"
6.8 Secondary Spectrum (Apochromatic Systems) =NL(L
6.9 The Design of an f/7 Apochromatic Triplet Oyjhc<6
6.10 The Diffractive Surface in Lens Design z0tm3ovp
6.11 A Final Note Y#Pg*C8>8
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7 Eyepieces and Magnifiers 0~nub
7.1 Eyepieces UZW)%
7.2 A Pair of Magnifier Designs X
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7.3 The Simple, Classical Eyepieces S?(/~Vb%
7.4 Design Story of an Eyepiece for a 6*30 Binocular H[iR8<rhQ
7.5 Four-Element Eyepieces )!D,;,aQ
7.6 Five-Element Eyepieces ^pvnUODW[
7.7 Very High Index Eyepiece/Magnifier 4{=^J2z
7.8 Six- and Seven-Element Eyepieces ]A:G>K
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8 Cooke Triplet Anastigmats WS ^%<
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8.1 Airspaced Triplet Anastigmats =&?BPhJE
8.2 Glass Choice G+Zm
8.3 Vertex Length and Residual Aberrations )m(?U
8.4 Other Design Considerations y$HV;%G{26
8.5 A Plastic, Aspheric Triplet Camera Lens c0:`+>p2
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet k iY1
8.7 Possible Improvement to Our “Basic” Triplet &B ^LaRg
8.7 The Rear Earth (Lanthanum) Glasses a"X9cU[
8.9 Aspherizing the Surfaces V0F&a~Q
8.10 Increasing the Element Thickness USyOHHPW@
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9 Split Triplets ksli-Px
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10 The Tessar, Heliar, and Other Compounded Triplets sxU
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10.1 The Classic Tessar !&vPG>V
10.2 The Heliar/Pentac V5HK6- T
10.3 The Portrait Lens and the Enlarger Lens A#Jx6T`a
10.4 Other Compounded Triplets yK:b$S
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar QetyuhS~
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11 Double-Meniscus Anastigmats rIWQD%Afm
11.1 Meniscus Components =$Sd2UD
11.2 The Hypergon, Totogon, and Metrogon :PDyc(s{
11.3 A Two Element Aspheric Thick Meniscus Camera Lens wy4}CG
11.4 Protar, Dagor, and Convertible Lenses qgw)SuwW
11.5 The Split Dagor qv$m5CJvK
11.6 The Dogmar 4xD`Z_U
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens jB%aHUF;
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12 The Biotar or Double-Gauss Lens aqN6.t
12.1 The Basic Six-Element Version Bh<6J&<n
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens y` 6!Vj l
12.3 The Seven-Element Biotar - Split-Rear Singlet [$%O-_x
12.4 The Seven-Element Biotar - Broken Contact Front Doublet Q}:#Hz?U
12.5 The Seven-Element Biotar - One Compounded Outer Element
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12.6 The Eight-Element Biotar jS| 9jg:
12.7 A “Doubled Double-Gauss” Relay (E]q>'X
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13 Telephoto Lenses MPD<MaW$
13.1 The Basic Telephoto )V?:qCuY>
13.2 Close-up or Macro Lenses MI\35~JAN
13.3 Telephoto Designs QNm8`1
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch R*r;`x
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses bOS; 1~~
14.1 The Reverse Telephoto Principle "TP^:Ln
14.2 The Basic Retrofocus Lens %{;1i
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses )@[##F2
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15 Wide Angle Lenses with Negative Outer Lenses %,Lv},%Y
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16 The Petzval Lens; Head-up Display Lenses 5v,_ Hgh
16.1 The Petzval Portrait Lens sA!$}W
16.2 The Petzval Projection Lens ~"nF$DB
16.3 The Petzval with a Field Flattener ?]PE!7H
16.4 Very Height Speed Petzval Lenses TNkvdE-S
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems 1j?+rs+o-
XsbYWJdds
17 Microscope Objectives P:&X1MC
17.1 General Considerations fv/Nf"
17.2 Classic Objective Design Forms; The Aplanatic Front xY>@GSO1
17.3 Flat-Field Objectives l~Rd\.O
17.4 Reflecting Objectives G[$g-NU+
17.5 The Microscope Objective Designs :kQydCuK
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18 Mirror and Catadioptric Systems N`et]'_A}
18.1 The Good and Bad Points of Mirrors t4v@d
18.2 The Classic Two-Mirror Systems ~EtwX YkRZ
18.3 Catadioptric Systems !8*lU2
18.4 Aspheric Correctors and Schmidt Systems _=-B%m
18.5 Confocal Paraboloids #Ic)]0L
18.6 Unobscured Systems VDTt}J 8
18.7 Design of a Schmidt-Cassegrain “from Scratch” @A'@%Zv-
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19 Infrared and Ultraviolet Systems 6W[~@~D=
19.1 Infrared Optics 2mEvoWnJ
19.2 IR Objective Lenses G4]( !f!Kv
19.3 IR Telescope B-UsMO
19.4 Laser Beam Expanders }\0ei(%H
19,5 Ultraviolet Systems *WaqNMD[%
19.6 Microlithographic Lenses qs Wy
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20 Zoom Lenses ->L> `<7(
20.1 Zoom Lenses e2qSU[
20.2 Zoom Lenses for Point and Shoot Cameras +h08uo5c
20.3 A 20X Video Zoom Lens a'Yi^;2+\
20.4 A Zoom Scanner Lens Q>(a JF
20.5 A Possible Zoom Lens Design Procedure y#zO1Nig`
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21 Projection TV Lenses and Macro Lenses i936+[
21.1 Projection TV Lenses [h63* &
21.2 Macro Lenses S#:l17e3
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22 Scanner/ , Laser Disk and Collimator Lenses CorV!H4
22.1 Monochromatic Systems DS=$*
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22.2 Scanner Lenses L3=5tuQ[5
22.3 Laser Disk, Focusing, and Collimator Lenses h8dFW"cpC
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23 Tolerance Budgeting ^B:;uyG]M
23.1 The Tolerance Budget 3 3zE5vr
23.2 Additive Tolerances Q_>W!)p Gz
23.3 Establishing the Tolerance Budget ly:2XvV3~
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24 Formulary dTjDVq&Hz
24.1 Sign Conventions, Symbols, and Definitions O,JS*jXl
24.2 The Cardinal Points P ; h8
24.3 Image Equations vUCmm<y
24.4 Paraxial Ray Tracing (Surface by Surface) mv7W03
24.5 Invariants BP}@E$
24.6 Paraxial Ray Tracing (Component by Component) E!_3?:[S_
24.7 Two-Componenet Relationships 'o~gT ;T#
24.8 Third-Order Aberrations – Surface Contributions 1YK(oRSDn
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs 7=%Oev&0g-
24.10 Stop Shift Equations k/(]1QnW
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces YjH~8= =
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) m*jTvn
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Glossary /,`OF/%
Reference H@1}_d
Index