"Modern Lens Design" 2nd Edition by Warren J. Smith
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Contents of Modern Lens Design 2nd Edition iW9
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1 Introduction nHF~a?|FT
1.1 Lens Design Books t1yfSStp
1.2 Reference Material 77+3CME{'
1.3 Specifications eQ[}ALIq
1.4 Lens Design T.%yeJiE
1.5 Lens Design Program Features 8090+ (U
1.6 About This Book ^,f^YL;
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2 Automatic Lens Design ~`$P-^u88X
2.2 The Merit Function V`c,U7[/
2.3 Local Minima f"AT@Ga]
2.4 The Landscape Lens 1@TL>jq
2.5 Types of Merit Function bl10kI:F
2.6 Stagnation r/)ZKO,
2.7 Generalized Simulated Annealing fb[lL7
2.8 Considerations about Variables for Optimization xd"+ &YT
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems j`Ek :
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits {}RU'<D
2.11 Spectral Weighting q^ &r<i
2.12 How to Get Started f?16%Rk<
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3 Improving a Design Ff
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3.1 Lens Design Tip Sheet: Standard Improvement Techniques J5<16}*
3.2 Glass Changes ( Index and V Values ) `]l|YQz\
3.3 Splitting Elements VH+3o?nrT
3.4 Separating a Cemented Doublet CQ{{J{pU"
3.5 Compounding an Element yVK l%GO
3.6 Vignetting and Its Uses 2r+nr
3.7 Eliminating a Weak Element; the Concentric Problem Oi@|4mo
3.8 Balancing Aberrations bkpN`+c
3.9 The Symmetrical Principle g "c7$
3.10 Aspheric Surfaces )>"Ky
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4 Evaluation: How Good is This Design ofI,[z3
4.1 The Uses of a Preliminary Evaluation ug"4P.wI
4.2 OPD versus Measures of Performance /3sX>Rj
4.3 Geometric Blur Spot Size versus Certain Aberrations qM2m !
4.4 Interpreting MTF - The Modulation Transfer Function XVo+ <&
4.5 Fabrication Considerations 6iHY{WcDj
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5 Lens Design Data %uiCC>cC
5.1 About the Sample Lens Designs hl)jE
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5.2 Lens Prescriptions, Drawings, and Aberration Plots bcxR7<T,"9
5.3 Estimating the Potential of a Redesign ;nAx@_ab^
5.4 Scaling a Desing, Its Aberrations, and Its MTF uz20pun4B
5.5 Notes on the Interpretation of Ray Intercept Plots T#I}w\XlhP
5.6 Various Evaluation Plot <y7Hy&&y-
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6 Telescope Objective 376z~
6.1 The Thin Airspaced Doublet b=Ektq
6.2 Merit Function for a Telescope Objective %503<j
6.3 The Design of an f/7 Cemented Doublet Telescope Objective [T/S/@IT
6.4 Spherochromatism q @wX=
6.5 Zonal Spherical Aberration *M>~$h7
6.6 Induced Aberrations 7:JGr O
6.7 Three-Element Objectives C}L2'l,
6.8 Secondary Spectrum (Apochromatic Systems) VyNU<}
6.9 The Design of an f/7 Apochromatic Triplet DPmY_[OAE
6.10 The Diffractive Surface in Lens Design \TDn q!)?
6.11 A Final Note F/:%YR;
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7 Eyepieces and Magnifiers _c:th{*
7.1 Eyepieces 6O0aGJ,H
7.2 A Pair of Magnifier Designs G<`(d@g
7.3 The Simple, Classical Eyepieces *;F<Q!i&v
7.4 Design Story of an Eyepiece for a 6*30 Binocular z fy(j
7.5 Four-Element Eyepieces G_ ~qk/7mF
7.6 Five-Element Eyepieces NH=@[t)P,
7.7 Very High Index Eyepiece/Magnifier MFWkJbZV
7.8 Six- and Seven-Element Eyepieces zx+}>(U\U
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8 Cooke Triplet Anastigmats E2`9H-6e
8.1 Airspaced Triplet Anastigmats t47;X}y f
8.2 Glass Choice I,]q;lEMt
8.3 Vertex Length and Residual Aberrations (b"q(:5oX
8.4 Other Design Considerations #%#N.tB5
8.5 A Plastic, Aspheric Triplet Camera Lens *#?9@0b@
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet ^i3!1cS
8.7 Possible Improvement to Our “Basic” Triplet B=}QgXg
8.7 The Rear Earth (Lanthanum) Glasses >dwWqcP
8.9 Aspherizing the Surfaces pm[i#V<v
8.10 Increasing the Element Thickness SFFJyRCz
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9 Split Triplets 6 lEv<)cC
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10 The Tessar, Heliar, and Other Compounded Triplets GI:!,9
10.1 The Classic Tessar A#i[Us|
10.2 The Heliar/Pentac ^.~e
10.3 The Portrait Lens and the Enlarger Lens fy&u[Jd{
10.4 Other Compounded Triplets ztp2j%'
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar 6UqDpL7^U
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11 Double-Meniscus Anastigmats 0]nveC$
11.1 Meniscus Components N'pYz0_H
11.2 The Hypergon, Totogon, and Metrogon KAu>U3\/
11.3 A Two Element Aspheric Thick Meniscus Camera Lens |S:erYE,G
11.4 Protar, Dagor, and Convertible Lenses iYlkc
11.5 The Split Dagor t/3qD7L
11.6 The Dogmar G)o:R iq
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens |=:hUp Jp
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12 The Biotar or Double-Gauss Lens (rBYE[@,
12.1 The Basic Six-Element Version u1.0-Y?
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens q{f (T\
12.3 The Seven-Element Biotar - Split-Rear Singlet cXYE!(
12.4 The Seven-Element Biotar - Broken Contact Front Doublet w2lO[o~x}
12.5 The Seven-Element Biotar - One Compounded Outer Element l2Rnyb<;;
12.6 The Eight-Element Biotar B9c
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12.7 A “Doubled Double-Gauss” Relay K<pZ*l
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13 Telephoto Lenses >8$Lqj^i
13.1 The Basic Telephoto zpzxCzU
13.2 Close-up or Macro Lenses 95ix~cH3q
13.3 Telephoto Designs K&T.~2'>
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch ^D ;EbR
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses ]U}B~Y
14.1 The Reverse Telephoto Principle b+$wx~PLi
14.2 The Basic Retrofocus Lens eIhfhz?Q;#
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses {)Shc;Qh
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15 Wide Angle Lenses with Negative Outer Lenses f=8{cK0j
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16 The Petzval Lens; Head-up Display Lenses Ie s` !W^
16.1 The Petzval Portrait Lens .VohW=D3
16.2 The Petzval Projection Lens %D%
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16.3 The Petzval with a Field Flattener Tiimb[|
16.4 Very Height Speed Petzval Lenses 0E{DO<~
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems o/=61K8D
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17 Microscope Objectives Q6N?cQtOT
17.1 General Considerations 152LdZevF
17.2 Classic Objective Design Forms; The Aplanatic Front S/YHT)0x[
17.3 Flat-Field Objectives /R>YDout}
17.4 Reflecting Objectives - "{hP
17.5 The Microscope Objective Designs aO
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18 Mirror and Catadioptric Systems FiXqypT_(
18.1 The Good and Bad Points of Mirrors Id8e%)
18.2 The Classic Two-Mirror Systems cu)B!#<!&
18.3 Catadioptric Systems K;>9K'n
18.4 Aspheric Correctors and Schmidt Systems OXB 5W#$
18.5 Confocal Paraboloids b%d, X-3
18.6 Unobscured Systems 5Z=GFKf|
18.7 Design of a Schmidt-Cassegrain “from Scratch” gQ<{NQMzvd
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19 Infrared and Ultraviolet Systems P5GV9SA
19.1 Infrared Optics Zt9ld=T
19.2 IR Objective Lenses (aq-aum-I
19.3 IR Telescope :z%Zur+n c
19.4 Laser Beam Expanders xP27j_*m>
19,5 Ultraviolet Systems 2av=W
19.6 Microlithographic Lenses }U%T6~_wR
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20 Zoom Lenses @twi<U_
20.1 Zoom Lenses u('`.dwkc
20.2 Zoom Lenses for Point and Shoot Cameras 31QDN0o!~
20.3 A 20X Video Zoom Lens bik lja
20.4 A Zoom Scanner Lens $
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20.5 A Possible Zoom Lens Design Procedure cxx8I
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21 Projection TV Lenses and Macro Lenses 6^2='y~e
21.1 Projection TV Lenses |Nadk(}
21.2 Macro Lenses m8+
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22 Scanner/ , Laser Disk and Collimator Lenses A.RG8"
22.1 Monochromatic Systems bkrl>Im<n
22.2 Scanner Lenses ,8cVv->u/
22.3 Laser Disk, Focusing, and Collimator Lenses ^/xb-tuV
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23 Tolerance Budgeting *)vy%\
23.1 The Tolerance Budget R0bgt2J
23.2 Additive Tolerances 64^l/D(
23.3 Establishing the Tolerance Budget =-qYp0sVP
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24 Formulary kUr/*an
24.1 Sign Conventions, Symbols, and Definitions _94R8?\_V7
24.2 The Cardinal Points +k0UVZZX?
24.3 Image Equations D u_;!E
24.4 Paraxial Ray Tracing (Surface by Surface) 2Zg%4/u,Zp
24.5 Invariants -"XHN=H
24.6 Paraxial Ray Tracing (Component by Component) `BaJ >%|
24.7 Two-Componenet Relationships czB),vooz
24.8 Third-Order Aberrations – Surface Contributions !P":z0K4
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs IYr}%:P)
24.10 Stop Shift Equations st >%U9
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces +6n\5+5
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) n]>L"D,
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Glossary LC e6](Z
Reference LKZv#b[h
Index