"Modern Lens Design" 2nd Edition by Warren J. Smith (m6EQoW^s+
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Contents of Modern Lens Design 2nd Edition D2{L=
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1 Introduction i)=m7i
1.1 Lens Design Books K6-6{vt
1.2 Reference Material 'gYg~=
1.3 Specifications (/-lV&eR
1.4 Lens Design
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1.5 Lens Design Program Features nkTYWw
1.6 About This Book iZC>)&ax
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2 Automatic Lens Design N=q#y@ L
2.2 The Merit Function 2.ew^D#
2.3 Local Minima kj-=xhJ{=
2.4 The Landscape Lens *u}'}jC1X
2.5 Types of Merit Function sp^Wo7&g
2.6 Stagnation 0fA=_=A,
2.7 Generalized Simulated Annealing 7"#f!.E
2.8 Considerations about Variables for Optimization ><cU7 ja[^
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems @`6}`k
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits ubi~%
2.11 Spectral Weighting +N7"EROc
2.12 How to Get Started >:A<"wZ
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3 Improving a Design w=|py>%
3.1 Lens Design Tip Sheet: Standard Improvement Techniques *<7l!#
3.2 Glass Changes ( Index and V Values ) =x1Wii$`
3.3 Splitting Elements @cPflb
3.4 Separating a Cemented Doublet a#$N% =j
3.5 Compounding an Element !W~QT}
3.6 Vignetting and Its Uses 0t+])>
3.7 Eliminating a Weak Element; the Concentric Problem H$Kw=kMw
3.8 Balancing Aberrations mzz$`M1
3.9 The Symmetrical Principle {tc57jsr
3.10 Aspheric Surfaces bi.wYp(*6L
iKhH ^V%j
4 Evaluation: How Good is This Design v$;@0t:;#
4.1 The Uses of a Preliminary Evaluation h
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4.2 OPD versus Measures of Performance :G#KB'
4.3 Geometric Blur Spot Size versus Certain Aberrations cv]BV>=E
4.4 Interpreting MTF - The Modulation Transfer Function 7k'gt/#up
4.5 Fabrication Considerations GB=bG%Tb
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5 Lens Design Data F_v-}bbcFQ
5.1 About the Sample Lens Designs &atyDFJ'
5.2 Lens Prescriptions, Drawings, and Aberration Plots ;
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5.3 Estimating the Potential of a Redesign Kr]z]4.d@
5.4 Scaling a Desing, Its Aberrations, and Its MTF J+|/-{g
5.5 Notes on the Interpretation of Ray Intercept Plots N}DL(-SQ3
5.6 Various Evaluation Plot .;g}%C
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6 Telescope Objective p31oL{D
6.1 The Thin Airspaced Doublet n+rM"Gxz
6.2 Merit Function for a Telescope Objective Gc'M[9Mh
6.3 The Design of an f/7 Cemented Doublet Telescope Objective W~yLl%
6.4 Spherochromatism zqf[Z3
6.5 Zonal Spherical Aberration !b63ik15O~
6.6 Induced Aberrations U<rI!!#9
6.7 Three-Element Objectives '60//"9>k/
6.8 Secondary Spectrum (Apochromatic Systems) xCq'[9oU
6.9 The Design of an f/7 Apochromatic Triplet X$^JAZ09
6.10 The Diffractive Surface in Lens Design #ua^{OrC/
6.11 A Final Note XXm'6xD-
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7 Eyepieces and Magnifiers '%&z.{
7.1 Eyepieces -=mwy
7.2 A Pair of Magnifier Designs 3ev -Iqz
7.3 The Simple, Classical Eyepieces = ^s$
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7.4 Design Story of an Eyepiece for a 6*30 Binocular #w|5jN?
7.5 Four-Element Eyepieces =k_UjwgN^
7.6 Five-Element Eyepieces ]-bQNYKX
7.7 Very High Index Eyepiece/Magnifier {m[Wyb(
7.8 Six- and Seven-Element Eyepieces kC`Rd:5
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8 Cooke Triplet Anastigmats ?
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8.1 Airspaced Triplet Anastigmats /[{auUxSX
8.2 Glass Choice F&az":
8.3 Vertex Length and Residual Aberrations RX>2~^
8.4 Other Design Considerations \0&SI1Yp
8.5 A Plastic, Aspheric Triplet Camera Lens 9go))&`PJL
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet `ET& VV
8.7 Possible Improvement to Our “Basic” Triplet #c:kCZt#
8.7 The Rear Earth (Lanthanum) Glasses ``4?a7!!
8.9 Aspherizing the Surfaces !iJipe5
8.10 Increasing the Element Thickness P)hi||[
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9 Split Triplets "V}qf3qU
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10 The Tessar, Heliar, and Other Compounded Triplets bo>E"<
10.1 The Classic Tessar s[X
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10.2 The Heliar/Pentac r6
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10.3 The Portrait Lens and the Enlarger Lens p+ Lv=e)0u
10.4 Other Compounded Triplets Mk5RHDh
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar hKN6 y%
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11 Double-Meniscus Anastigmats b# ='^W3
11.1 Meniscus Components T1zi0fa'
11.2 The Hypergon, Totogon, and Metrogon MI*Sq\-i
11.3 A Two Element Aspheric Thick Meniscus Camera Lens tvpN/p
11.4 Protar, Dagor, and Convertible Lenses FN\GE\H
11.5 The Split Dagor Q0>q:aj\
11.6 The Dogmar 1-o V-K
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens 0Oap39
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12 The Biotar or Double-Gauss Lens n&d/?aJ7a\
12.1 The Basic Six-Element Version /b%Q[
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12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens $[z<oN_Q
12.3 The Seven-Element Biotar - Split-Rear Singlet "~\*If
12.4 The Seven-Element Biotar - Broken Contact Front Doublet Ep ">v>"
12.5 The Seven-Element Biotar - One Compounded Outer Element X-/Ban
12.6 The Eight-Element Biotar _ECB^s_
12.7 A “Doubled Double-Gauss” Relay IU9,
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13 Telephoto Lenses Pm?B
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13.1 The Basic Telephoto ;?~
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13.2 Close-up or Macro Lenses 7I
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13.3 Telephoto Designs (STx$cya
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch fp;a5||5
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses n)RM+g
14.1 The Reverse Telephoto Principle N!c
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14.2 The Basic Retrofocus Lens iN)af5)[^
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses 9@y3IiZ"}
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15 Wide Angle Lenses with Negative Outer Lenses Le@?
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16 The Petzval Lens; Head-up Display Lenses %?=)!;[
16.1 The Petzval Portrait Lens RL&lKHA
16.2 The Petzval Projection Lens OKPJuV`y6
16.3 The Petzval with a Field Flattener %rcFT_
16.4 Very Height Speed Petzval Lenses {ERjeuDm]
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems &J(!8y*QyE
>S.91!x
17 Microscope Objectives R|Y~u* D
17.1 General Considerations 0p3vE,pF
17.2 Classic Objective Design Forms; The Aplanatic Front uvv.WbZ
17.3 Flat-Field Objectives 1VLLo~L%
17.4 Reflecting Objectives zH=hIVc
17.5 The Microscope Objective Designs o,
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18 Mirror and Catadioptric Systems ipZHSA
18.1 The Good and Bad Points of Mirrors x+:zq<0|
18.2 The Classic Two-Mirror Systems g^j7@dum
18.3 Catadioptric Systems Z*eoA
18.4 Aspheric Correctors and Schmidt Systems VGZ6
18.5 Confocal Paraboloids aYVDp{_
18.6 Unobscured Systems RIjM(P
18.7 Design of a Schmidt-Cassegrain “from Scratch” 8*Zvr&B,G
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19 Infrared and Ultraviolet Systems C +@ i
19.1 Infrared Optics q%S8\bt
19.2 IR Objective Lenses euZI`*0
19.3 IR Telescope ML=z<u+
19.4 Laser Beam Expanders d?7BxYaa
19,5 Ultraviolet Systems &t6Tcy
19.6 Microlithographic Lenses sykFSPy`'
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20 Zoom Lenses oMc1:=EG
20.1 Zoom Lenses W~NYU
20.2 Zoom Lenses for Point and Shoot Cameras 4B$bj`h
20.3 A 20X Video Zoom Lens 38wq (
20.4 A Zoom Scanner Lens H,|YLKg-|
20.5 A Possible Zoom Lens Design Procedure g1V)$s7
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21 Projection TV Lenses and Macro Lenses Vp7b4n<
21.1 Projection TV Lenses f3n~{a,[
21.2 Macro Lenses usH%dzKK
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22 Scanner/ , Laser Disk and Collimator Lenses ,8VXA +'_
22.1 Monochromatic Systems +-ewE-:|L
22.2 Scanner Lenses Ja [#[BJ?
22.3 Laser Disk, Focusing, and Collimator Lenses 6b#~;
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23 Tolerance Budgeting KN, 4@4
23.1 The Tolerance Budget OjATSmZ@@
23.2 Additive Tolerances @C_ =*
23.3 Establishing the Tolerance Budget 4J}3,+
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24 Formulary b1)\Zi
24.1 Sign Conventions, Symbols, and Definitions wY`#$)O0*
24.2 The Cardinal Points OG}KqG!n
24.3 Image Equations f?-J#x)
24.4 Paraxial Ray Tracing (Surface by Surface) PbN3;c3
24.5 Invariants 4(|yD;
24.6 Paraxial Ray Tracing (Component by Component) vJThU$s-
24.7 Two-Componenet Relationships e~
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24.8 Third-Order Aberrations – Surface Contributions {(0Id !
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs vHc#m@4o
24.10 Stop Shift Equations {aIZFe}B
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces 8Fx]koP.
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) w%2ziwgh
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3):?ZCw7y
Glossary iAHZ0Du
Reference
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Index