"Modern Lens Design" 2nd Edition by Warren J. Smith ? ^8CD.|
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Contents of Modern Lens Design 2nd Edition ? )Psf/
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1 Introduction CJDnHuozc
1.1 Lens Design Books \z~wm&
1.2 Reference Material q{fgsc8v\
1.3 Specifications e%Sw(=a
1.4 Lens Design yFD3:;}
1.5 Lens Design Program Features #|ppW fZQ
1.6 About This Book 4*)a3jI?
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2 Automatic Lens Design :RxWHh3O
2.2 The Merit Function jHU5>G t-}
2.3 Local Minima E8Rk
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2.4 The Landscape Lens GG9YAu
2.5 Types of Merit Function n^a&@?( +
2.6 Stagnation 8)NQt$lWp
2.7 Generalized Simulated Annealing K;,_P5J%
2.8 Considerations about Variables for Optimization IbC8DDTD
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems F+ c4v A})
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits oHW:s96e
2.11 Spectral Weighting 6t,_Xqg*
2.12 How to Get Started xT]|78h$
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3 Improving a Design +1te 8P*
3.1 Lens Design Tip Sheet: Standard Improvement Techniques 2 SJ N;A~}
3.2 Glass Changes ( Index and V Values ) fcim4d fP
3.3 Splitting Elements Hv>16W$_
3.4 Separating a Cemented Doublet ']x`d
3.5 Compounding an Element ]]EOCGZ"
3.6 Vignetting and Its Uses +K@ w h
3.7 Eliminating a Weak Element; the Concentric Problem /"f4 a F[
3.8 Balancing Aberrations <{z*6FM!'
3.9 The Symmetrical Principle [110[i^
3.10 Aspheric Surfaces "%mu~&Ga
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4 Evaluation: How Good is This Design q
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4.1 The Uses of a Preliminary Evaluation 9On0om>
4.2 OPD versus Measures of Performance 0m,3''Q5lO
4.3 Geometric Blur Spot Size versus Certain Aberrations )zKZ<;#y
4.4 Interpreting MTF - The Modulation Transfer Function UhI T!x
4.5 Fabrication Considerations 8B*XXFy\
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5 Lens Design Data vg.K-"yQW
5.1 About the Sample Lens Designs mBQp#-1\
5.2 Lens Prescriptions, Drawings, and Aberration Plots ;%wY fq~P
5.3 Estimating the Potential of a Redesign <
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5.4 Scaling a Desing, Its Aberrations, and Its MTF v
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5.5 Notes on the Interpretation of Ray Intercept Plots B5pWSS
5.6 Various Evaluation Plot M %vZcP
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6 Telescope Objective U#X6KRZ~g
6.1 The Thin Airspaced Doublet fx"~WeV cO
6.2 Merit Function for a Telescope Objective GY3g`M
6.3 The Design of an f/7 Cemented Doublet Telescope Objective A_ftf 7,
6.4 Spherochromatism ){sn!5=
6.5 Zonal Spherical Aberration =Qf.
6.6 Induced Aberrations pO10L` |
6.7 Three-Element Objectives d,"6s=4(q
6.8 Secondary Spectrum (Apochromatic Systems) _
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6.9 The Design of an f/7 Apochromatic Triplet #C`IfP./
6.10 The Diffractive Surface in Lens Design 0wA?.~ L
6.11 A Final Note )[Bl3+'
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7 Eyepieces and Magnifiers Wifr%&t{J
7.1 Eyepieces [%1 87dz:D
7.2 A Pair of Magnifier Designs 6]mFw{6qn1
7.3 The Simple, Classical Eyepieces e=).0S`*F
7.4 Design Story of an Eyepiece for a 6*30 Binocular ;
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7.5 Four-Element Eyepieces F4#^jat{
7.6 Five-Element Eyepieces k7R}]hq]""
7.7 Very High Index Eyepiece/Magnifier U.kTdNSp
7.8 Six- and Seven-Element Eyepieces v!~ ;Q O
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8 Cooke Triplet Anastigmats &3:U&}I
8.1 Airspaced Triplet Anastigmats Z2t
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8.2 Glass Choice "L)=Y7Dx
8.3 Vertex Length and Residual Aberrations ^=1:!'*3D
8.4 Other Design Considerations <jk.9$\$A
8.5 A Plastic, Aspheric Triplet Camera Lens i+Fk
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet U~}cib5W5
8.7 Possible Improvement to Our “Basic” Triplet % z_ L} L
8.7 The Rear Earth (Lanthanum) Glasses f-'$tMs
8.9 Aspherizing the Surfaces +Y9n @`
8.10 Increasing the Element Thickness !ot$ Q
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9 Split Triplets tnn,lWu|
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10 The Tessar, Heliar, and Other Compounded Triplets ?04$1n:
10.1 The Classic Tessar 8#_"WzDw
10.2 The Heliar/Pentac yaw33/i N
10.3 The Portrait Lens and the Enlarger Lens Aq5@k\[
10.4 Other Compounded Triplets \qA^3L~;5
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar _]/&NSk
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11 Double-Meniscus Anastigmats q]}1/JZS
11.1 Meniscus Components Qt
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11.2 The Hypergon, Totogon, and Metrogon W4ygJL7 6
11.3 A Two Element Aspheric Thick Meniscus Camera Lens ;'fn{j6C
11.4 Protar, Dagor, and Convertible Lenses % njcWVP;
11.5 The Split Dagor F VVpyB|
11.6 The Dogmar *
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11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens yrgb6)]nm@
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12 The Biotar or Double-Gauss Lens `(dRb
12.1 The Basic Six-Element Version t%'0uB#v1
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens M9J^;3Lrh
12.3 The Seven-Element Biotar - Split-Rear Singlet n~e#Y<IP\1
12.4 The Seven-Element Biotar - Broken Contact Front Doublet eN?:3cP#l
12.5 The Seven-Element Biotar - One Compounded Outer Element <M,A:u\qSQ
12.6 The Eight-Element Biotar j\^ u_D
12.7 A “Doubled Double-Gauss” Relay |TE\ ]
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13 Telephoto Lenses Jemb0Qv
13.1 The Basic Telephoto (4 6 S^*
13.2 Close-up or Macro Lenses zm9_[0
13.3 Telephoto Designs xy.di9
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch J ;e/S 6l
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses OM4q/!)A]
14.1 The Reverse Telephoto Principle %x5zs ]4^
14.2 The Basic Retrofocus Lens DdG*eKC
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses 1r-#QuV#
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15 Wide Angle Lenses with Negative Outer Lenses Vdf V5"
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16 The Petzval Lens; Head-up Display Lenses (qQ| s @O
16.1 The Petzval Portrait Lens (9X>E+0E
16.2 The Petzval Projection Lens _hy<11S;
16.3 The Petzval with a Field Flattener &9*MO
16.4 Very Height Speed Petzval Lenses {k#RWDespy
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems 9" RGf 1]
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17 Microscope Objectives MG G c
17.1 General Considerations 61}hB>TT:
17.2 Classic Objective Design Forms; The Aplanatic Front 6?X)'
17.3 Flat-Field Objectives %!_%%p,f
17.4 Reflecting Objectives Ksu_ 4dE
17.5 The Microscope Objective Designs wzka4J {
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18 Mirror and Catadioptric Systems f|&ga'5g&
18.1 The Good and Bad Points of Mirrors -Jj" JN.
18.2 The Classic Two-Mirror Systems ,aLdW,<6
18.3 Catadioptric Systems (H*d">`mz
18.4 Aspheric Correctors and Schmidt Systems #FHyP1uyc
18.5 Confocal Paraboloids oB8x_0#n
18.6 Unobscured Systems [61T$ .
18.7 Design of a Schmidt-Cassegrain “from Scratch” \a| bx4M
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19 Infrared and Ultraviolet Systems nLfITr|5
19.1 Infrared Optics xqA XfJ.
19.2 IR Objective Lenses J% t[ {
19.3 IR Telescope N+[ |"v
19.4 Laser Beam Expanders o3oAk10
19,5 Ultraviolet Systems R
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19.6 Microlithographic Lenses )&$Zt(
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20 Zoom Lenses &d8z`amP
20.1 Zoom Lenses @}^eyS$|!
20.2 Zoom Lenses for Point and Shoot Cameras 2\: z
20.3 A 20X Video Zoom Lens mAFVjSa2
20.4 A Zoom Scanner Lens h"-}BjL
20.5 A Possible Zoom Lens Design Procedure KC`~\sYRN]
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21 Projection TV Lenses and Macro Lenses f/&k $,w
21.1 Projection TV Lenses u,r ieKYF
21.2 Macro Lenses iQI$Y]Y7
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22 Scanner/ , Laser Disk and Collimator Lenses b)eKa 40Z
22.1 Monochromatic Systems 96 &Y
22.2 Scanner Lenses +-|D$@8S
22.3 Laser Disk, Focusing, and Collimator Lenses Fk 5;
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23 Tolerance Budgeting EK:s#
23.1 The Tolerance Budget qU1^ K
23.2 Additive Tolerances k$hNibpkt
23.3 Establishing the Tolerance Budget e0#/3$\aSV
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24 Formulary ;8G( l
24.1 Sign Conventions, Symbols, and Definitions OEkx}.w
24.2 The Cardinal Points ~ <%/)d0
24.3 Image Equations O;ty
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24.4 Paraxial Ray Tracing (Surface by Surface) l u^fKQ
24.5 Invariants 3]X9 z
24.6 Paraxial Ray Tracing (Component by Component) G|p3NhLgO=
24.7 Two-Componenet Relationships {c3u!} mW
24.8 Third-Order Aberrations – Surface Contributions A!K/92[#@
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs ~[mAv #d&i
24.10 Stop Shift Equations {\ ?zqIM
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces \rw/d5.
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) p:hzLat~
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Glossary eDm~B (G$
Reference ] J
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Index
