[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith 5NBV[EP  
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Contents of Modern Lens Design 2nd Edition sPd Gw~{  
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1    Introduction         2Fy>.*,?  
1.1    Lens Design Books     eeIhed9  
1.2    Reference Material     .ELGWF`>  
1.3    Specifications     z|fmrwkN'$  
1.4    Lens Design     |b[+I?X  
1.5    Lens Design Program Features     tM2)k+fg  
1.6    About This Book     ^F>cp ,x  
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2    Automatic Lens Design         0YaA`  
2.2    The Merit Function         @*>@AFnf\Z  
2.3    Local Minima     9Kr+\F  
2.4    The Landscape Lens     'AzDP;6qFI  
2.5    Types of Merit Function     U0=]  
2.6    Stagnation      rL/H2[d  
2.7    Generalized Simulated Annealing     r/& sub"X  
2.8    Considerations about Variables for Optimization     uC.K<jD%  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems tc_286'x  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     r`%+M7  
2.11    Spectral Weighting     cbeLu'DWB.  
2.12    How to Get Started     wNq;;AJ$  
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3    Improving a Design     t'9*R7=  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     *+'x~a  
3.2    Glass Changes ( Index and V Values )     Rfn9s(m  
3.3    Splitting Elements     Xm+8  
3.4    Separating a Cemented Doublet     -r#X~2tPzD  
3.5    Compounding an Element     0ph{  
3.6    Vignetting and Its Uses     *ohL&'y  
3.7    Eliminating a Weak Element; the Concentric Problem     CQwL|$)]Y  
3.8    Balancing Aberrations     5'0xz.)!  
3.9    The Symmetrical Principle     YRv&1!VLE  
3.10    Aspheric Surfaces     ;g6M%;1-  
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4    Evaluation: How Good is This Design     w0|gG+x jS  
4.1    The Uses of a Preliminary Evaluation     GGe,fb<k  
4.2    OPD versus Measures of Performance     np%\&CVhN  
4.3    Geometric Blur Spot Size versus Certain Aberrations     ~CtL9m3tO  
4.4    Interpreting MTF - The Modulation Transfer Function     J%V-Q>L  
4.5    Fabrication Considerations     gWrgnlq  
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5    Lens Design Data     )Y]{HQd  
5.1    About the Sample Lens Designs     Ib|Rf;J~-  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     GQ*wc?f3  
5.3    Estimating the Potential of a Redesign     df*5,NV'-*  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     uqM yoIc  
5.5    Notes on the Interpretation of Ray Intercept Plots     _tSAI  
5.6    Various Evaluation Plot     GFfq+=se  
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6    Telescope Objective     cHcmgW\4  
6.1    The Thin Airspaced Doublet     1mfs4  
6.2    Merit Function for a Telescope Objective     o8zy^zN$6  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     $p#%G#T  
6.4    Spherochromatism     _FXZm50\g{  
6.5    Zonal Spherical Aberration     T(AVlI6  
6.6    Induced Aberrations     xBUya4w  
6.7    Three-Element Objectives     oHMo>*?  
6.8    Secondary Spectrum (Apochromatic Systems)     jAy^J(+  
6.9    The Design of an f/7 Apochromatic Triplet     ?6(I V]  
6.10    The Diffractive Surface in Lens Design     *\(r+>*x*  
6.11    A Final Note     48jVRo  
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7    Eyepieces and Magnifiers     4%2~Wi8  
7.1    Eyepieces     =1O
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7.2    A Pair of Magnifier Designs     8i|w(5m;  
7.3    The Simple, Classical Eyepieces     v$(lZa1  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     I&MY{f  
7.5    Four-Element Eyepieces     U7doU'V/  
7.6    Five-Element Eyepieces     #mZpeB~   
7.7    Very High Index Eyepiece/Magnifier     RaWG w  
7.8    Six- and Seven-Element Eyepieces     !_+8A/  
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8    Cooke Triplet Anastigmats     ixW@7m  
8.1    Airspaced Triplet Anastigmats     wj[\B*$?  
8.2    Glass Choice     NB\{'  
8.3    Vertex Length and Residual Aberrations     CNQC^d\ h  
8.4    Other Design Considerations     fGw^:
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8.5    A Plastic, Aspheric Triplet Camera Lens     &LF` W  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet s7g(3<(  
8.7    Possible Improvement to Our “Basic” Triplet     6el;Erp  
8.7    The Rear Earth (Lanthanum) Glasses     [cTe54n  
8.9    Aspherizing the Surfaces     ymegr(9&K  
8.10    Increasing the Element Thickness     Dq36p${\W  
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9    Split Triplets     /&CmO>^e  
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10    The Tessar, Heliar, and Other Compounded Triplets     b !%hH  
10.1    The Classic Tessar     rgSOS-ox  
10.2    The Heliar/Pentac     VR+<v  
10.3    The Portrait Lens and the Enlarger Lens     Z|_K6v/c  
10.4    Other Compounded Triplets     eh4gQ^l  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar ,ldI2]  
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11    Double-Meniscus Anastigmats     5Xl/L  
11.1    Meniscus Components     {K4+6p  
11.2    The Hypergon, Totogon, and Metrogon     }tH[[4t
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11.3    A Two Element Aspheric Thick Meniscus Camera Lens     ZDD..j  
11.4    Protar, Dagor, and Convertible Lenses      vj51 g@  
11.5    The Split Dagor     J4"mK1N(  
11.6    The Dogmar     JC
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11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     ;w6>"O$a  
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12    The Biotar or Double-Gauss Lens     P6 ;'Sza  
12.1    The Basic Six-Element Version     {NPuu?&  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens Cw~RJ^a_  
12.3    The Seven-Element Biotar - Split-Rear Singlet     p. R2gl1m  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     Rw6;Z  
12.5    The Seven-Element Biotar - One Compounded Outer Element     Mn$]I) $  
12.6    The Eight-Element Biotar     DHw
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12.7    A “Doubled Double-Gauss” Relay     2:BF[c`  
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13    Telephoto Lenses     /0W9g  
13.1    The Basic Telephoto     =/u%c!  
13.2    Close-up or Macro Lenses     HJ2*y|u  
13.3    Telephoto Designs     rQOWLg!"  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch \S*$UE]uG  

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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses    
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14.1    The Reverse Telephoto Principle     SG?Nsp^%`B  
14.2    The Basic Retrofocus Lens     )mJf|W!Z#  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     "+z?x~rk  
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15    Wide Angle Lenses with Negative Outer Lenses     [97KBoSU  
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16    The Petzval Lens; Head-up Display Lenses     &X|<@'933  
16.1    The Petzval Portrait Lens     J0 k  
16.2    The Petzval Projection Lens     (faK+z,*6R  
16.3    The Petzval with a Field Flattener     rUlS'L;$"  
16.4    Very Height Speed Petzval Lenses     t4qej  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     \.f}W_OF  
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17    Microscope Objectives     qC_mu)6  
17.1    General Considerations     -w;(cE  
17.2    Classic Objective Design Forms; The Aplanatic Front     &SAH2xR  
17.3    Flat-Field Objectives     Ku/~N#  
17.4    Reflecting Objectives     F$Ca;cP"  
17.5    The Microscope Objective Designs     LuR,f"
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18    Mirror and Catadioptric Systems     `:wvh(  
18.1    The Good and Bad Points of Mirrors     ESg+n(
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18.2    The Classic Two-Mirror Systems v[TYc:L=  
18.3    Catadioptric Systems     Y7GF$}%UL  
18.4    Aspheric Correctors and Schmidt Systems     R8
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18.5    Confocal Paraboloids     1[E#vdbT  
18.6    Unobscured Systems     Uw/l>\  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     ~gI{\iNF/  
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19    Infrared and Ultraviolet Systems     yMc:n"-[  
19.1    Infrared Optics     joXfmHB}  
19.2    IR Objective Lenses     "BKeot[""p  
19.3    IR Telescope     >r)X:K+I  
19.4    Laser Beam Expanders     <w>/^|]#  
19,5    Ultraviolet Systems     8L5!T6+D&  
19.6    Microlithographic Lenses     B/J&l  
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20    Zoom Lenses     H@l}[hkP  
20.1    Zoom Lenses     9p@C4oen  
20.2    Zoom Lenses for Point and Shoot Cameras     ~AG$5!  
20.3    A 20X Video Zoom Lens     pO~c<d}b  
20.4    A Zoom Scanner Lens     #hL*rbpT  
20.5    A Possible Zoom Lens Design Procedure     E2AW7f(/  
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21    Projection TV Lenses and Macro Lenses     s?3i)Ymr  
21.1    Projection TV Lenses     td{O}\s7D  
21.2    Macro Lenses     Nf9fb?  
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22    Scanner/ , Laser Disk and Collimator Lenses     k_GP>b\"k  
22.1    Monochromatic Systems     la$%H<,7  
22.2    Scanner Lenses     7m9"8   
22.3    Laser Disk, Focusing, and Collimator Lenses     ]Z4zF"@  
    E-ZRG!)[v  
23    Tolerance Budgeting     ~V)?>)T  
23.1    The Tolerance Budget     n&-496H  
23.2    Additive Tolerances     X6RQqen3:  
23.3    Establishing the Tolerance Budget     ]M,06P>?  
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24    Formulary 4B-yTyO  
24.1    Sign Conventions, Symbols, and Definitions     TSL9ax4j  
24.2    The Cardinal Points     ?M6ag_h3  
24.3    Image Equations     S<6k0b(,_3  
24.4    Paraxial Ray Tracing (Surface by Surface)     UQd6/mD`e  
24.5    Invariants     t7F.[uWD  
24.6    Paraxial Ray Tracing (Component by Component)     vz`@x45K  
24.7    Two-Componenet Relationships     N dR ]  
24.8    Third-Order Aberrations – Surface Contributions     Mth6-^g5  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     )u@c3?$6  
24.10    Stop Shift Equations     S7n"3.k  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     =^h~!ovj:  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     }fIqH4
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BIWD/|LQ  
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Glossary tLX,+P2|  
Reference Q e1oT)  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 $:]tcY-L9  
我怎么瞧不明白。

有没有人呀 $KH@,;Xz  
有个问题想请教大家