[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith @D:$~4ks  
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Contents of Modern Lens Design 2nd Edition h%2;B;p]  
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1    Introduction         8v eG^o  
1.1    Lens Design Books     WX2:c,%:  
1.2    Reference Material     0f"9wPC  
1.3    Specifications     7bC1!x*qw  
1.4    Lens Design     M}jF-z  
1.5    Lens Design Program Features     "Q{)H8,E)x  
1.6    About This Book     -)='htiU  
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2    Automatic Lens Design         EMe3Xb `  
2.2    The Merit Function         =1/d>kke  
2.3    Local Minima     ):LgZ4h  
2.4    The Landscape Lens     W Z!?O0.A  
2.5    Types of Merit Function     @jXdQY%{  
2.6    Stagnation     HLD8W8  
2.7    Generalized Simulated Annealing     -eZ$wn![  
2.8    Considerations about Variables for Optimization     |Z), OW  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems n2e#rn  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     (Nzup3j  
2.11    Spectral Weighting     |@Cx%aEKU  
2.12    How to Get Started     Wc6Jgpl  
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3    Improving a Design     g>L4N.ZH_v  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     ;F)j,Ywi)H  
3.2    Glass Changes ( Index and V Values )     UG@9X/l}  
3.3    Splitting Elements     }8joltf  
3.4    Separating a Cemented Doublet     8XS_I{}?  
3.5    Compounding an Element     Mp%.o}j   
3.6    Vignetting and Its Uses     U%<E9G594  
3.7    Eliminating a Weak Element; the Concentric Problem     G=1&:nW'  
3.8    Balancing Aberrations     nTG@=C#  
3.9    The Symmetrical Principle     > T$M0&<  
3.10    Aspheric Surfaces     8ClOd<I  
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4    Evaluation: How Good is This Design     #pe#(xoI  
4.1    The Uses of a Preliminary Evaluation     bSG}I|  
4.2    OPD versus Measures of Performance     o7_*#5rD
 
4.3    Geometric Blur Spot Size versus Certain Aberrations     yniXb2iM  
4.4    Interpreting MTF - The Modulation Transfer Function     pZVT:qFF  
4.5    Fabrication Considerations     /b|V=j}W  
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5    Lens Design Data     IdHydY1  
5.1    About the Sample Lens Designs     =hw&2c  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     `f|Gw5R  
5.3    Estimating the Potential of a Redesign     ~!t#M2Sk  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     E4CyW  
5.5    Notes on the Interpretation of Ray Intercept Plots     BXzn-S  
5.6    Various Evaluation Plot     4V6^@
  
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6    Telescope Objective     @k|V4  
6.1    The Thin Airspaced Doublet     &d%0[Ui`  
6.2    Merit Function for a Telescope Objective     z_;:6*l=:  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     ryC7O'j_P  
6.4    Spherochromatism     88]4GVi  
6.5    Zonal Spherical Aberration     tz6N,4J?  
6.6    Induced Aberrations     \H^A@f  
6.7    Three-Element Objectives     6I<^wS9j_  
6.8    Secondary Spectrum (Apochromatic Systems)     XABB6J]  
6.9    The Design of an f/7 Apochromatic Triplet     D  ,U#z  
6.10    The Diffractive Surface in Lens Design     o0Z~9iF&  
6.11    A Final Note     .kl.awT  
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7    Eyepieces and Magnifiers     VR'R7  
7.1    Eyepieces     t.s;dlx[@  
7.2    A Pair of Magnifier Designs     l KdY!j"  
7.3    The Simple, Classical Eyepieces     w3<%wN>tE  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     '5usPD  
7.5    Four-Element Eyepieces     u&E$(  
7.6    Five-Element Eyepieces     ZUA%ZkX=F  
7.7    Very High Index Eyepiece/Magnifier     _aaQ1A`p  
7.8    Six- and Seven-Element Eyepieces     F%-KY$%  
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8    Cooke Triplet Anastigmats     @L-] %C  
8.1    Airspaced Triplet Anastigmats     f[XsnN2  
8.2    Glass Choice     !GAU?J;<#2  
8.3    Vertex Length and Residual Aberrations     aAi"  
8.4    Other Design Considerations     ozCH1V{p  
8.5    A Plastic, Aspheric Triplet Camera Lens     dlf nh
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8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet pm4'2B|)g  
8.7    Possible Improvement to Our “Basic” Triplet     ^*$lCUv8p  
8.7    The Rear Earth (Lanthanum) Glasses     [_X.Equ  
8.9    Aspherizing the Surfaces     9w:F_gr  
8.10    Increasing the Element Thickness     #}lq2!f6  
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9    Split Triplets     s?9$o Qq1  
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10    The Tessar, Heliar, and Other Compounded Triplets     K^yZfpa8  
10.1    The Classic Tessar     9aacW  
10.2    The Heliar/Pentac     Py! F  
10.3    The Portrait Lens and the Enlarger Lens     "J=A(w5   
10.4    Other Compounded Triplets     b\.l!vn0  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar 4k]DktY}.  
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11    Double-Meniscus Anastigmats     o-ee3j.  
11.1    Meniscus Components     D8O&`!mf  
11.2    The Hypergon, Totogon, and Metrogon     u,88V@^  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     ^}{`bw{  
11.4    Protar, Dagor, and Convertible Lenses     ~USU\dni  
11.5    The Split Dagor     uO{'eT~  
11.6    The Dogmar     3;F+
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11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     u 6"v}gN  
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12    The Biotar or Double-Gauss Lens      TNj WZ  
12.1    The Basic Six-Element Version     qJZ
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12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens x3C^S~  
12.3    The Seven-Element Biotar - Split-Rear Singlet     YsBOh{Ml  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     }|-Yd"$  
12.5    The Seven-Element Biotar - One Compounded Outer Element     Cu,#w3JR  
12.6    The Eight-Element Biotar     pN-c9n4#j  
12.7    A “Doubled Double-Gauss” Relay     3x6@::s~  
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13    Telephoto Lenses     &`}8Jz=S  
13.1    The Basic Telephoto     a'prlXr\4  
13.2    Close-up or Macro Lenses     J12hjzk6@  
13.3    Telephoto Designs     H vezi>M  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch J.g4I|{  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     JZom#A. dt  
14.1    The Reverse Telephoto Principle     f{j.jfl\x  
14.2    The Basic Retrofocus Lens     ?]Wg{\NC6  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     bKb}VP  
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15    Wide Angle Lenses with Negative Outer Lenses     IuOY.c2.u  
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16    The Petzval Lens; Head-up Display Lenses     p J#<e  
16.1    The Petzval Portrait Lens     V.H<KyaJ  
16.2    The Petzval Projection Lens     fo5+3iu^  
16.3    The Petzval with a Field Flattener     >SSRwYIN  
16.4    Very Height Speed Petzval Lenses     i3us
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16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     d:%!)s  
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17    Microscope Objectives     snccDuS  
17.1    General Considerations     |h{#r7H0  
17.2    Classic Objective Design Forms; The Aplanatic Front     !3JYG  
17.3    Flat-Field Objectives     TxDzG
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17.4    Reflecting Objectives     zZ})$Ny(  
17.5    The Microscope Objective Designs     ^Ss4<  
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18    Mirror and Catadioptric Systems     -'F? |  
18.1    The Good and Bad Points of Mirrors     E2xcd#ZD  
18.2    The Classic Two-Mirror Systems @,%IVKg\  
18.3    Catadioptric Systems     Ix1[ $
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18.4    Aspheric Correctors and Schmidt Systems     N8K @ch3=P  
18.5    Confocal Paraboloids     Im0#_ \  
18.6    Unobscured Systems     ^cz;
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18.7    Design of a Schmidt-Cassegrain “from Scratch”     O9Fg_qfuT_  
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19    Infrared and Ultraviolet Systems     .V'=z|   
19.1    Infrared Optics     iTpU4Qsj  
19.2    IR Objective Lenses     UW@BAj@^@  
19.3    IR Telescope     s"g"wh',  
19.4    Laser Beam Expanders     1~_&XNb&  
19,5    Ultraviolet Systems     M>kk"tyM  
19.6    Microlithographic Lenses     Rb=8(#  
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20    Zoom Lenses     vi-mn)L6#  
20.1    Zoom Lenses     U%)m [zAw  
20.2    Zoom Lenses for Point and Shoot Cameras     ?RI&7699+  
20.3    A 20X Video Zoom Lens     SWZA`JVK  
20.4    A Zoom Scanner Lens     5Z
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20.5    A Possible Zoom Lens Design Procedure     Ei& Z  
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21    Projection TV Lenses and Macro Lenses     hJIF!eoI  
21.1    Projection TV Lenses     6*Y>Y&sea  
21.2    Macro Lenses     FY(C<fDRo{  
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22    Scanner/ , Laser Disk and Collimator Lenses     H.R7
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22.1    Monochromatic Systems     o 2Okc><z  
22.2    Scanner Lenses     <xpHlLc  
22.3    Laser Disk, Focusing, and Collimator Lenses     KWzJ  
    ^,;AM(E  
23    Tolerance Budgeting     z')zVoW,  
23.1    The Tolerance Budget     ;{e=Iz}/  
23.2    Additive Tolerances     G"._]3CPF  
23.3    Establishing the Tolerance Budget     ~~D =Z#  
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24    Formulary ;?`l1:C5)  
24.1    Sign Conventions, Symbols, and Definitions     <Z6tRf;B  
24.2    The Cardinal Points     jh|4Y(  
24.3    Image Equations     nL[zXl  
24.4    Paraxial Ray Tracing (Surface by Surface)     ?*ni5\y5o  
24.5    Invariants     K0bh;I  
24.6    Paraxial Ray Tracing (Component by Component)     7vf?#^RlV  
24.7    Two-Componenet Relationships     fvUD'sx  
24.8    Third-Order Aberrations – Surface Contributions     =Lyo]8>,X  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     acdWU"<  
24.10    Stop Shift Equations     !o k6*m  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     jj&4Sv#>  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     1FO T  
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[Q+qu>&HB7  
Glossary iH#b"h{w  
Reference QxjX:O  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 l1|z; $_z  
我怎么瞧不明白。

有没有人呀 V01-n{~G  
有个问题想请教大家