"Modern Lens Design" 2nd Edition by Warren J. Smith /de~+I5AB~
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Contents of Modern Lens Design 2nd Edition '(3|hh)Tl
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1 Introduction KJV],6d
1.1 Lens Design Books OPv~1h<[
1.2 Reference Material 3Ea/)EB]
1.3 Specifications .[6T7fdi
1.4 Lens Design 9~l8QaK
1.5 Lens Design Program Features h<!!r
1.6 About This Book ,pdf$)
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2 Automatic Lens Design RTL@WI
2.2 The Merit Function /BM{tH
2.3 Local Minima XNl!?*l5?l
2.4 The Landscape Lens ? 8S~R
2.5 Types of Merit Function 1t#|MH
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2.6 Stagnation O tR
2.7 Generalized Simulated Annealing v.Q+4
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2.8 Considerations about Variables for Optimization 5hlS2fn
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems Wr4Ob*2iD
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits irGgo-x
2.11 Spectral Weighting LD}<|
2.12 How to Get Started gy5R"_ M U
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3 Improving a Design {iTA=\q2O
3.1 Lens Design Tip Sheet: Standard Improvement Techniques |W|RX3D
3.2 Glass Changes ( Index and V Values ) [*Vo`WgbD
3.3 Splitting Elements 3rx8"
3.4 Separating a Cemented Doublet _Oc\hW
3.5 Compounding an Element ):5H,B+Vr&
3.6 Vignetting and Its Uses v-B&"XGy:
3.7 Eliminating a Weak Element; the Concentric Problem ^'hh?mL
3.8 Balancing Aberrations H4ancmy
3.9 The Symmetrical Principle 3lefB
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3.10 Aspheric Surfaces G"*ch$:
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4 Evaluation: How Good is This Design y,$zSPJCi
4.1 The Uses of a Preliminary Evaluation V_=7q=9mV
4.2 OPD versus Measures of Performance 9?+?V}o
4.3 Geometric Blur Spot Size versus Certain Aberrations :b(Nrj&TQ[
4.4 Interpreting MTF - The Modulation Transfer Function xG,L*3c{o
4.5 Fabrication Considerations aByd,uSe)_
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5 Lens Design Data 5R*55@)
5.1 About the Sample Lens Designs _Xfn
5.2 Lens Prescriptions, Drawings, and Aberration Plots #]s&[O43
5.3 Estimating the Potential of a Redesign #AH<dS
5.4 Scaling a Desing, Its Aberrations, and Its MTF ,4S6F HK
5.5 Notes on the Interpretation of Ray Intercept Plots Z$Vd8U;
5.6 Various Evaluation Plot =XZd_v
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6 Telescope Objective
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6.1 The Thin Airspaced Doublet 0M;aTM
6.2 Merit Function for a Telescope Objective *|3G"B{w6
6.3 The Design of an f/7 Cemented Doublet Telescope Objective >8w=Vlp
6.4 Spherochromatism _4X3g%nXl
6.5 Zonal Spherical Aberration h@D!/PS
6.6 Induced Aberrations zd{\XW
6.7 Three-Element Objectives aHSl_[
6.8 Secondary Spectrum (Apochromatic Systems) 4cJka~
6.9 The Design of an f/7 Apochromatic Triplet s)7sgP
6.10 The Diffractive Surface in Lens Design Y86mg7[U/
6.11 A Final Note Rj])c^ZA'*
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7 Eyepieces and Magnifiers k '-5&Q
7.1 Eyepieces 2NZC,znQ
7.2 A Pair of Magnifier Designs ,<]~/5-f
7.3 The Simple, Classical Eyepieces .=/TT|eMS
7.4 Design Story of an Eyepiece for a 6*30 Binocular Ab:+AC5{
7.5 Four-Element Eyepieces &u9@FFBT8
7.6 Five-Element Eyepieces _K<Z
7.7 Very High Index Eyepiece/Magnifier WXJ%hA
7.8 Six- and Seven-Element Eyepieces ]Jx_bs~g
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8 Cooke Triplet Anastigmats kZ<"hsh,Y'
8.1 Airspaced Triplet Anastigmats 1p
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8.2 Glass Choice '2xfU
8.3 Vertex Length and Residual Aberrations Kb*X2#;*
8.4 Other Design Considerations Ag0)> PD^
8.5 A Plastic, Aspheric Triplet Camera Lens )~ghb"K
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet .v_-V?7
8.7 Possible Improvement to Our “Basic” Triplet 75*q^ui
8.7 The Rear Earth (Lanthanum) Glasses QK(w2`
8.9 Aspherizing the Surfaces Ec l/2
8.10 Increasing the Element Thickness L31#v$;4
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9 Split Triplets Q<2`ek
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10 The Tessar, Heliar, and Other Compounded Triplets Vae=Yg=fw
10.1 The Classic Tessar .dTXC'
10.2 The Heliar/Pentac |,WP)
10.3 The Portrait Lens and the Enlarger Lens 0E/,l``p
10.4 Other Compounded Triplets +`'>
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar R9)"%SO<y
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11 Double-Meniscus Anastigmats e&ci\x%
11.1 Meniscus Components ja+PVf
11.2 The Hypergon, Totogon, and Metrogon XSe\@t~&g
11.3 A Two Element Aspheric Thick Meniscus Camera Lens GfL:0
11.4 Protar, Dagor, and Convertible Lenses L<[%tv V
11.5 The Split Dagor ]T1\gv1~
11.6 The Dogmar J6RzN'j
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens 8m 5T
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12 The Biotar or Double-Gauss Lens 4~J g\@
12.1 The Basic Six-Element Version USJk
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12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens tDn:B$*}W,
12.3 The Seven-Element Biotar - Split-Rear Singlet
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12.4 The Seven-Element Biotar - Broken Contact Front Doublet F8d:7`lO@/
12.5 The Seven-Element Biotar - One Compounded Outer Element JNxrs~}
12.6 The Eight-Element Biotar =.ReM_.
12.7 A “Doubled Double-Gauss” Relay 9y{R_
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13 Telephoto Lenses "-:-!1;Ji
13.1 The Basic Telephoto JbLHW26pl
13.2 Close-up or Macro Lenses 'QC'*Hl
13.3 Telephoto Designs ms`U,
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch '))K'
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses wL~-k
14.1 The Reverse Telephoto Principle uXo?
14.2 The Basic Retrofocus Lens jkV9$W0
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses );=0cnr3
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15 Wide Angle Lenses with Negative Outer Lenses H_>9'(
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16 The Petzval Lens; Head-up Display Lenses QyD(@MFxb
16.1 The Petzval Portrait Lens (DY&{vudF
16.2 The Petzval Projection Lens T$*#q('1"}
16.3 The Petzval with a Field Flattener rBZ0Fx$/[
16.4 Very Height Speed Petzval Lenses c)4L3W-x=
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems e>g>)!F
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17 Microscope Objectives $nr=4'yZ
17.1 General Considerations 8'#L+$O &N
17.2 Classic Objective Design Forms; The Aplanatic Front
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17.3 Flat-Field Objectives C_S2a0?
17.4 Reflecting Objectives vq:?a
17.5 The Microscope Objective Designs 9NeHN@D)
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18 Mirror and Catadioptric Systems >9<