"Modern Lens Design" 2nd Edition by Warren J. Smith +i6GHBn~J
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Contents of Modern Lens Design 2nd Edition DcS+_>a\{l
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1 Introduction A\*>TN>s
1.1 Lens Design Books W Tcw4
1.2 Reference Material SjK
1.3 Specifications 8:q1~`?5"b
1.4 Lens Design ]HbY
1.5 Lens Design Program Features :ffY6L+
1.6 About This Book ;'gWu
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2 Automatic Lens Design kx8G
2.2 The Merit Function QDZWX`qw{
2.3 Local Minima b;L\EB
2.4 The Landscape Lens Mg+2.
8%
2.5 Types of Merit Function YByLoM*
2.6 Stagnation .w:DFk^E]b
2.7 Generalized Simulated Annealing W
PC]%:L"
2.8 Considerations about Variables for Optimization HGl|-nW>
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems S0$8@"~=
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits ]|#+zx|/D
2.11 Spectral Weighting 1l9G[o
*
2.12 How to Get Started "mo?*
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3 Improving a Design 2bz2KB5>
3.1 Lens Design Tip Sheet: Standard Improvement Techniques V( }:=eK
3.2 Glass Changes ( Index and V Values ) z,RhYm
3.3 Splitting Elements &*o=I|pQ
3.4 Separating a Cemented Doublet y4yhF8E>;U
3.5 Compounding an Element )',R[|<
3.6 Vignetting and Its Uses ip\sXVR
3.7 Eliminating a Weak Element; the Concentric Problem zg>zUe
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3.8 Balancing Aberrations 1pVS&0W
3.9 The Symmetrical Principle WpDSg*fk=Y
3.10 Aspheric Surfaces 1> ?M>vK
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4 Evaluation: How Good is This Design eNh39er
4.1 The Uses of a Preliminary Evaluation ,};&tR
4.2 OPD versus Measures of Performance ]U?^hZ_
4.3 Geometric Blur Spot Size versus Certain Aberrations m5n#v
4.4 Interpreting MTF - The Modulation Transfer Function $L`d&$Vh
4.5 Fabrication Considerations ?PLPf>e
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5 Lens Design Data _IMW{
5.1 About the Sample Lens Designs &md`$a/
5.2 Lens Prescriptions, Drawings, and Aberration Plots 'B$yo]
5.3 Estimating the Potential of a Redesign cbjs9bu
5.4 Scaling a Desing, Its Aberrations, and Its MTF 6dQ-HI*Y#
5.5 Notes on the Interpretation of Ray Intercept Plots 7jrt7[{
5.6 Various Evaluation Plot l03B=$
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6 Telescope Objective |o"?gB}Dh
6.1 The Thin Airspaced Doublet VO5#Qg en
6.2 Merit Function for a Telescope Objective F-Qzrqu S
6.3 The Design of an f/7 Cemented Doublet Telescope Objective xh-o}8*n"
6.4 Spherochromatism [>3./YH`
6.5 Zonal Spherical Aberration E*&vy
6.6 Induced Aberrations ;7*[Bcj.
6.7 Three-Element Objectives c?Y*Y
6.8 Secondary Spectrum (Apochromatic Systems) m[osg< CR_
6.9 The Design of an f/7 Apochromatic Triplet `%bypHeSp
6.10 The Diffractive Surface in Lens Design 1NFsb-<u
6.11 A Final Note e)IzQ7Zex
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7 Eyepieces and Magnifiers =HK!(C
7.1 Eyepieces yZ7&b&2nLn
7.2 A Pair of Magnifier Designs 1dY}\Sp
7.3 The Simple, Classical Eyepieces 6 3iUi9P
7.4 Design Story of an Eyepiece for a 6*30 Binocular OG~gFZr)6
7.5 Four-Element Eyepieces 5&g@3j]
7.6 Five-Element Eyepieces YRk(u7:0
7.7 Very High Index Eyepiece/Magnifier gk4;>}
7.8 Six- and Seven-Element Eyepieces Jumgb
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8 Cooke Triplet Anastigmats ,oe <
8.1 Airspaced Triplet Anastigmats 2ACCh4(/P
8.2 Glass Choice [Y/}
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8.3 Vertex Length and Residual Aberrations hR
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8.4 Other Design Considerations m,28u3@r
8.5 A Plastic, Aspheric Triplet Camera Lens ZgJQ?S$D
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet <V'@ks%
8.7 Possible Improvement to Our “Basic” Triplet }v;V=%N+v
8.7 The Rear Earth (Lanthanum) Glasses P;y45b
8.9 Aspherizing the Surfaces OnziG+ak
8.10 Increasing the Element Thickness Mexk~zA^
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9 Split Triplets T"Y+m-<%
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10 The Tessar, Heliar, and Other Compounded Triplets o 11jca|
10.1 The Classic Tessar # +>oZWVc
10.2 The Heliar/Pentac r r %V.r;2
10.3 The Portrait Lens and the Enlarger Lens &AMl:@p9
10.4 Other Compounded Triplets f%JIp#B
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar H'5)UX@LP
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11 Double-Meniscus Anastigmats yN0Vr\r2
11.1 Meniscus Components 5pG}Yk_(x
11.2 The Hypergon, Totogon, and Metrogon HWAdhDZ
11.3 A Two Element Aspheric Thick Meniscus Camera Lens gaxsv[W>^
11.4 Protar, Dagor, and Convertible Lenses ja'T+!k
11.5 The Split Dagor NYUL:Tp
11.6 The Dogmar @s&71a
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens !TH)
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12 The Biotar or Double-Gauss Lens X05/uX{
12.1 The Basic Six-Element Version c]-<vkpV
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens mIvx1_[
12.3 The Seven-Element Biotar - Split-Rear Singlet 8nqG<!,q
12.4 The Seven-Element Biotar - Broken Contact Front Doublet c]<5zyl"j1
12.5 The Seven-Element Biotar - One Compounded Outer Element wu6;.xTLl
12.6 The Eight-Element Biotar Wb_J(!da
12.7 A “Doubled Double-Gauss” Relay M?49TOQA
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13 Telephoto Lenses r6Dz;uz
13.1 The Basic Telephoto bs&43Ae
13.2 Close-up or Macro Lenses sdrfsrNvB-
13.3 Telephoto Designs 'BxX0
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch ]q[D>6_
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses @bLy,Xr&
14.1 The Reverse Telephoto Principle 1~FOgk1;
14.2 The Basic Retrofocus Lens r<EY]f^`u
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses iVr J Q
jd"@t*ZV
15 Wide Angle Lenses with Negative Outer Lenses <dNOd0e
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16 The Petzval Lens; Head-up Display Lenses Pm?KI<TH~
16.1 The Petzval Portrait Lens zI uJ-8T"
16.2 The Petzval Projection Lens V &T~zh1
16.3 The Petzval with a Field Flattener Kw^ 7>\
16.4 Very Height Speed Petzval Lenses n&/
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16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems VGN5<?PrN
]5cT cX;Z#
17 Microscope Objectives W*:.Gxv]
17.1 General Considerations Z\rwO>3
17.2 Classic Objective Design Forms; The Aplanatic Front E&w7GZNt
17.3 Flat-Field Objectives `(;m?<%
17.4 Reflecting Objectives gVuFHHeUz
17.5 The Microscope Objective Designs +=h:Vb8
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18 Mirror and Catadioptric Systems wQf-sk#
18.1 The Good and Bad Points of Mirrors DCa^
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18.2 The Classic Two-Mirror Systems ATyEf5Id_
18.3 Catadioptric Systems ~8+ Zs
18.4 Aspheric Correctors and Schmidt Systems y.k~Y0
18.5 Confocal Paraboloids 4_lrg|X1
18.6 Unobscured Systems wHLLu~m\
18.7 Design of a Schmidt-Cassegrain “from Scratch” TX/Xt7#R:
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19 Infrared and Ultraviolet Systems pki%vRY
19.1 Infrared Optics S hWJ72c
19.2 IR Objective Lenses kZ:ZtE
19.3 IR Telescope \@zHON(
19.4 Laser Beam Expanders cjY-y-vO
19,5 Ultraviolet Systems @HC Vmg:
19.6 Microlithographic Lenses !<";cw(q
kD%( _K5
20 Zoom Lenses Y=KT eYW`
20.1 Zoom Lenses 5tkAFb4P
20.2 Zoom Lenses for Point and Shoot Cameras q2j{tP#
20.3 A 20X Video Zoom Lens X?',n
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20.4 A Zoom Scanner Lens :cECRm*
20.5 A Possible Zoom Lens Design Procedure #{6/ (X
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21 Projection TV Lenses and Macro Lenses V!=,0zy~Z
21.1 Projection TV Lenses B 3I`40#
21.2 Macro Lenses N+xP26D8
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22 Scanner/ , Laser Disk and Collimator Lenses t{kG<J/l
22.1 Monochromatic Systems e T{ 4{
22.2 Scanner Lenses 'H!Uh]!
22.3 Laser Disk, Focusing, and Collimator Lenses m0SlOgRsk
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23 Tolerance Budgeting X_h}J=33Q
23.1 The Tolerance Budget %> eiAB_b
23.2 Additive Tolerances 8<.Oq4ku
23.3 Establishing the Tolerance Budget {\5
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24 Formulary n\53w h@+
24.1 Sign Conventions, Symbols, and Definitions
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24.2 The Cardinal Points KpGhQdR#
24.3 Image Equations CCx&7f
24.4 Paraxial Ray Tracing (Surface by Surface) FZlWsp=
24.5 Invariants r19
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24.6 Paraxial Ray Tracing (Component by Component) M2Qr(K|
24.7 Two-Componenet Relationships ,"ZMRq
24.8 Third-Order Aberrations – Surface Contributions a=2%4Wmz
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs 0h_|t-9j
24.10 Stop Shift Equations zF<R'XP
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces K%oG,-wdg
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) 6&x@.1('z
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Glossary &QgR*,5eo
Reference tD)J*]G
Index