[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith jZa25Z00  
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Contents of Modern Lens Design 2nd Edition NV&;e[z  
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1    Introduction         XXXljh6  
1.1    Lens Design Books     :L]-'\y  
1.2    Reference Material     ,`D/sNP,q  
1.3    Specifications     vAi"$e  
1.4    Lens Design     UE"7

  
1.5    Lens Design Program Features     Lqg]Fd  
1.6    About This Book     USE   
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2    Automatic Lens Design         XQK^$Iq]V  
2.2    The Merit Function         $X`bm*  
2.3    Local Minima     _i-\mR_~  
2.4    The Landscape Lens     1W*V2`0>  
2.5    Types of Merit Function     Z/xV\Ggx  
2.6    Stagnation     w-J"zC  
2.7    Generalized Simulated Annealing     s;s0}Td_1  
2.8    Considerations about Variables for Optimization     YQN.Ohtv*F  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems }bZ 8-v  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     M#ZT2~+CT  
2.11    Spectral Weighting     >g=^,G}y  
2.12    How to Get Started     uH$oGY  
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3    Improving a Design     pV8[l)J  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     7kdeYr~<1  
3.2    Glass Changes ( Index and V Values )     T&]Na  
3.3    Splitting Elements     Y^4q9?2G  
3.4    Separating a Cemented Doublet     |4=ihB9+  
3.5    Compounding an Element      "";=DH  
3.6    Vignetting and Its Uses     ^Fn%K].
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3.7    Eliminating a Weak Element; the Concentric Problem     Hyf"iYv+  
3.8    Balancing Aberrations     -jFP7tEv  
3.9    The Symmetrical Principle     d60c$?"]a(  
3.10    Aspheric Surfaces     2v4
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4    Evaluation: How Good is This Design     X|,["Az 8  
4.1    The Uses of a Preliminary Evaluation     FzVZs#O  
4.2    OPD versus Measures of Performance     z23#G>I&  
4.3    Geometric Blur Spot Size versus Certain Aberrations     \Ps5H5Qk;  
4.4    Interpreting MTF - The Modulation Transfer Function     tbg*_ZQO u  
4.5    Fabrication Considerations     ^s=*J=k  
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5    Lens Design Data     w:v=se"U  
5.1    About the Sample Lens Designs     ]{<saAmJC  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     }*h47t}  
5.3    Estimating the Potential of a Redesign     Zgy7!AF!  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     aFyh,  
5.5    Notes on the Interpretation of Ray Intercept Plots     >d#3|;RY  
5.6    Various Evaluation Plot     0Yp>+:#  
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6    Telescope Objective     M%3Wy"YQ,n  
6.1    The Thin Airspaced Doublet     w#sq'vo4%  
6.2    Merit Function for a Telescope Objective     +N7"EROc  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     ?HV}mS[t  
6.4    Spherochromatism     oooS s&t  
6.5    Zonal Spherical Aberration     C\OECVT  
6.6    Induced Aberrations     wE?CvL  
6.7    Three-Element Objectives      >9{zQf!  
6.8    Secondary Spectrum (Apochromatic Systems)     #,TELzUVE  
6.9    The Design of an f/7 Apochromatic Triplet     "w9`cz9a~J  
6.10    The Diffractive Surface in Lens Design     qIz}$%!A  
6.11    A Final Note     7_KXD#  
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7    Eyepieces and Magnifiers     S"Kq^DN  
7.1    Eyepieces     oXdel Ju?  
7.2    A Pair of Magnifier Designs     W+K.r?G<j  
7.3    The Simple, Classical Eyepieces     07FT)Q
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7.4    Design Story of an Eyepiece for a 6*30 Binocular     f}2;N  
7.5    Four-Element Eyepieces     <*_o0;h|  
7.6    Five-Element Eyepieces     ^zgacn  
7.7    Very High Index Eyepiece/Magnifier     ,m:L2 -J@  
7.8    Six- and Seven-Element Eyepieces     Dm
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8    Cooke Triplet Anastigmats     )nOE8y/  
8.1    Airspaced Triplet Anastigmats     TtZ}
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8.2    Glass Choice     jQ|:I7y  
8.3    Vertex Length and Residual Aberrations     m<3w^mww  
8.4    Other Design Considerations     Kr]z]4.d@  
8.5    A Plastic, Aspheric Triplet Camera Lens     J+|/-{g  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet N}DL(-SQ3  
8.7    Possible Improvement to Our “Basic” Triplet     Q ?^4
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8.7    The Rear Earth (Lanthanum) Glasses     ]+ZM/'X  
8.9    Aspherizing the Surfaces     {yS;NU`2  
8.10    Increasing the Element Thickness     r8,om^N6  
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9    Split Triplets     #|?8~c;RWG  
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10    The Tessar, Heliar, and Other Compounded Triplets     D"!jbVz]*  
10.1    The Classic Tessar     x6v,lR  
10.2    The Heliar/Pentac     5{X*a  
10.3    The Portrait Lens and the Enlarger Lens     Bzw19S6y
 
10.4    Other Compounded Triplets     M*(H)i;s:w  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar q/x/N5HU  
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11    Double-Meniscus Anastigmats     @Z q[e   
11.1    Meniscus Components     0m A(:"  
11.2    The Hypergon, Totogon, and Metrogon     +`Pmq}ey  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     c0ZaFJ  
11.4    Protar, Dagor, and Convertible Lenses     dlR_ckp  
11.5    The Split Dagor     r^5jh1  
11.6    The Dogmar     (;ADW+.`J  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     n}q$f|4!  
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12    The Biotar or Double-Gauss Lens     9@'4P  
12.1    The Basic Six-Element Version     TF2KZL#A|  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens I .P6l*$  
12.3    The Seven-Element Biotar - Split-Rear Singlet     H%z/v|e6  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     *)D1!R<\,R  
12.5    The Seven-Element Biotar - One Compounded Outer Element     vBoO'l9'M  
12.6    The Eight-Element Biotar     T?rH ,$:  
12.7    A “Doubled Double-Gauss” Relay     w.^yP7:  
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13    Telephoto Lenses     *|KVN&#  
13.1    The Basic Telephoto     UP8{5fx'  
13.2    Close-up or Macro Lenses     .&|L|q}  
13.3    Telephoto Designs     F 7LiG9H6`  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch 9!#EwPD$#  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     r6 }_H?j  
14.1    The Reverse Telephoto Principle     6|#g+&[  
14.2    The Basic Retrofocus Lens     U&W"Ea=R/  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     lDN?|YG  
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15    Wide Angle Lenses with Negative Outer Lenses     ^Xs]C|=W  
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16    The Petzval Lens; Head-up Display Lenses     6$RpV'xz  
16.1    The Petzval Portrait Lens     taDQ65  
16.2    The Petzval Projection Lens     .iT4-  
16.3    The Petzval with a Field Flattener     [K:29N9~4  
16.4    Very Height Speed Petzval Lenses     |,sMST%  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     o;J;k_[MX  
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17    Microscope Objectives     V.VJcx  
17.1    General Considerations     5@f5S0
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17.2    Classic Objective Design Forms; The Aplanatic Front     r?3Aqi"  
17.3    Flat-Field Objectives     l
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17.4    Reflecting Objectives     wOg,SMiq  
17.5    The Microscope Objective Designs     i}lRIXjdV  
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18    Mirror and Catadioptric Systems     >rf5)Y~f  
18.1    The Good and Bad Points of Mirrors     (p,}'I#i*  
18.2    The Classic Two-Mirror Systems 8Z8Y[p  
18.3    Catadioptric Systems     C6^j#rl  
18.4    Aspheric Correctors and Schmidt Systems     .8H}Lf\  
18.5    Confocal Paraboloids     u"FjwF?  
18.6    Unobscured Systems     9rcI+q=E  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     >>7aw" 0  
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19    Infrared and Ultraviolet Systems     BS2?!;,8  
19.1    Infrared Optics     nk/vGa4
  
19.2    IR Objective Lenses     Y/lN@  
19.3    IR Telescope     ti9}*8  
19.4    Laser Beam Expanders     P {H{UKs#  
19,5    Ultraviolet Systems     vr4S9`,  
19.6    Microlithographic Lenses     ] .5OX84  
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20    Zoom Lenses     WQKj]:qk0  
20.1    Zoom Lenses     +)gB9DoK  
20.2    Zoom Lenses for Point and Shoot Cameras     E474l  
20.3    A 20X Video Zoom Lens     ])N%^Qe$U  
20.4    A Zoom Scanner Lens     I%xn,u  
20.5    A Possible Zoom Lens Design Procedure     aR)?a;}H  
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21    Projection TV Lenses and Macro Lenses     o^GC=Aca`  
21.1    Projection TV Lenses     .'lN4x  
21.2    Macro Lenses     Sk=N [hwU  
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22    Scanner/ , Laser Disk and Collimator Lenses     j)L1H* S%  
22.1    Monochromatic Systems     &yLc1#H  
22.2    Scanner Lenses     \
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22.3    Laser Disk, Focusing, and Collimator Lenses     @a(oB.i  
    ym%o}(v-  
23    Tolerance Budgeting     D9o*8h2$  
23.1    The Tolerance Budget     n(R_#,Hs  
23.2    Additive Tolerances     o](.368+4  
23.3    Establishing the Tolerance Budget     tIGs>, a=  
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24    Formulary H\+-cvl  
24.1    Sign Conventions, Symbols, and Definitions     . r`[  
24.2    The Cardinal Points     =l,#iYJP8  
24.3    Image Equations     _}ele+  
24.4    Paraxial Ray Tracing (Surface by Surface)     ,sI35I J  
24.5    Invariants     ) b:4uK A  
24.6    Paraxial Ray Tracing (Component by Component)     e/94y6*
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24.7    Two-Componenet Relationships     P(;Mb{  
24.8    Third-Order Aberrations – Surface Contributions     C3.=GRg~l  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     bl.EIyG>  
24.10    Stop Shift Equations     TzrW   
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     HNMBXXf,B  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     DL4iXULNY  
#r}uin*jD  
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Glossary )!,@m>0v{  
Reference usH%dzKK  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 SctJxY(}!  
我怎么瞧不明白。

有没有人呀 BPh".RJ  
有个问题想请教大家