"Modern Lens Design" 2nd Edition by Warren J. Smith kB\kpW
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Contents of Modern Lens Design 2nd Edition 8TZENRzx-|
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1 Introduction 3#.\
1.1 Lens Design Books Qu~*46?0
1.2 Reference Material b7h+?!H]R
1.3 Specifications .`C
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1.4 Lens Design SQ#7PKH
1.5 Lens Design Program Features C9KWa*3
1.6 About This Book -fIc4u[
5 d ;|=K
2 Automatic Lens Design PJ 9%/Nrh
2.2 The Merit Function ?~2Bi^W5
2.3 Local Minima Dl;d33
2.4 The Landscape Lens ehOs9b
2.5 Types of Merit Function XizPM N5a
2.6 Stagnation kR6A3?[
2.7 Generalized Simulated Annealing ESDB[
O+`x
2.8 Considerations about Variables for Optimization QB1M3b
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems /)V4k:#b
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits `mB.pz[
2.11 Spectral Weighting k90B!kg
2.12 How to Get Started Hq
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3 Improving a Design |< N frz
3.1 Lens Design Tip Sheet: Standard Improvement Techniques \p6 }
3.2 Glass Changes ( Index and V Values ) c#\-%h
3.3 Splitting Elements |NEd@
3.4 Separating a Cemented Doublet .[f;(WR
3.5 Compounding an Element 4r*Pa(;y
3.6 Vignetting and Its Uses f9']
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3.7 Eliminating a Weak Element; the Concentric Problem .xpmp6-
3.8 Balancing Aberrations k|#Zy,
3.9 The Symmetrical Principle ?~)Ak`=
3.10 Aspheric Surfaces R`Qpd3
R$xY8+}V
4 Evaluation: How Good is This Design %N{sD[^
4.1 The Uses of a Preliminary Evaluation ? ICDIn
4.2 OPD versus Measures of Performance 4 =Fg!Eu<
4.3 Geometric Blur Spot Size versus Certain Aberrations C
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4.4 Interpreting MTF - The Modulation Transfer Function oEAfowXSqk
4.5 Fabrication Considerations #Wx=v$"
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5 Lens Design Data ;](h2Z`3s
5.1 About the Sample Lens Designs vPsq<l}
5.2 Lens Prescriptions, Drawings, and Aberration Plots dzxI QlP
5.3 Estimating the Potential of a Redesign }jcIDiSu
5.4 Scaling a Desing, Its Aberrations, and Its MTF 9cOx@c+/
5.5 Notes on the Interpretation of Ray Intercept Plots 5bBCpNa
5.6 Various Evaluation Plot a4u ^f5)@
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6 Telescope Objective kJeu40oN
6.1 The Thin Airspaced Doublet I{<;;;a
6.2 Merit Function for a Telescope Objective -aN":?8(G
6.3 The Design of an f/7 Cemented Doublet Telescope Objective uRGB/ju^E
6.4 Spherochromatism i+RD]QL
6.5 Zonal Spherical Aberration L?.7\a@
6.6 Induced Aberrations R2Yl)2
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6.7 Three-Element Objectives IQoH@l&Xk
6.8 Secondary Spectrum (Apochromatic Systems) "VQ|Ed
6.9 The Design of an f/7 Apochromatic Triplet J=P;W2L
6.10 The Diffractive Surface in Lens Design =~$U^IsWA
6.11 A Final Note iUCwKpb9
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7 Eyepieces and Magnifiers /Tcb\:`9
7.1 Eyepieces +{Gw9h"5g*
7.2 A Pair of Magnifier Designs {9'hOi50
7.3 The Simple, Classical Eyepieces ?w8pLE~E
7.4 Design Story of an Eyepiece for a 6*30 Binocular X{'wWWZC
7.5 Four-Element Eyepieces kDg{>mf
7.6 Five-Element Eyepieces gDj_KKd
7.7 Very High Index Eyepiece/Magnifier fOJj(0=y
7.8 Six- and Seven-Element Eyepieces dh?S[|='
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8 Cooke Triplet Anastigmats :@WLGK*u.
8.1 Airspaced Triplet Anastigmats (L:`ojiU
8.2 Glass Choice 3z$HKG
8.3 Vertex Length and Residual Aberrations `~|DoSi^d
8.4 Other Design Considerations -Y2&A$cM
8.5 A Plastic, Aspheric Triplet Camera Lens {\lui eG
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet Kv1vx*>
8.7 Possible Improvement to Our “Basic” Triplet ?d#Lr*m
8.7 The Rear Earth (Lanthanum) Glasses bCt_yR
8.9 Aspherizing the Surfaces w@2~`<Hk'"
8.10 Increasing the Element Thickness Z3Gm
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9 Split Triplets @n>{&^-c
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10 The Tessar, Heliar, and Other Compounded Triplets 4%%B0[Wo_O
10.1 The Classic Tessar GtG&yeB
10.2 The Heliar/Pentac ~X[S<Gi#
10.3 The Portrait Lens and the Enlarger Lens U* 4{"
10.4 Other Compounded Triplets q?1yE@th
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar o\:$V
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11 Double-Meniscus Anastigmats GPMrs)J*!
11.1 Meniscus Components 17|@f
11.2 The Hypergon, Totogon, and Metrogon `)LIVi"(D
11.3 A Two Element Aspheric Thick Meniscus Camera Lens ?C
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11.4 Protar, Dagor, and Convertible Lenses CN-4-
11.5 The Split Dagor $e>/?Ss
11.6 The Dogmar |}%(6<
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens >QA/Mi~R
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12 The Biotar or Double-Gauss Lens m\1VF\
12.1 The Basic Six-Element Version l#p}{
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens HUK"OH
12.3 The Seven-Element Biotar - Split-Rear Singlet 8g-P_[>
12.4 The Seven-Element Biotar - Broken Contact Front Doublet TS/Cp{
12.5 The Seven-Element Biotar - One Compounded Outer Element n#)PvV~
12.6 The Eight-Element Biotar 7:#
12.7 A “Doubled Double-Gauss” Relay 5FZ47m ~{Z
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13 Telephoto Lenses iJEB?y
13.1 The Basic Telephoto T4Xtuu1
13.2 Close-up or Macro Lenses #aj|vox}
13.3 Telephoto Designs 4c
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch p1Y+
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses vU ?b"n
14.1 The Reverse Telephoto Principle 0S%tsXt+
14.2 The Basic Retrofocus Lens sg+ZQDF{x
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses #,7eQaica
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15 Wide Angle Lenses with Negative Outer Lenses '" ^ B&W
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16 The Petzval Lens; Head-up Display Lenses E"G:K`Q
16.1 The Petzval Portrait Lens @X3 gBGY)
16.2 The Petzval Projection Lens bELIRM9
16.3 The Petzval with a Field Flattener E]e,cd
16.4 Very Height Speed Petzval Lenses W^5<XX,ON
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems I/oIcQS!k
dMey/A/VYt
17 Microscope Objectives .WBI%ci
17.1 General Considerations /#:Rd^
17.2 Classic Objective Design Forms; The Aplanatic Front c Bg,k[,
17.3 Flat-Field Objectives pQk=x T
17.4 Reflecting Objectives ~gSwxGT7d
17.5 The Microscope Objective Designs |\i:LG1
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18 Mirror and Catadioptric Systems i,mrMi
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18.1 The Good and Bad Points of Mirrors w> Tyk#7lw
18.2 The Classic Two-Mirror Systems DZ%g^DRZX
18.3 Catadioptric Systems c1pq]mz|z
18.4 Aspheric Correctors and Schmidt Systems 0@II&
18.5 Confocal Paraboloids .jvSAV5B
18.6 Unobscured Systems om XBnzT
18.7 Design of a Schmidt-Cassegrain “from Scratch” `G_(xN7O
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19 Infrared and Ultraviolet Systems dE 3i=
19.1 Infrared Optics "bHtf_
19.2 IR Objective Lenses 1mT|o_K{ T
19.3 IR Telescope l9M#]*{
19.4 Laser Beam Expanders ,:0Q1~8
19,5 Ultraviolet Systems u@GRN`yn
19.6 Microlithographic Lenses p2pTs&}S
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20 Zoom Lenses NmH}"ndv+
20.1 Zoom Lenses ZcUh[5:|
20.2 Zoom Lenses for Point and Shoot Cameras c%q}"Y0oh
20.3 A 20X Video Zoom Lens U@o2gjGN
20.4 A Zoom Scanner Lens nu\
20.5 A Possible Zoom Lens Design Procedure &(5^vw<0
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21 Projection TV Lenses and Macro Lenses Y|hzF:ll
21.1 Projection TV Lenses 9f@#SB_H
21.2 Macro Lenses ",MK'\E
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22 Scanner/ , Laser Disk and Collimator Lenses S(g<<Te
22.1 Monochromatic Systems G=r(SJq
22.2 Scanner Lenses IgzCh
22.3 Laser Disk, Focusing, and Collimator Lenses %f_)<NP9=
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23 Tolerance Budgeting o1fyNzq<
23.1 The Tolerance Budget ?c|`R1D
23.2 Additive Tolerances gE-w]/1zD5
23.3 Establishing the Tolerance Budget O4 +SD
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24 Formulary (&9DB
24.1 Sign Conventions, Symbols, and Definitions "<cB73tY
24.2 The Cardinal Points DuTlYXM2^
24.3 Image Equations M^|"be~{'
24.4 Paraxial Ray Tracing (Surface by Surface) USnD7I/b
24.5 Invariants 8>% jZ%`a
24.6 Paraxial Ray Tracing (Component by Component) z/eU^2V
24.7 Two-Componenet Relationships beN>5coP%A
24.8 Third-Order Aberrations – Surface Contributions >.!5M L\
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs ~>Hnf_pZO
24.10 Stop Shift Equations C:tSCNH[
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces ^Ff~j&L@{
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) )rs|=M=Xk
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Glossary H
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Reference W(u6J#2
Index