"Modern Lens Design" 2nd Edition by Warren J. Smith mE]W#?
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Contents of Modern Lens Design 2nd Edition 86@@j*c(@k
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1 Introduction bsmnh_YRj
1.1 Lens Design Books 0?j+d8*
1.2 Reference Material UIv
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1.3 Specifications (5N&bh`E
1.4 Lens Design \bb,gRfP
1.5 Lens Design Program Features ]urcA,a
1.6 About This Book e~weYGK
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2 Automatic Lens Design A]vQ1*pnk
2.2 The Merit Function oZ~M`yOz.
2.3 Local Minima [OsW
2.4 The Landscape Lens sOW-GWSE<
2.5 Types of Merit Function /$x6//0If
2.6 Stagnation c>3W1"
2.7 Generalized Simulated Annealing }g _#.>D+
2.8 Considerations about Variables for Optimization Efw/bTEg
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems an<tupi[E
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits Kc\0-3 Z
2.11 Spectral Weighting EY!aiH6P
2.12 How to Get Started 413r3/
M|`%4vk>
3 Improving a Design _W*3FH
3.1 Lens Design Tip Sheet: Standard Improvement Techniques z{^XU"yB
3.2 Glass Changes ( Index and V Values ) F+AShh
3.3 Splitting Elements rReZ$U
3.4 Separating a Cemented Doublet I)O-i_}L&K
3.5 Compounding an Element *4[3?~_B#6
3.6 Vignetting and Its Uses I\DT(9
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3.7 Eliminating a Weak Element; the Concentric Problem VxfFk4
3.8 Balancing Aberrations /gHRJ$2|Sx
3.9 The Symmetrical Principle Y6fU;
3.10 Aspheric Surfaces O`mW,
3!CI=(^IY
4 Evaluation: How Good is This Design Dx Vt
4.1 The Uses of a Preliminary Evaluation 'F[Q E9]*
4.2 OPD versus Measures of Performance &ze'V
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4.3 Geometric Blur Spot Size versus Certain Aberrations fi#o>tVyJ
4.4 Interpreting MTF - The Modulation Transfer Function T.W/S0#j3
4.5 Fabrication Considerations 2&!G@5
e v?Hz8Q;(
5 Lens Design Data JUU0Tx:`9)
5.1 About the Sample Lens Designs .'7o,)pJ<
5.2 Lens Prescriptions, Drawings, and Aberration Plots BbiBtU
5.3 Estimating the Potential of a Redesign "Rs^0iT7>
5.4 Scaling a Desing, Its Aberrations, and Its MTF M* QqiE
5.5 Notes on the Interpretation of Ray Intercept Plots Khw!+!(H
5.6 Various Evaluation Plot Ctt{j'-[
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6 Telescope Objective g >-iBxml
6.1 The Thin Airspaced Doublet .f&,~$e4
6.2 Merit Function for a Telescope Objective zYSXG-k
6.3 The Design of an f/7 Cemented Doublet Telescope Objective D@4hQC\
6.4 Spherochromatism u 8N+ht@
6.5 Zonal Spherical Aberration }(TZ}* d
6.6 Induced Aberrations F K={%
6.7 Three-Element Objectives [>?B`1;@
6.8 Secondary Spectrum (Apochromatic Systems) FJ>| l#nO
6.9 The Design of an f/7 Apochromatic Triplet $+[HJ{
6.10 The Diffractive Surface in Lens Design 0t*q5pAG".
6.11 A Final Note &g@?{5FP
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7 Eyepieces and Magnifiers c+|,2e
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7.1 Eyepieces bEy j8=P;
7.2 A Pair of Magnifier Designs |$9k
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7.3 The Simple, Classical Eyepieces XF{}St~ (
7.4 Design Story of an Eyepiece for a 6*30 Binocular |'=R`@w~0
7.5 Four-Element Eyepieces kfA%%A
7.6 Five-Element Eyepieces 6]Ppa ~Xwq
7.7 Very High Index Eyepiece/Magnifier v D}y%}
7.8 Six- and Seven-Element Eyepieces 5oWR}qqFK
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8 Cooke Triplet Anastigmats 't^OIil
8.1 Airspaced Triplet Anastigmats P7"g/j" "
8.2 Glass Choice ](-:l6
8.3 Vertex Length and Residual Aberrations PGu6hV{
8.4 Other Design Considerations
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8.5 A Plastic, Aspheric Triplet Camera Lens v*l1"0$
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet \nPa>2r
8.7 Possible Improvement to Our “Basic” Triplet oe4Fy}Y_;
8.7 The Rear Earth (Lanthanum) Glasses B7T(9Tj+Fh
8.9 Aspherizing the Surfaces T3)/?f?|
8.10 Increasing the Element Thickness i+T$&$b
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9 Split Triplets {o5E#<)
i v&:X3iB
10 The Tessar, Heliar, and Other Compounded Triplets U{n
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10.1 The Classic Tessar #th^\pV
10.2 The Heliar/Pentac |ay W _5}
10.3 The Portrait Lens and the Enlarger Lens ^B>
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10.4 Other Compounded Triplets d5+ (@HSR
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar 86@"BNnTh
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11 Double-Meniscus Anastigmats +@AN+!(
11.1 Meniscus Components I6'U[)%
11.2 The Hypergon, Totogon, and Metrogon tX&Dum $
11.3 A Two Element Aspheric Thick Meniscus Camera Lens xAQ=oF
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11.4 Protar, Dagor, and Convertible Lenses ezCsbV;. [
11.5 The Split Dagor UFm E`|le
11.6 The Dogmar 44mYs`]
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens Iz!Blk
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12 The Biotar or Double-Gauss Lens !YsLx[+
12.1 The Basic Six-Element Version b 9F=}.4
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens P0DvZV8
12.3 The Seven-Element Biotar - Split-Rear Singlet kOx2P(UAEx
12.4 The Seven-Element Biotar - Broken Contact Front Doublet m(XcPb
12.5 The Seven-Element Biotar - One Compounded Outer Element M8:gHjwsx
12.6 The Eight-Element Biotar kiZA$:V8
12.7 A “Doubled Double-Gauss” Relay *" >ek k
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13 Telephoto Lenses [^P25K
13.1 The Basic Telephoto Fla,#uB
13.2 Close-up or Macro Lenses }*hY#jo1
13.3 Telephoto Designs 2YdMsu~
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch G?8LYg!-
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses | ?~-k[|
14.1 The Reverse Telephoto Principle /
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14.2 The Basic Retrofocus Lens
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14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses %f#3;tpC8
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15 Wide Angle Lenses with Negative Outer Lenses G5 Y 8]N
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16 The Petzval Lens; Head-up Display Lenses *Ny^XQ_ X
16.1 The Petzval Portrait Lens H"tS3 3
16.2 The Petzval Projection Lens ^g$k4
16.3 The Petzval with a Field Flattener Y]0oF_ :7
16.4 Very Height Speed Petzval Lenses Bi]`e_(}
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems PnJr
2(YZTaY
17 Microscope Objectives |g}!
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17.1 General Considerations Y
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17.2 Classic Objective Design Forms; The Aplanatic Front C=t:0.:PJ
17.3 Flat-Field Objectives -ytSS:|%\
17.4 Reflecting Objectives ! %S9H2Lv
17.5 The Microscope Objective Designs @f{yx\u/
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18 Mirror and Catadioptric Systems j/5>zS
18.1 The Good and Bad Points of Mirrors WOZf4X`[
18.2 The Classic Two-Mirror Systems cYFR.~p
18.3 Catadioptric Systems l[.*X
18.4 Aspheric Correctors and Schmidt Systems ;<1O86!
18.5 Confocal Paraboloids i44UqEb
18.6 Unobscured Systems 9TjAEeU
18.7 Design of a Schmidt-Cassegrain “from Scratch”
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19 Infrared and Ultraviolet Systems h6c8hp.
19.1 Infrared Optics ~Us1F=i_Q
19.2 IR Objective Lenses if9I7@
19.3 IR Telescope dJ"3F(X
19.4 Laser Beam Expanders Is` S
19,5 Ultraviolet Systems i,NN"
19.6 Microlithographic Lenses %np b.C|+
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20 Zoom Lenses e!URj\*
20.1 Zoom Lenses ps[TiW{q;
20.2 Zoom Lenses for Point and Shoot Cameras B!K{y>|.
20.3 A 20X Video Zoom Lens mDC{c ?
20.4 A Zoom Scanner Lens >G92k76G
20.5 A Possible Zoom Lens Design Procedure c>{6NSS -
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21 Projection TV Lenses and Macro Lenses j01.`G7Q
21.1 Projection TV Lenses ?d-(M' v.
21.2 Macro Lenses DZ?>9W{
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22 Scanner/ , Laser Disk and Collimator Lenses aSi:(w
22.1 Monochromatic Systems W78Z<Vm
22.2 Scanner Lenses :Qh5ZO&G0
22.3 Laser Disk, Focusing, and Collimator Lenses ;LELC5[*s
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23 Tolerance Budgeting <1.].A@b*
23.1 The Tolerance Budget |tP1,[w">
23.2 Additive Tolerances Zk$AAjC&
23.3 Establishing the Tolerance Budget XA5gosq
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24 Formulary }r3,
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24.1 Sign Conventions, Symbols, and Definitions O?p.kf{b
24.2 The Cardinal Points Ne,7[k
24.3 Image Equations l]Jk
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24.4 Paraxial Ray Tracing (Surface by Surface) 2f] :n
24.5 Invariants N6=cqUM wt
24.6 Paraxial Ray Tracing (Component by Component) TKvUBy
24.7 Two-Componenet Relationships |jJC~/WR
24.8 Third-Order Aberrations – Surface Contributions #M&rmKv)g
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs BoG/Hd.S
24.10 Stop Shift Equations + 1\1Z@\M
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces n=MdbY/k(
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) /xJ,nwp7
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Glossary z11;r]VI
Reference Kg=TPNf"$
Index