"Modern Lens Design" 2nd Edition by Warren J. Smith -Uzc"Lx B
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Contents of Modern Lens Design 2nd Edition ?F)_T
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1 Introduction Q.rB\8ea
1.1 Lens Design Books uFGv%W
1.2 Reference Material B"7$!C o
1.3 Specifications /
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1.4 Lens Design ;>inT7?3|
1.5 Lens Design Program Features #D/$6ah~m
1.6 About This Book $/NGNkl[
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2 Automatic Lens Design RcY6V_Qx
2.2 The Merit Function L.SDM z
2.3 Local Minima (hpTJsZ
2.4 The Landscape Lens F"-S~I7'L
2.5 Types of Merit Function NnJ>0|74g
2.6 Stagnation PXOrOK
2.7 Generalized Simulated Annealing h |s*i
2.8 Considerations about Variables for Optimization )W[KD,0+j
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems 'u4}t5Bu5
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits oN.Mra]D
2.11 Spectral Weighting ^fA3<|
2.12 How to Get Started Sja"(sJ
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3 Improving a Design A28ZSL
3.1 Lens Design Tip Sheet: Standard Improvement Techniques $.ymby
3.2 Glass Changes ( Index and V Values ) 29R_n)ne
3.3 Splitting Elements 9QX&7cs&[
3.4 Separating a Cemented Doublet 6$W -?
3.5 Compounding an Element 2Som0T<2
3.6 Vignetting and Its Uses zb@L)%
3.7 Eliminating a Weak Element; the Concentric Problem =@bXGMsV!
3.8 Balancing Aberrations A>qd2
3.9 The Symmetrical Principle ^?H\*N4
3.10 Aspheric Surfaces PFImqojHd
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4 Evaluation: How Good is This Design Gh>"s #+
4.1 The Uses of a Preliminary Evaluation {.s ]\C
4.2 OPD versus Measures of Performance 0z#l0-NdQ
4.3 Geometric Blur Spot Size versus Certain Aberrations ,m #@%fa
4.4 Interpreting MTF - The Modulation Transfer Function ;y:#S^|?-z
4.5 Fabrication Considerations NUi{!<
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5 Lens Design Data 3&.TU5]`-
5.1 About the Sample Lens Designs "U/NMGMj
5.2 Lens Prescriptions, Drawings, and Aberration Plots I T*fjUY&
5.3 Estimating the Potential of a Redesign 2jI4V;H8g
5.4 Scaling a Desing, Its Aberrations, and Its MTF p[ks} mca@
5.5 Notes on the Interpretation of Ray Intercept Plots jK ?
5.6 Various Evaluation Plot UMHuIA:%U
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6 Telescope Objective 9Q
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6.1 The Thin Airspaced Doublet }M"-5K}
6.2 Merit Function for a Telescope Objective iqU.a/~y
6.3 The Design of an f/7 Cemented Doublet Telescope Objective X}65\6
6.4 Spherochromatism K1m!S9d`x
6.5 Zonal Spherical Aberration GQYtH#
6.6 Induced Aberrations "Qiq/"h
6.7 Three-Element Objectives a}^!TC>%1i
6.8 Secondary Spectrum (Apochromatic Systems) $5 q{vy
6.9 The Design of an f/7 Apochromatic Triplet Z'*G'/*
6.10 The Diffractive Surface in Lens Design 6E*Zj1KX
6.11 A Final Note 1A,4Aw<
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7 Eyepieces and Magnifiers pAPQi|CN
7.1 Eyepieces Nlf&]^4(0
7.2 A Pair of Magnifier Designs 0C9QAJa
7.3 The Simple, Classical Eyepieces x| ~D(zo
7.4 Design Story of an Eyepiece for a 6*30 Binocular EkfGw/WDw
7.5 Four-Element Eyepieces a$+e8>
7.6 Five-Element Eyepieces K'{ wncumQ
7.7 Very High Index Eyepiece/Magnifier iTKG,$G
7.8 Six- and Seven-Element Eyepieces yK @X^jf
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8 Cooke Triplet Anastigmats EmBfiuX
8.1 Airspaced Triplet Anastigmats Oy?iAQ+
8.2 Glass Choice :5q*46n
8.3 Vertex Length and Residual Aberrations Z3u""oM/
8.4 Other Design Considerations *;\
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8.5 A Plastic, Aspheric Triplet Camera Lens z9uEOX&2\
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet nvUkbmZG#
8.7 Possible Improvement to Our “Basic” Triplet -Z\UYt
8.7 The Rear Earth (Lanthanum) Glasses Qh1Kl_a?Lv
8.9 Aspherizing the Surfaces .{Eg(1At
8.10 Increasing the Element Thickness x""Mxn]gD
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9 Split Triplets )Or:wFSMq
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10 The Tessar, Heliar, and Other Compounded Triplets &bO