"Modern Lens Design" 2nd Edition by Warren J. Smith tV4aUve
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Contents of Modern Lens Design 2nd Edition d>psqmQ
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1 Introduction !qve1H4d2
1.1 Lens Design Books hKeh9 Bt
1.2 Reference Material gcF><i6
1.3 Specifications ;H|M)z#[Z
1.4 Lens Design `sC8ro@Fm
1.5 Lens Design Program Features g<3>7&^
1.6 About This Book 7Wn]l!
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2 Automatic Lens Design D8XXm lo
2.2 The Merit Function >(a_9l;q
2.3 Local Minima GdY^}TJrh
2.4 The Landscape Lens
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2.5 Types of Merit Function 8#B;nyGD1I
2.6 Stagnation th|Q NG
2.7 Generalized Simulated Annealing :\RB ^3;
2.8 Considerations about Variables for Optimization `q*ABsj
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems &p/k VM
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits @S):a`J
2.11 Spectral Weighting 6nhB1Aei
2.12 How to Get Started cXH?'q'vZ
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3 Improving a Design b=EZtk6>
3.1 Lens Design Tip Sheet: Standard Improvement Techniques 3|3lUU\I
3.2 Glass Changes ( Index and V Values ) an~Kc!Oki
3.3 Splitting Elements +R$KEGu~0Y
3.4 Separating a Cemented Doublet 0[Aa2H*
3.5 Compounding an Element iOxygs#p
3.6 Vignetting and Its Uses >?<d}9X
3.7 Eliminating a Weak Element; the Concentric Problem sBL^NDqa2
3.8 Balancing Aberrations HrxEC)V6#
3.9 The Symmetrical Principle R 5zV=N
3.10 Aspheric Surfaces Lq^/Z4L
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4 Evaluation: How Good is This Design $<PVzW,$o
4.1 The Uses of a Preliminary Evaluation mQJ GKh&Pk
4.2 OPD versus Measures of Performance
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4.3 Geometric Blur Spot Size versus Certain Aberrations AQZ\Kcr
4.4 Interpreting MTF - The Modulation Transfer Function x]T;W&s
4.5 Fabrication Considerations B;Vl+}R
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5 Lens Design Data ^bGi_YC
5.1 About the Sample Lens Designs =c'LG
5.2 Lens Prescriptions, Drawings, and Aberration Plots /2 N%Z
5.3 Estimating the Potential of a Redesign zFIKB9NUn
5.4 Scaling a Desing, Its Aberrations, and Its MTF y5}|Y{5
5.5 Notes on the Interpretation of Ray Intercept Plots V y$\.2=
5.6 Various Evaluation Plot Ja1*a,],L
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6 Telescope Objective xm5D$m3#
6.1 The Thin Airspaced Doublet 0M p>X
6.2 Merit Function for a Telescope Objective duCm+4,.
6.3 The Design of an f/7 Cemented Doublet Telescope Objective &$[{L)D
6.4 Spherochromatism gK'MUZ()
6.5 Zonal Spherical Aberration xB#E&}Ho
6.6 Induced Aberrations Ycwb1e#
6.7 Three-Element Objectives Lif mYn[
6.8 Secondary Spectrum (Apochromatic Systems) 0a5P@;"a
6.9 The Design of an f/7 Apochromatic Triplet XA68H!I
6.10 The Diffractive Surface in Lens Design I
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6.11 A Final Note zD'gGxM1
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7 Eyepieces and Magnifiers 4=Zlsp
7.1 Eyepieces g@L4G?hLn
7.2 A Pair of Magnifier Designs 57r)&8
7.3 The Simple, Classical Eyepieces FW4 hqgE@
7.4 Design Story of an Eyepiece for a 6*30 Binocular frt?*|:
7.5 Four-Element Eyepieces n_Z8%|h
7.6 Five-Element Eyepieces I~I%z'"RQd
7.7 Very High Index Eyepiece/Magnifier !8$}]uWP
7.8 Six- and Seven-Element Eyepieces Y~6pJNR
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8 Cooke Triplet Anastigmats 7~&Y"&
8.1 Airspaced Triplet Anastigmats '"EOLr\Z,
8.2 Glass Choice <~3 aaO
8.3 Vertex Length and Residual Aberrations +-"#GL~cC
8.4 Other Design Considerations v3p..A~XZ.
8.5 A Plastic, Aspheric Triplet Camera Lens ntT|G0E
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet g6farLBF
8.7 Possible Improvement to Our “Basic” Triplet @fwU%S[v
8.7 The Rear Earth (Lanthanum) Glasses >cp9{+#f
8.9 Aspherizing the Surfaces m`|Z1CT
8.10 Increasing the Element Thickness ,rKN/{M!
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9 Split Triplets +2?[=g4;}
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10 The Tessar, Heliar, and Other Compounded Triplets yQ}~ aA#h
10.1 The Classic Tessar =cQwR:):
10.2 The Heliar/Pentac ra3WLK
10.3 The Portrait Lens and the Enlarger Lens eIO}/npT]Q
10.4 Other Compounded Triplets ;dnn
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10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar )q,}jeM8
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11 Double-Meniscus Anastigmats G~PP1sf
11.1 Meniscus Components "YBA$ef$
11.2 The Hypergon, Totogon, and Metrogon >@X=E3
11.3 A Two Element Aspheric Thick Meniscus Camera Lens Um~jp:6p
11.4 Protar, Dagor, and Convertible Lenses s-*XAnot
11.5 The Split Dagor k}/:
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11.6 The Dogmar
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11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens X}ZOjX!
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12 The Biotar or Double-Gauss Lens .q=X58tHu
12.1 The Basic Six-Element Version )D^P~2
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens }LRAe3N%8
12.3 The Seven-Element Biotar - Split-Rear Singlet JsC0^A;fM
12.4 The Seven-Element Biotar - Broken Contact Front Doublet H\^^p!^)
12.5 The Seven-Element Biotar - One Compounded Outer Element KQqlM
12.6 The Eight-Element Biotar ;(sb^O
12.7 A “Doubled Double-Gauss” Relay ]8^2(^3ct
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13 Telephoto Lenses IH0Uq_
13.1 The Basic Telephoto \8pbPo=x
13.2 Close-up or Macro Lenses eZv0"FK
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13.3 Telephoto Designs 4eKJ\Q=nX5
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch #G,e]{gs
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses kO4C^pl"v
14.1 The Reverse Telephoto Principle xnLf R6B
14.2 The Basic Retrofocus Lens |oM6(px
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses L]VK9qB
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15 Wide Angle Lenses with Negative Outer Lenses o]nQo?!
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16 The Petzval Lens; Head-up Display Lenses 5xiYCOy
16.1 The Petzval Portrait Lens 8_uDxd
16.2 The Petzval Projection Lens 6QV/8IX
16.3 The Petzval with a Field Flattener /oI''O%M
16.4 Very Height Speed Petzval Lenses CI,-qi
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems ua{eri[
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17 Microscope Objectives ^'h~#7s
17.1 General Considerations %8ul}}d9
17.2 Classic Objective Design Forms; The Aplanatic Front D H/1 :H
17.3 Flat-Field Objectives ^b%AwzHH}
17.4 Reflecting Objectives n"pADTaB
17.5 The Microscope Objective Designs XH. _Z
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18 Mirror and Catadioptric Systems ?]})Xf.A
18.1 The Good and Bad Points of Mirrors 4M:oa#gh@
18.2 The Classic Two-Mirror Systems <
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18.3 Catadioptric Systems O-7 \qz
18.4 Aspheric Correctors and Schmidt Systems xW09k6
18.5 Confocal Paraboloids 6(z.(eT
18.6 Unobscured Systems j_{gk"2:d`
18.7 Design of a Schmidt-Cassegrain “from Scratch” |h'ugx1iY
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19 Infrared and Ultraviolet Systems 4, :D4WYWD
19.1 Infrared Optics @<YZa$`
19.2 IR Objective Lenses oU2RxK->u
19.3 IR Telescope Ro1l:P)C`
19.4 Laser Beam Expanders 2q#$?qs_b
19,5 Ultraviolet Systems zJ\I%7h*
19.6 Microlithographic Lenses tpVtbh1)u
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20 Zoom Lenses T}zi P
20.1 Zoom Lenses )FB)ZK ;
20.2 Zoom Lenses for Point and Shoot Cameras $Fn# b|e
20.3 A 20X Video Zoom Lens w90y-^p%
20.4 A Zoom Scanner Lens l+#`
20.5 A Possible Zoom Lens Design Procedure LWW0lG!_F
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21 Projection TV Lenses and Macro Lenses Fb_~{q
21.1 Projection TV Lenses !ine|NM
21.2 Macro Lenses Z?b.
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22 Scanner/ , Laser Disk and Collimator Lenses wU=(_S,c
22.1 Monochromatic Systems /r)d4=1E
22.2 Scanner Lenses gC'GZi^
22.3 Laser Disk, Focusing, and Collimator Lenses CocvEoE*z
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23 Tolerance Budgeting gKPV*
23.1 The Tolerance Budget L'c4i[~s
23.2 Additive Tolerances 0
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23.3 Establishing the Tolerance Budget 3U}z?gP[
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24 Formulary ve>8vw2
24.1 Sign Conventions, Symbols, and Definitions |GMK@Q'0:
24.2 The Cardinal Points ^RY_j>i
24.3 Image Equations h\yYg' CC
24.4 Paraxial Ray Tracing (Surface by Surface) VA]%i P,O-
24.5 Invariants 8>w/Es5
24.6 Paraxial Ray Tracing (Component by Component) h rZ\ O?j
24.7 Two-Componenet Relationships s*VZLKO
24.8 Third-Order Aberrations – Surface Contributions yyXJ_B
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs 6h5*b8LxA
24.10 Stop Shift Equations tvg7mU]l
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces I*0W\Qz@
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) v"s}7trWV
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Glossary Wy|=F~N
Reference 2\7]EW
Index