[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith W2k~N X#@  
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Contents of Modern Lens Design 2nd Edition / u{r5`4  
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1    Introduction         lo#,zd~  
1.1    Lens Design Books     :U>
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1.2    Reference Material     5%$#3LT|  
1.3    Specifications     aU!
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1.4    Lens Design     _V?Q4}7d/  
1.5    Lens Design Program Features     P;/T`R=Vr"  
1.6    About This Book     A!~o?ej  
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2    Automatic Lens Design         90!Ib~7zH  
2.2    The Merit Function         ^
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2.3    Local Minima     zl[JnVF\6  
2.4    The Landscape Lens     |"< I\Vs:  
2.5    Types of Merit Function     GXl?Zg  
2.6    Stagnation     >seB["C  
2.7    Generalized Simulated Annealing     GwULtRa/  
2.8    Considerations about Variables for Optimization     4Ojw&ys@V  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems 1DP)6{x  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits     dw|0K+-PH  
2.11    Spectral Weighting     ]lY9[~ v  
2.12    How to Get Started     ^q`*!B9@  
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3    Improving a Design     NC}#P<U  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     ZIp=JR8o$  
3.2    Glass Changes ( Index and V Values )     pS\>X_G3  
3.3    Splitting Elements     =.c"&,c?L  
3.4    Separating a Cemented Doublet     _;{-w%Vf  
3.5    Compounding an Element     86g+c  
3.6    Vignetting and Its Uses     K;PpS*!  
3.7    Eliminating a Weak Element; the Concentric Problem     Q/9b'^UJ  
3.8    Balancing Aberrations     M)7enp) F.  
3.9    The Symmetrical Principle     I1~g?jpH  
3.10    Aspheric Surfaces     0Pk-FSY
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3@L%#]xwi  
4    Evaluation: How Good is This Design     w$4Lu"N:  
4.1    The Uses of a Preliminary Evaluation     UJ[a&b  
4.2    OPD versus Measures of Performance     Ev16xL8B  
4.3    Geometric Blur Spot Size versus Certain Aberrations     ]N_^{k,  
4.4    Interpreting MTF - The Modulation Transfer Function     A2d2V**Z  
4.5    Fabrication Considerations     (
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5    Lens Design Data     @
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5.1    About the Sample Lens Designs     (T01hR&  
5.2    Lens Prescriptions, Drawings, and Aberration Plots     Bl];^W^P  
5.3    Estimating the Potential of a Redesign     ~tvoR&{I  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     .)w0C%]  
5.5    Notes on the Interpretation of Ray Intercept Plots     #8jd,I%L  
5.6    Various Evaluation Plot     _O%p{t'q<  
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6    Telescope Objective     ]w>fnew  
6.1    The Thin Airspaced Doublet     Pa +BE[z  
6.2    Merit Function for a Telescope Objective     Rjl__90  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     s_!Z+D$K  
6.4    Spherochromatism     'wrpW#  
6.5    Zonal Spherical Aberration     {6sfa?1j  
6.6    Induced Aberrations     5nAF=Bj  
6.7    Three-Element Objectives     GcW}<g}  
6.8    Secondary Spectrum (Apochromatic Systems)     9lCKz !E
 
6.9    The Design of an f/7 Apochromatic Triplet     ,v_r$kh^  
6.10    The Diffractive Surface in Lens Design     FOi`TZ8  
6.11    A Final Note     nh)R  
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7    Eyepieces and Magnifiers     Vz]=J;`Mz  
7.1    Eyepieces     0pa^O$?p  
7.2    A Pair of Magnifier Designs     VYo;[ue([  
7.3    The Simple, Classical Eyepieces     YWrY{6M  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     g"S+V#R  
7.5    Four-Element Eyepieces     ZiYzsn  
7.6    Five-Element Eyepieces     V JL;+  
7.7    Very High Index Eyepiece/Magnifier     22~X~=  
7.8    Six- and Seven-Element Eyepieces      a|uZJ*  
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8    Cooke Triplet Anastigmats     {+9\o ~  
8.1    Airspaced Triplet Anastigmats     MPN=K|*  
8.2    Glass Choice     Y26l,XIV  
8.3    Vertex Length and Residual Aberrations     4 GW[GT  
8.4    Other Design Considerations     z,YUguc|  
8.5    A Plastic, Aspheric Triplet Camera Lens     ,D,f9  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet bGc|SF<V  
8.7    Possible Improvement to Our “Basic” Triplet     :-" jKw  
8.7    The Rear Earth (Lanthanum) Glasses     s,H(m8#>  
8.9    Aspherizing the Surfaces     y/hvH"f  
8.10    Increasing the Element Thickness     h##?~!xDmq  
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9    Split Triplets     | V,jd  
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10    The Tessar, Heliar, and Other Compounded Triplets     hpV /F  
10.1    The Classic Tessar     .BDRD~kB  
10.2    The Heliar/Pentac     <|Eby!KXR  
10.3    The Portrait Lens and the Enlarger Lens     wg0.i?R-]  
10.4    Other Compounded Triplets     !&p:=}s  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar n4T2'e  
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11    Double-Meniscus Anastigmats     FKnQwX.0  
11.1    Meniscus Components     oHd0 <TO  
11.2    The Hypergon, Totogon, and Metrogon     0P3|1=  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     )Q/`o,Vm  
11.4    Protar, Dagor, and Convertible Lenses     aw%v
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11.5    The Split Dagor     *1S.9L  
11.6    The Dogmar     42wC."A  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     Tc5OI'-V  
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12    The Biotar or Double-Gauss Lens     T-2p`b}hW  
12.1    The Basic Six-Element Version     TxxB0  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens j{Jc6U  
12.3    The Seven-Element Biotar - Split-Rear Singlet     )wzs~Fn/  
12.4    The Seven-Element Biotar - Broken Contact Front Doublet     ss@}Dt^  
12.5    The Seven-Element Biotar - One Compounded Outer Element     4m[C-NB!g  
12.6    The Eight-Element Biotar     '# IuY  
12.7    A “Doubled Double-Gauss” Relay     C"Q=(3  
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13    Telephoto Lenses     
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13.1    The Basic Telephoto     HT=Am  
13.2    Close-up or Macro Lenses     SY>,kwHO  
13.3    Telephoto Designs     ^'53]b:  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch +\[![r^P  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     U2>dwn  
14.1    The Reverse Telephoto Principle     bo!]  
14.2    The Basic Retrofocus Lens     wt=>{JM  
14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     A.C278^O8  
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15    Wide Angle Lenses with Negative Outer Lenses     w$[Ds  
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16    The Petzval Lens; Head-up Display Lenses     Q()RO*9  
16.1    The Petzval Portrait Lens     m/c&/6nk  
16.2    The Petzval Projection Lens     ;n7|.O]*  
16.3    The Petzval with a Field Flattener     q|$>H6H4b  
16.4    Very Height Speed Petzval Lenses     !0csNg!  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     } .H Fm'p  
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17    Microscope Objectives     Xt,,AGm}  
17.1    General Considerations     &G@-yQ  
17.2    Classic Objective Design Forms; The Aplanatic Front     r~G]2*3  
17.3    Flat-Field Objectives     rE{Xo:Cf  
17.4    Reflecting Objectives     cYWy\+  
17.5    The Microscope Objective Designs     P2Qyz}!wo  
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18    Mirror and Catadioptric Systems     V3A>Ag+^~  
18.1    The Good and Bad Points of Mirrors     +x9"#0|k;  
18.2    The Classic Two-Mirror Systems $sL|'ZMbS  
18.3    Catadioptric Systems     8K JQ(  
18.4    Aspheric Correctors and Schmidt Systems     ['OCw {<  
18.5    Confocal Paraboloids     )lDIzLp  
18.6    Unobscured Systems     #u<oEDQ  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     7fW=5wc  
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19    Infrared and Ultraviolet Systems     01{r^ZT`RH  
19.1    Infrared Optics     B`?N0t%X  
19.2    IR Objective Lenses     ;4/dk_~p]  
19.3    IR Telescope     +/!=Ub[:U  
19.4    Laser Beam Expanders     C/CfjRzd  
19,5    Ultraviolet Systems     >xZhK63C/  
19.6    Microlithographic Lenses     m]=oaj@9  
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20    Zoom Lenses     !,6v=n[Nz  
20.1    Zoom Lenses     v<7Gln  
20.2    Zoom Lenses for Point and Shoot Cameras     B/sBYVU  
20.3    A 20X Video Zoom Lens     3b?OW7H  
20.4    A Zoom Scanner Lens     Mi/ &$"=  
20.5    A Possible Zoom Lens Design Procedure     $nfBvf  
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21    Projection TV Lenses and Macro Lenses     %7(kP}y*  
21.1    Projection TV Lenses     :B*vkwT  
21.2    Macro Lenses     Bd[L6J)  
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22    Scanner/ , Laser Disk and Collimator Lenses     ,na=~.0R:  
22.1    Monochromatic Systems     x'M^4{4[  
22.2    Scanner Lenses     C'8!cPFVv  
22.3    Laser Disk, Focusing, and Collimator Lenses     .W@(nQ-<  
    ,h@R' f!  
23    Tolerance Budgeting     orB8Q\p'  
23.1    The Tolerance Budget     jr[<i\!  
23.2    Additive Tolerances     O+E1M=R6h  
23.3    Establishing the Tolerance Budget     :zj9%4A  
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24    Formulary ie$`pyj!x  
24.1    Sign Conventions, Symbols, and Definitions     @m/;ZQ  
24.2    The Cardinal Points     ;Y@!:p-H  
24.3    Image Equations     W8G9rB
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24.4    Paraxial Ray Tracing (Surface by Surface)     4{*tn"y  
24.5    Invariants     SvX=isu!.  
24.6    Paraxial Ray Tracing (Component by Component)     oTF^<
I-C  
24.7    Two-Componenet Relationships     EREolCASb  
24.8    Third-Order Aberrations – Surface Contributions     9RCO|J  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     l- 1]w$ y  
24.10    Stop Shift Equations     X/E7o92\  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     (@KoqwVWc  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     %_b^!FR  
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lJ:M^.Em0  
Glossary XdGpW  
Reference XDpfpJ,z"}  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 \Ut6;  
我怎么瞧不明白。

有没有人呀 <5dH *K  
有个问题想请教大家