"Modern Lens Design" 2nd Edition by Warren J. Smith uy~KJn?Tu
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Contents of Modern Lens Design 2nd Edition P7n+@ L$
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1 Introduction H4'xxsx
1.1 Lens Design Books .'Vjs2 2
1.2 Reference Material `; L0ax
1.3 Specifications jV^Dj
1.4 Lens Design N{@kgc
1.5 Lens Design Program Features 1!RD
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1.6 About This Book dKcHj<'E/
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2 Automatic Lens Design ;b:Ct <
2.2 The Merit Function rJJI<{$
2.3 Local Minima iYj+NL
2.4 The Landscape Lens h 5 Y3
v
2.5 Types of Merit Function ]p~QdUR(
2.6 Stagnation iG*3S)
2.7 Generalized Simulated Annealing WY%LeC!t
2.8 Considerations about Variables for Optimization J;Az0[qMR
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems R aFk/mSw
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits aT C7 H]e
2.11 Spectral Weighting =4
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2.12 How to Get Started _ s./^B_w!
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3 Improving a Design 8o~<\e F%
3.1 Lens Design Tip Sheet: Standard Improvement Techniques C !81Km5
3.2 Glass Changes ( Index and V Values ) 4
Y q|Z
3.3 Splitting Elements O&93QN0
3.4 Separating a Cemented Doublet Fl GKy9k
3.5 Compounding an Element '\dau>
3.6 Vignetting and Its Uses *ms?UFV[r
3.7 Eliminating a Weak Element; the Concentric Problem Dqu1!f
3.8 Balancing Aberrations LQSno)OZ
3.9 The Symmetrical Principle >S 5:zz\
3.10 Aspheric Surfaces z ; UkK
j'i-XIs
4 Evaluation: How Good is This Design K"1xtpy
4.1 The Uses of a Preliminary Evaluation %&9tn0B
4.2 OPD versus Measures of Performance .L% _# A
4.3 Geometric Blur Spot Size versus Certain Aberrations F7^d@hSV
4.4 Interpreting MTF - The Modulation Transfer Function Qh-k[w 0
4.5 Fabrication Considerations CqDMq !
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5 Lens Design Data b
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5.1 About the Sample Lens Designs ^I9x@t
5.2 Lens Prescriptions, Drawings, and Aberration Plots +vf k+6
5.3 Estimating the Potential of a Redesign S~`& K
5.4 Scaling a Desing, Its Aberrations, and Its MTF m*h
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5.5 Notes on the Interpretation of Ray Intercept Plots z%t >z9hU
5.6 Various Evaluation Plot pL L
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, %X~/V
6 Telescope Objective xmZ]mu,,$
6.1 The Thin Airspaced Doublet C^ RO@kM
6.2 Merit Function for a Telescope Objective o<loc Z
6.3 The Design of an f/7 Cemented Doublet Telescope Objective 4O[T:9mn0
6.4 Spherochromatism *nD yB. (
6.5 Zonal Spherical Aberration HS| &["
6.6 Induced Aberrations yB(^ t`)}N
6.7 Three-Element Objectives I'G$ : GX
6.8 Secondary Spectrum (Apochromatic Systems) G}mJtXT#=
6.9 The Design of an f/7 Apochromatic Triplet @jg*L2L6
6.10 The Diffractive Surface in Lens Design nn$,|/
6.11 A Final Note ;7&RmIXKh'
v ]gJ 7x
7 Eyepieces and Magnifiers 3+"z
7.1 Eyepieces D52ELr7
7.2 A Pair of Magnifier Designs "y/GK1C
7.3 The Simple, Classical Eyepieces MT BN&4[
7.4 Design Story of an Eyepiece for a 6*30 Binocular (Ac
' }O
7.5 Four-Element Eyepieces X:+;d8rCy
7.6 Five-Element Eyepieces cEO g
7.7 Very High Index Eyepiece/Magnifier / r Zj=
7.8 Six- and Seven-Element Eyepieces 5> 4<_-Tm
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8 Cooke Triplet Anastigmats %v:9 _nwO)
8.1 Airspaced Triplet Anastigmats f&B&!&gZ
8.2 Glass Choice +LV~%?W
8.3 Vertex Length and Residual Aberrations /o g2+!
8.4 Other Design Considerations v"6q!
8.5 A Plastic, Aspheric Triplet Camera Lens |#$Wh+,*
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet $Ne$s
8.7 Possible Improvement to Our “Basic” Triplet 'x
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8.7 The Rear Earth (Lanthanum) Glasses 1A h
8.9 Aspherizing the Surfaces >F6'^9|
8.10 Increasing the Element Thickness q( i|
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9 Split Triplets B|gyr4]
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10 The Tessar, Heliar, and Other Compounded Triplets
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10.1 The Classic Tessar XKL kJZN
10.2 The Heliar/Pentac JadXd K=gE
10.3 The Portrait Lens and the Enlarger Lens rgdDkWLXC
10.4 Other Compounded Triplets #-1 ;
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar T?:Vw laE
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11 Double-Meniscus Anastigmats 0J z'9
11.1 Meniscus Components #, W7N_mt
11.2 The Hypergon, Totogon, and Metrogon ZY +NKb_
11.3 A Two Element Aspheric Thick Meniscus Camera Lens $0V< wsVM
11.4 Protar, Dagor, and Convertible Lenses 8v\BW^z3
11.5 The Split Dagor ,ClGa 2O
11.6 The Dogmar 4]u5 3`
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens ! ]7Z),s
o X )r4H?
12 The Biotar or Double-Gauss Lens <H`&Zqqk
12.1 The Basic Six-Element Version }Zc . rk
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens ]6Kx0mW
12.3 The Seven-Element Biotar - Split-Rear Singlet p]:5S_$
12.4 The Seven-Element Biotar - Broken Contact Front Doublet 5;oWFl
12.5 The Seven-Element Biotar - One Compounded Outer Element
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12.6 The Eight-Element Biotar )8p FPr
12.7 A “Doubled Double-Gauss” Relay rePJ4i [y
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13 Telephoto Lenses 3q E2mYK
13.1 The Basic Telephoto ,] \L\ V
13.2 Close-up or Macro Lenses jQ@z!GirT
13.3 Telephoto Designs c#|!^gjf
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch \ " {+J
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses }p$>V,u
14.1 The Reverse Telephoto Principle A
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14.2 The Basic Retrofocus Lens ({i}EC7{
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses zMxHJNQ\D
B ZP}0
15 Wide Angle Lenses with Negative Outer Lenses zs:O HEZw
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16 The Petzval Lens; Head-up Display Lenses O{SP4|0JV
16.1 The Petzval Portrait Lens .(^K A{
16.2 The Petzval Projection Lens 1p=^I'#
16.3 The Petzval with a Field Flattener .w/ w]
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16.4 Very Height Speed Petzval Lenses 3&:Us| }
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems t Sra n
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17 Microscope Objectives WcqQR))n
17.1 General Considerations s(jixAf
17.2 Classic Objective Design Forms; The Aplanatic Front XFKe 6:
17.3 Flat-Field Objectives u P2e/ a
17.4 Reflecting Objectives t>"UenJt-
17.5 The Microscope Objective Designs ]=!wMn* *
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18 Mirror and Catadioptric Systems kN_
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18.1 The Good and Bad Points of Mirrors n4\UoKq
18.2 The Classic Two-Mirror Systems ~o_0RB
18.3 Catadioptric Systems rT7W_[&P
18.4 Aspheric Correctors and Schmidt Systems s :ig;zb
18.5 Confocal Paraboloids 0=O(+
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18.6 Unobscured Systems U 27YH1OK
18.7 Design of a Schmidt-Cassegrain “from Scratch” l{ <+V)
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19 Infrared and Ultraviolet Systems Ro3C(aRx
19.1 Infrared Optics 9oBK(Sf@^
19.2 IR Objective Lenses 2*;qr|h,
19.3 IR Telescope '[(]62j
19.4 Laser Beam Expanders 9'+Eu)l :
19,5 Ultraviolet Systems 3}R}|Ha
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19.6 Microlithographic Lenses NV\t%/ ?
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20 Zoom Lenses 1oU/gm$7\q
20.1 Zoom Lenses xe?!UCUb@
20.2 Zoom Lenses for Point and Shoot Cameras BV)o F2b:
20.3 A 20X Video Zoom Lens 0x BO5[w,Y
20.4 A Zoom Scanner Lens %PA#x36
20.5 A Possible Zoom Lens Design Procedure !2L?8oP-z
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21 Projection TV Lenses and Macro Lenses @ A32|p}
21.1 Projection TV Lenses jHjap:i`cI
21.2 Macro Lenses =D-u".{
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22 Scanner/ , Laser Disk and Collimator Lenses x6yYx_
22.1 Monochromatic Systems )&/ecx"2Q
22.2 Scanner Lenses |pLx,#n
22.3 Laser Disk, Focusing, and Collimator Lenses ]q^6az(Ud
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23 Tolerance Budgeting >u?m
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23.1 The Tolerance Budget PY81MTv0;
23.2 Additive Tolerances EPeKg{w
23.3 Establishing the Tolerance Budget 9r2l~zE
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24 Formulary {:=sCY!
24.1 Sign Conventions, Symbols, and Definitions ri.}G
24.2 The Cardinal Points T. d1?
24.3 Image Equations [vv $"$z
24.4 Paraxial Ray Tracing (Surface by Surface) H@, h$$
24.5 Invariants +G: CR,Z>+
24.6 Paraxial Ray Tracing (Component by Component) ,J; Cb}
24.7 Two-Componenet Relationships F/%M`?m"ie
24.8 Third-Order Aberrations – Surface Contributions p"@ [2hK
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs L5[{taZ,
24.10 Stop Shift Equations ?iXN..6x
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces W kP`qD3
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) ?Vre" 6U
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Glossary d#8 n<NM
Reference r7ebF JEf
Index
