"Modern Lens Design" 2nd Edition by Warren J. Smith n]kQtjJ
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Contents of Modern Lens Design 2nd Edition |1\dCE03}
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1 Introduction $A5B{2
1.1 Lens Design Books -Ihn<<uE?
1.2 Reference Material Huug_E+
1.3 Specifications ~ ]m@k'n
1.4 Lens Design ?trt4Tbe/
1.5 Lens Design Program Features Y'+F0IZ+
1.6 About This Book <Bob#Tf
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2 Automatic Lens Design [xp~@5r'
2.2 The Merit Function 9phD5b~j
2.3 Local Minima ~I8"l@H>
2.4 The Landscape Lens ajcPt]f
2.5 Types of Merit Function l72ie
2.6 Stagnation sbq44L)
2.7 Generalized Simulated Annealing <W^XSk
2.8 Considerations about Variables for Optimization i &SBW0)
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems M25z<Y
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits uV*f[l
2.11 Spectral Weighting Xoa<r9
2.12 How to Get Started 2C
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3 Improving a Design =."WvBKg
3.1 Lens Design Tip Sheet: Standard Improvement Techniques s/p>30Fg
3.2 Glass Changes ( Index and V Values ) ?6.KS
3.3 Splitting Elements g en3"\Og{
3.4 Separating a Cemented Doublet * zJiii
3.5 Compounding an Element 5D02%U2N)G
3.6 Vignetting and Its Uses >>
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3.7 Eliminating a Weak Element; the Concentric Problem C>(M+qXL+
3.8 Balancing Aberrations ,:Rq
3.9 The Symmetrical Principle H?zCIue3
3.10 Aspheric Surfaces %lqG* dRx0
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4 Evaluation: How Good is This Design 7=M'n;!Mh
4.1 The Uses of a Preliminary Evaluation RE*S7[ge
4.2 OPD versus Measures of Performance _`Yvfz3
4.3 Geometric Blur Spot Size versus Certain Aberrations _c7
4.4 Interpreting MTF - The Modulation Transfer Function )uv$tnP*
4.5 Fabrication Considerations ,a?\i
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5 Lens Design Data A5>gLhl7
5.1 About the Sample Lens Designs uvK%d\d
5.2 Lens Prescriptions, Drawings, and Aberration Plots 0 S`b;f
5.3 Estimating the Potential of a Redesign SJ|.% gn
5.4 Scaling a Desing, Its Aberrations, and Its MTF \5L 4*
5.5 Notes on the Interpretation of Ray Intercept Plots uhN(`E@
5.6 Various Evaluation Plot ?RjKP3P
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6 Telescope Objective b\uB
6.1 The Thin Airspaced Doublet URzE+8m^
6.2 Merit Function for a Telescope Objective
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6.3 The Design of an f/7 Cemented Doublet Telescope Objective
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6.4 Spherochromatism x@bl]Z(ne/
6.5 Zonal Spherical Aberration A"T. nqB^y
6.6 Induced Aberrations bU +eJU_%
6.7 Three-Element Objectives '/"M02a
6.8 Secondary Spectrum (Apochromatic Systems) d-S'y-V?d
6.9 The Design of an f/7 Apochromatic Triplet :Tl6:=B
6.10 The Diffractive Surface in Lens Design gu%'M:Xe
6.11 A Final Note Jtk.v49Ad>
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7 Eyepieces and Magnifiers t;~`Lm@hY
7.1 Eyepieces ST[1'T+L
7.2 A Pair of Magnifier Designs D@vvy6>~s
7.3 The Simple, Classical Eyepieces W;@ae,^
7.4 Design Story of an Eyepiece for a 6*30 Binocular j!8+|eAkk
7.5 Four-Element Eyepieces s$y#Ufz
7.6 Five-Element Eyepieces 2n+XML
7.7 Very High Index Eyepiece/Magnifier k^%ec3l
7.8 Six- and Seven-Element Eyepieces TXOW/{B
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8 Cooke Triplet Anastigmats 3*23+}^G
8.1 Airspaced Triplet Anastigmats DO,&Foh\
8.2 Glass Choice s\1_-D5]Z
8.3 Vertex Length and Residual Aberrations !5 :[X vI#
8.4 Other Design Considerations ob5nk^y
8.5 A Plastic, Aspheric Triplet Camera Lens Ol5xyj
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet qN,FX#DP
8.7 Possible Improvement to Our “Basic” Triplet 9PfU'm|h
8.7 The Rear Earth (Lanthanum) Glasses o 0
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8.9 Aspherizing the Surfaces .t%Vx
8.10 Increasing the Element Thickness Oqe.t;E 0}
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9 Split Triplets E&tmWOMj>
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10 The Tessar, Heliar, and Other Compounded Triplets B]}V$*$\?
10.1 The Classic Tessar imq(3?
10.2 The Heliar/Pentac Lj1 @yokB
10.3 The Portrait Lens and the Enlarger Lens 1E_Ui1 [
10.4 Other Compounded Triplets Qi]Z)v{^
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar L;t~rW!1
A|OC?NZY
11 Double-Meniscus Anastigmats SpiC0
11.1 Meniscus Components /<pQ!'/G
11.2 The Hypergon, Totogon, and Metrogon M@@O50~
11.3 A Two Element Aspheric Thick Meniscus Camera Lens 1e| M6*
11.4 Protar, Dagor, and Convertible Lenses 3NZFW{u
11.5 The Split Dagor xVX||rrh
11.6 The Dogmar Yf`.Cq_:
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens '*Mb
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12 The Biotar or Double-Gauss Lens R*fR?
12.1 The Basic Six-Element Version z(68^-V=:
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens xyWdzc](p
12.3 The Seven-Element Biotar - Split-Rear Singlet ^TuEp$Z=
12.4 The Seven-Element Biotar - Broken Contact Front Doublet E}j8p_p
12.5 The Seven-Element Biotar - One Compounded Outer Element F@K;A%us)
12.6 The Eight-Element Biotar sBI%lrO
12.7 A “Doubled Double-Gauss” Relay 5kNs@FP
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13 Telephoto Lenses eE_XwLE
13.1 The Basic Telephoto w o9f99
13.2 Close-up or Macro Lenses -)+DVG.t
13.3 Telephoto Designs <]qd9mj5
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch '+tT$k
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses P;/wb/
14.1 The Reverse Telephoto Principle WN1-J(x6
14.2 The Basic Retrofocus Lens !jnIXvT1qy
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses fG5} '8
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15 Wide Angle Lenses with Negative Outer Lenses )B4c;O4t
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16 The Petzval Lens; Head-up Display Lenses vBnHG-5;P
16.1 The Petzval Portrait Lens Pk_{{Z(1o
16.2 The Petzval Projection Lens N,$o'\l
16.3 The Petzval with a Field Flattener }"k(kH
16.4 Very Height Speed Petzval Lenses dF]8>jBOL
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems gi >{`.]
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17 Microscope Objectives f`rz)C03
17.1 General Considerations =(\!,S'
17.2 Classic Objective Design Forms; The Aplanatic Front U8z"{
17.3 Flat-Field Objectives 83*k.]S`
17.4 Reflecting Objectives !WnI`
17.5 The Microscope Objective Designs 1]`HX=cl
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18 Mirror and Catadioptric Systems B(dL`]@Xm
18.1 The Good and Bad Points of Mirrors FR"^?z?}p
18.2 The Classic Two-Mirror Systems KVy5/A/8c
18.3 Catadioptric Systems 5C?1`-&65V
18.4 Aspheric Correctors and Schmidt Systems ir#^5e@
18.5 Confocal Paraboloids Jl ?Q}SB
18.6 Unobscured Systems Ka{Zoi]
18.7 Design of a Schmidt-Cassegrain “from Scratch” E1_4\S*z
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19 Infrared and Ultraviolet Systems B35f5m7r
19.1 Infrared Optics ;d40:q<
19.2 IR Objective Lenses &N ;6G`3
19.3 IR Telescope #9Z-Hd<
19.4 Laser Beam Expanders %L.+r!.
19,5 Ultraviolet Systems bnQO}G
19.6 Microlithographic Lenses ,cEcMaJ
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20 Zoom Lenses gs>cx]>
20.1 Zoom Lenses ic#drpl,
20.2 Zoom Lenses for Point and Shoot Cameras q(W@=-uDK
20.3 A 20X Video Zoom Lens -Ma"V
20.4 A Zoom Scanner Lens
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20.5 A Possible Zoom Lens Design Procedure q4=RE
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21 Projection TV Lenses and Macro Lenses {%Sww:
21.1 Projection TV Lenses $n"Llw&)
21.2 Macro Lenses Efl+`6`J
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22 Scanner/ , Laser Disk and Collimator Lenses Y~xZ{am
22.1 Monochromatic Systems 0<9TyN6
22.2 Scanner Lenses y"ck;OQD
22.3 Laser Disk, Focusing, and Collimator Lenses ,YTIYG](
DBRJtU!5x
23 Tolerance Budgeting H"l'E9k.&p
23.1 The Tolerance Budget b.;W|$ .
23.2 Additive Tolerances 3F1Z$d(
23.3 Establishing the Tolerance Budget !Ao?bs'
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24 Formulary kn\>ZgU
24.1 Sign Conventions, Symbols, and Definitions (tv h9o
24.2 The Cardinal Points r "R\
24.3 Image Equations x7?{*w&r
24.4 Paraxial Ray Tracing (Surface by Surface) e)kf;Hkf
24.5 Invariants Eqc$*=
24.6 Paraxial Ray Tracing (Component by Component) Y<v55m-
24.7 Two-Componenet Relationships ;+U9;
24.8 Third-Order Aberrations – Surface Contributions f]}F_]
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs e
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24.10 Stop Shift Equations L;[*F-+jD
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces S SXSgp
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) ks}o9[D3
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Glossary ?x@khzk
Reference 5z_)
Index