[讨论]光学设计方面有哪些好书看？ [复制链接]

光学设计方面有哪些好书看？大家指点一下，谢谢！

首先 袁旭沧的光学设计，然后introduction to lens desgn with zemax examples

<<introduction to lens desgn with zemax examples>>,How can I have the book?

"Modern Lens Design" 2nd Edition by Warren J. Smith )l"py9
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Contents of Modern Lens Design 2nd Edition ;-!j,V+$h  
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1    Introduction         0GP\*Y8  
1.1    Lens Design Books     ;dE'# Kb  
1.2    Reference Material     tg'2v/  
1.3    Specifications     a!Ht81gj  
1.4    Lens Design     wDz}32wB  
1.5    Lens Design Program Features     b1ma(8{{{  
1.6    About This Book     eg Zb)pP  
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2    Automatic Lens Design         `hE@S |4  
2.2    The Merit Function         /r@~"Rx'  
2.3    Local Minima     B~t[Gy  
2.4    The Landscape Lens     d\A!5/LG  
2.5    Types of Merit Function     x|`o7.  
2.6    Stagnation     EHqcQx`K_  
2.7    Generalized Simulated Annealing     9L9+zs3k  
2.8    Considerations about Variables for Optimization     Cqc5jx0)  
2.9    How to Increase the Speed or Field of a System and Avoid Ray Failure Problems '\I!RAZ  
2.10    Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits    
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2.11    Spectral Weighting     q}0xQjpo  
2.12    How to Get Started     j$jgEtPK9=  
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3    Improving a Design     oVYW'~OID  
3.1    Lens Design Tip Sheet: Standard Improvement Techniques     s(MLBV5)w  
3.2    Glass Changes ( Index and V Values )     # 8fq6z|JZ  
3.3    Splitting Elements     WXX)_L$2  
3.4    Separating a Cemented Doublet     sbV {RSl  
3.5    Compounding an Element     }SZU'lYHoM  
3.6    Vignetting and Its Uses     "0]s|ys6<  
3.7    Eliminating a Weak Element; the Concentric Problem     =#|K-X0d=  
3.8    Balancing Aberrations     $F/Uk;*d!  
3.9    The Symmetrical Principle     b!3Y<D*  
3.10    Aspheric Surfaces     T.x"a$AU  
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4    Evaluation: How Good is This Design     bfl%yGkd/|  
4.1    The Uses of a Preliminary Evaluation     -J\R}9 lIm  
4.2    OPD versus Measures of Performance     D*o5fPvFO
 
4.3    Geometric Blur Spot Size versus Certain Aberrations     * j]"I=D  
4.4    Interpreting MTF - The Modulation Transfer Function     *Y/}EX!F  
4.5    Fabrication Considerations     ?KMGk]
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5    Lens Design Data     rVF7!|&  
5.1    About the Sample Lens Designs     mO(A'p "b  
5.2    Lens Prescriptions, Drawings, and Aberration Plots    
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5.3    Estimating the Potential of a Redesign     1}Mdo&:t  
5.4    Scaling a Desing, Its Aberrations, and Its MTF     " }oH3L  
5.5    Notes on the Interpretation of Ray Intercept Plots     eB,eu4+-  
5.6    Various Evaluation Plot     ]mSkjKw  
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6    Telescope Objective     7;x}W-`iF  
6.1    The Thin Airspaced Doublet     B9i<="=p  
6.2    Merit Function for a Telescope Objective     vS'l@`Eg]  
6.3    The Design of an f/7 Cemented Doublet Telescope Objective     j8#xNA  
6.4    Spherochromatism     ZtPnHs.x  
6.5    Zonal Spherical Aberration     FQW{c3%qZ  
6.6    Induced Aberrations     vnOl-`Z ~  
6.7    Three-Element Objectives     $G}!eV 6  
6.8    Secondary Spectrum (Apochromatic Systems)     .5K}R<  
6.9    The Design of an f/7 Apochromatic Triplet     u/>+cT6}  
6.10    The Diffractive Surface in Lens Design     ?4A$9H  
6.11    A Final Note     "s.]amC  
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7    Eyepieces and Magnifiers     2SV}mK U  
7.1    Eyepieces     \~~y1.,U.  
7.2    A Pair of Magnifier Designs     {sb2r%U!+  
7.3    The Simple, Classical Eyepieces     ngI3.v/R  
7.4    Design Story of an Eyepiece for a 6*30 Binocular     rS&"UH?c7  
7.5    Four-Element Eyepieces     yHNx,ra
 
7.6    Five-Element Eyepieces     q88;{?T1  
7.7    Very High Index Eyepiece/Magnifier     }ofx?s}  
7.8    Six- and Seven-Element Eyepieces     wJ Qm7n-+  
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8    Cooke Triplet Anastigmats     :Cdqj0O3u  
8.1    Airspaced Triplet Anastigmats     aTU[H~dTU  
8.2    Glass Choice     }Md5a%s<  
8.3    Vertex Length and Residual Aberrations     5[5|_H+0  
8.4    Other Design Considerations     Y~"5HP|  
8.5    A Plastic, Aspheric Triplet Camera Lens     ])tUXU>  
8.6    Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet wJMk%N~R:  
8.7    Possible Improvement to Our “Basic” Triplet     &V77WnOY  
8.7    The Rear Earth (Lanthanum) Glasses     =Owr l'@|T  
8.9    Aspherizing the Surfaces     ScCA8JgY  
8.10    Increasing the Element Thickness     Iy8fN"I9D  

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9    Split Triplets     Ehw2o-s^  
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10    The Tessar, Heliar, and Other Compounded Triplets     -~=?g9fGm6  
10.1    The Classic Tessar     J_`a}ox  
10.2    The Heliar/Pentac     TnXx;v  
10.3    The Portrait Lens and the Enlarger Lens     |D1:~z  
10.4    Other Compounded Triplets     \qZ>WCp>r  
10.5    Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar ?4%@"49n X  
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11    Double-Meniscus Anastigmats     $/#F9>eZ  
11.1    Meniscus Components     E -+t[W  
11.2    The Hypergon, Totogon, and Metrogon     -|g9__|@  
11.3    A Two Element Aspheric Thick Meniscus Camera Lens     k;V (rf`  
11.4    Protar, Dagor, and Convertible Lenses     KJP}0|[  
11.5    The Split Dagor     6tZ ak1=V  
11.6    The Dogmar     0i3Z7l]  
11.7    Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens     >i!y[F  
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12    The Biotar or Double-Gauss Lens     Z66h  
12.1    The Basic Six-Element Version     )\RG NJMC  
12.2    28 Things You Should Know about the Double-Gauss/Biotar Lens U~I y),5  
12.3    The Seven-Element Biotar - Split-Rear Singlet     20Z=
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12.4    The Seven-Element Biotar - Broken Contact Front Doublet     [MXyOE  
12.5    The Seven-Element Biotar - One Compounded Outer Element     x^~@`]TV^  
12.6    The Eight-Element Biotar     V
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12.7    A “Doubled Double-Gauss” Relay     ;6}> Shs  
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13    Telephoto Lenses     }Yargj_Gn  
13.1    The Basic Telephoto     FxdWJ|rN9D  
13.2    Close-up or Macro Lenses     9
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13.3    Telephoto Designs     Y. Uca<{.[  
13.4    Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch -Dy":/Bk  
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14    Reversed Telescope (Retrofocus and Fish-Eye) Lenses     XImX1GH  
14.1    The Reverse Telephoto Principle     V>(>wSR  
14.2    The Basic Retrofocus Lens     SQ
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14.3    Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses     eZ8DW6l*  
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15    Wide Angle Lenses with Negative Outer Lenses     /*e6('9s  
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16    The Petzval Lens; Head-up Display Lenses     g&r3;  
16.1    The Petzval Portrait Lens     ~FnuO!C  
16.2    The Petzval Projection Lens     $[0\Th  
16.3    The Petzval with a Field Flattener     Jp"[`
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16.4    Very Height Speed Petzval Lenses     6Z<|L^  
16.5    Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems     3R<
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17    Microscope Objectives     W4q |55  
17.1    General Considerations     B|ctauJ  
17.2    Classic Objective Design Forms; The Aplanatic Front     ZxAk  
17.3    Flat-Field Objectives     p0Pmmp7r  
17.4    Reflecting Objectives     #ON
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17.5    The Microscope Objective Designs     ${{[g16X  
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18    Mirror and Catadioptric Systems     ^VsE2
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18.1    The Good and Bad Points of Mirrors     I#/"6%e  
18.2    The Classic Two-Mirror Systems n{(,r'  
18.3    Catadioptric Systems     0-:dzf  
18.4    Aspheric Correctors and Schmidt Systems     ?tkl cYB  
18.5    Confocal Paraboloids     [&sabM`Ul  
18.6    Unobscured Systems     }8[  
18.7    Design of a Schmidt-Cassegrain “from Scratch”     wufQyT`  
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19    Infrared and Ultraviolet Systems     bFVY&  
19.1    Infrared Optics     vLpIVNA]]Y  
19.2    IR Objective Lenses     #<d'=R[AK  
19.3    IR Telescope     ,z~"Mst  
19.4    Laser Beam Expanders     Z5eM  
19,5    Ultraviolet Systems     {__NVv  
19.6    Microlithographic Lenses     e"|ZTg+U  
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20    Zoom Lenses     -`D<OSt7  
20.1    Zoom Lenses     9B/iQCFtj$  
20.2    Zoom Lenses for Point and Shoot Cameras     C8%MKNPd  
20.3    A 20X Video Zoom Lens     "~q~)T1Z  
20.4    A Zoom Scanner Lens     @<koL  
20.5    A Possible Zoom Lens Design Procedure     ?Kg_bvoR  
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21    Projection TV Lenses and Macro Lenses     b+$E*}  
21.1    Projection TV Lenses     y1B'_s  
21.2    Macro Lenses     r<
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22    Scanner/ , Laser Disk and Collimator Lenses     ]IH1_?HgP7  
22.1    Monochromatic Systems     C(vQR~_  
22.2    Scanner Lenses     {E.A?yej9  
22.3    Laser Disk, Focusing, and Collimator Lenses     ~9#'s'  
    DDj:(I?,w  
23    Tolerance Budgeting     {a
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23.1    The Tolerance Budget     6Zx5^f(qd  
23.2    Additive Tolerances     9W&nAr
 
23.3    Establishing the Tolerance Budget     9\uBX.]x  
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24    Formulary a7aj:.wi  
24.1    Sign Conventions, Symbols, and Definitions     ?kS#g  
24.2    The Cardinal Points     <{i1/"k?X  
24.3    Image Equations     _k#GjAPM  
24.4    Paraxial Ray Tracing (Surface by Surface)     & jm1  
24.5    Invariants     i:Gy
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24.6    Paraxial Ray Tracing (Component by Component)     FSkLR h  
24.7    Two-Componenet Relationships    
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24.8    Third-Order Aberrations – Surface Contributions     WLiFD.  
24.9    Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs     lYmxd8  
24.10    Stop Shift Equations     gAgF$H .  
24.11    Third-Order Aberrations – Contributions from Aspheric Surfaces     |l@z7R+4*  
24.12    Conversion of Aberrations to Wavefront Deformation (OPD)     ;*hVAxs1  
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Glossary \jb62Jp  
Reference dptfIBYc+  
Index

thank you very much

请问那本英文书怎么能弄到呢

thank you !!!!!!!!!!!!

optical system design

这是些什么书呀 *e<}hmDr  
我怎么瞧不明白。

有没有人呀 iOSt=-p  
有个问题想请教大家