"Modern Lens Design" 2nd Edition by Warren J. Smith g!QumRF
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Contents of Modern Lens Design 2nd Edition }9kq?
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1 Introduction L7b{H2 2
1.1 Lens Design Books }v!6BU6<Q
1.2 Reference Material N1-LM9S
1.3 Specifications hPH7(f|c{g
1.4 Lens Design
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1.5 Lens Design Program Features 0CR;t`M@
1.6 About This Book e8# 3Y+Tc
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2 Automatic Lens Design FSB$D)4z>b
2.2 The Merit Function K_xOY
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2.3 Local Minima 7wnzef?)
2.4 The Landscape Lens SM<kE<q#
2.5 Types of Merit Function lyPXlt
2.6 Stagnation i_@RWka<
2.7 Generalized Simulated Annealing GwV FD%
2.8 Considerations about Variables for Optimization %xruPWT:k
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems vP2QAGk<
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits P&YaJUq.u
2.11 Spectral Weighting izw}25SW
2.12 How to Get Started
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3 Improving a Design Rt|Hma
3.1 Lens Design Tip Sheet: Standard Improvement Techniques ba ?k:b
3.2 Glass Changes ( Index and V Values ) ? `KOW
3.3 Splitting Elements ZL>V9UWN
3.4 Separating a Cemented Doublet rifxr4c[X>
3.5 Compounding an Element 8GP}g?%
3.6 Vignetting and Its Uses g2]-Q.
3.7 Eliminating a Weak Element; the Concentric Problem ?Sqm`)\>4
3.8 Balancing Aberrations cn0Fz"d
3.9 The Symmetrical Principle @FV;5M:I
3.10 Aspheric Surfaces m0"\3@kB
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4 Evaluation: How Good is This Design -(.7/G'Vk>
4.1 The Uses of a Preliminary Evaluation 12a #]E
4.2 OPD versus Measures of Performance [
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4.3 Geometric Blur Spot Size versus Certain Aberrations >N
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4.4 Interpreting MTF - The Modulation Transfer Function o;mIu#u
4.5 Fabrication Considerations g@k9w{_
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5 Lens Design Data \gkajY-?
5.1 About the Sample Lens Designs G= cxc_9
5.2 Lens Prescriptions, Drawings, and Aberration Plots Anv8)J!9u
5.3 Estimating the Potential of a Redesign bEKLameKv
5.4 Scaling a Desing, Its Aberrations, and Its MTF D3{lyi|8
5.5 Notes on the Interpretation of Ray Intercept Plots clw91yrQn
5.6 Various Evaluation Plot Wwha?W>
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6 Telescope Objective xW =$j|
6.1 The Thin Airspaced Doublet r<v%Zp
6.2 Merit Function for a Telescope Objective Ji[g@#
6.3 The Design of an f/7 Cemented Doublet Telescope Objective HqBPY[;s
6.4 Spherochromatism ][nUPl
6.5 Zonal Spherical Aberration oNZW#<K
6.6 Induced Aberrations hH}/v0_ jb
6.7 Three-Element Objectives S$52KOo
6.8 Secondary Spectrum (Apochromatic Systems) b<AE}UK
6.9 The Design of an f/7 Apochromatic Triplet XB-|gPk
6.10 The Diffractive Surface in Lens Design E{s|#
6.11 A Final Note bOMP8{H,
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7 Eyepieces and Magnifiers (N|xDl&;
7.1 Eyepieces |:+pPh!-
7.2 A Pair of Magnifier Designs o$VH,2 QF
7.3 The Simple, Classical Eyepieces 3gy;$}Lq T
7.4 Design Story of an Eyepiece for a 6*30 Binocular }27Vh0v
7.5 Four-Element Eyepieces q&Wwtqc9
7.6 Five-Element Eyepieces RCYbRR4y
7.7 Very High Index Eyepiece/Magnifier B:4qW[U#
7.8 Six- and Seven-Element Eyepieces 0t?<6-3`/
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8 Cooke Triplet Anastigmats :s '"u]
8.1 Airspaced Triplet Anastigmats YO$b#
8.2 Glass Choice ?]D+H%3[$i
8.3 Vertex Length and Residual Aberrations ]wpYxos
8.4 Other Design Considerations IQ=|Kj9h
8.5 A Plastic, Aspheric Triplet Camera Lens BJxmW's/
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet r/sRXM:3cZ
8.7 Possible Improvement to Our “Basic” Triplet xKST-:c +
8.7 The Rear Earth (Lanthanum) Glasses 8;\tP29
8.9 Aspherizing the Surfaces ;n{j,HB
8.10 Increasing the Element Thickness ysJhP .
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9 Split Triplets }|"*"kxi!
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10 The Tessar, Heliar, and Other Compounded Triplets 5zw23!
10.1 The Classic Tessar Qfu*F}
10.2 The Heliar/Pentac e=;@L3f
10.3 The Portrait Lens and the Enlarger Lens ":#x\;
10.4 Other Compounded Triplets dzNaow*0&V
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar I+?$4SC
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11 Double-Meniscus Anastigmats 7W firRM
11.1 Meniscus Components GVc[p\h(
11.2 The Hypergon, Totogon, and Metrogon Ox*T:5
11.3 A Two Element Aspheric Thick Meniscus Camera Lens bA^:p3
11.4 Protar, Dagor, and Convertible Lenses IA 9v1:>
11.5 The Split Dagor f9XO9N,hE:
11.6 The Dogmar h9w^7MbO
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens )7"DR+;:
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12 The Biotar or Double-Gauss Lens h8= MVh(I
12.1 The Basic Six-Element Version VueQP|
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens $CwTNm?
12.3 The Seven-Element Biotar - Split-Rear Singlet pkV\D
12.4 The Seven-Element Biotar - Broken Contact Front Doublet 27YLg c
12.5 The Seven-Element Biotar - One Compounded Outer Element t2%@py*bU
12.6 The Eight-Element Biotar GlgORy=>
12.7 A “Doubled Double-Gauss” Relay vua1iN1
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13 Telephoto Lenses ;7^j-6
13.1 The Basic Telephoto `Y({#U
13.2 Close-up or Macro Lenses 3g#=sd!0O@
13.3 Telephoto Designs 9EA
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13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch M|E2&ht
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses qTa]th;
14.1 The Reverse Telephoto Principle (zro7gKked
14.2 The Basic Retrofocus Lens /Zeg\}/4[
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses 031.u<_
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15 Wide Angle Lenses with Negative Outer Lenses L1!hF3G
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16 The Petzval Lens; Head-up Display Lenses Q~Sv2
16.1 The Petzval Portrait Lens Jn@Mbl
16.2 The Petzval Projection Lens >5~Zr$
16.3 The Petzval with a Field Flattener "G-0i KW;
16.4 Very Height Speed Petzval Lenses vz#wP
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems v!{'23`87
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17 Microscope Objectives T.w}6?2
17.1 General Considerations E
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17.2 Classic Objective Design Forms; The Aplanatic Front SL\y\GaV
17.3 Flat-Field Objectives >]XaUQ-
17.4 Reflecting Objectives 7MuK/q.
17.5 The Microscope Objective Designs vPl6Dasr
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18 Mirror and Catadioptric Systems B-ri}PA
18.1 The Good and Bad Points of Mirrors e"s {_V
18.2 The Classic Two-Mirror Systems Th;gps%b
18.3 Catadioptric Systems kG;eOp16R
18.4 Aspheric Correctors and Schmidt Systems 9p\wTzA
18.5 Confocal Paraboloids ekl?K~
18.6 Unobscured Systems R!V5-0%
18.7 Design of a Schmidt-Cassegrain “from Scratch” AR+\uD=\I-
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19 Infrared and Ultraviolet Systems .iP G /e
19.1 Infrared Optics N9JgV,`
19.2 IR Objective Lenses */5<L99v
19.3 IR Telescope ?;r8SowZ7
19.4 Laser Beam Expanders kTiPZZI
19,5 Ultraviolet Systems &t*8oNwSs
19.6 Microlithographic Lenses 6Er0o{iI
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20 Zoom Lenses /,uSCITD
20.1 Zoom Lenses A"bSNHCKF
20.2 Zoom Lenses for Point and Shoot Cameras ;*)fO?TG)
20.3 A 20X Video Zoom Lens _sf#J|kQ
20.4 A Zoom Scanner Lens .XLV:6
20.5 A Possible Zoom Lens Design Procedure cpF1Xp vT
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21 Projection TV Lenses and Macro Lenses SN[L4}{
21.1 Projection TV Lenses 1 ~B<
21.2 Macro Lenses kuTq8p2E
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22 Scanner/ , Laser Disk and Collimator Lenses Q0L@.`~
22.1 Monochromatic Systems R!_8jD:$
22.2 Scanner Lenses \%-E"[!
22.3 Laser Disk, Focusing, and Collimator Lenses V'Z&>6Z
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23 Tolerance Budgeting oXQ<9t1(
23.1 The Tolerance Budget F; MF:;mM
23.2 Additive Tolerances _@BRpLs:4
23.3 Establishing the Tolerance Budget k binf
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24 Formulary kY'<u
24.1 Sign Conventions, Symbols, and Definitions 6HEqm>Yau
24.2 The Cardinal Points i!1ho T$
24.3 Image Equations u^aFj%}]L
24.4 Paraxial Ray Tracing (Surface by Surface) %EJ\|@N:
24.5 Invariants *793H\
24.6 Paraxial Ray Tracing (Component by Component) {;Y 89&*R
24.7 Two-Componenet Relationships zldfRo\wl
24.8 Third-Order Aberrations – Surface Contributions l}Q"Nb)
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs jsNH`"
24.10 Stop Shift Equations V>FT~k_"
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces cD'HQ3+
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) I+Ncmg )>
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Glossary bVa+kYE
Reference BrlzN='j}
Index