"Modern Lens Design" 2nd Edition by Warren J. Smith TIbiw
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Contents of Modern Lens Design 2nd Edition %(MaH
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1 Introduction WId"2W3M
1.1 Lens Design Books z8G1[ElY
1.2 Reference Material zXx H aM
1.3 Specifications X9K@mX
1.4 Lens Design (,
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1.5 Lens Design Program Features P%A;EF~v
1.6 About This Book R?b3G4~
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2 Automatic Lens Design ~,WG284
2.2 The Merit Function Q0K2md_%x
2.3 Local Minima c
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2.4 The Landscape Lens 5I`j'j
2.5 Types of Merit Function w=Ac/12
2.6 Stagnation 9=O`?$y
2.7 Generalized Simulated Annealing 5R\{&
2.8 Considerations about Variables for Optimization C#d.3t
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems 6c,]N@,Zw
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits As
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2.11 Spectral Weighting 1G$fU
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2.12 How to Get Started zP$0B!9
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3 Improving a Design S
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3.1 Lens Design Tip Sheet: Standard Improvement Techniques {AUhF}O
3.2 Glass Changes ( Index and V Values ) ebK/cPa8
3.3 Splitting Elements g X75zso
3.4 Separating a Cemented Doublet ?f f !(U
3.5 Compounding an Element &*}`uJt
3.6 Vignetting and Its Uses M3P\1
3.7 Eliminating a Weak Element; the Concentric Problem : 8dQ8p;
3.8 Balancing Aberrations QVLv}w`O
3.9 The Symmetrical Principle &YC Z
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3.10 Aspheric Surfaces h+=xG|1R[5
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4 Evaluation: How Good is This Design <qJI]P
4.1 The Uses of a Preliminary Evaluation `G7LM55
4.2 OPD versus Measures of Performance A#;6~f
4.3 Geometric Blur Spot Size versus Certain Aberrations E-gI'qG\(
4.4 Interpreting MTF - The Modulation Transfer Function Bn:"qN~
4.5 Fabrication Considerations PxfWO1S(
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5 Lens Design Data W%&t[_21
5.1 About the Sample Lens Designs KZrg4TEVi
5.2 Lens Prescriptions, Drawings, and Aberration Plots t6u>_She
5.3 Estimating the Potential of a Redesign DQ%bcXs
5.4 Scaling a Desing, Its Aberrations, and Its MTF S:2M9nC
5.5 Notes on the Interpretation of Ray Intercept Plots hWc`4xdl
5.6 Various Evaluation Plot do,ZCn
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6 Telescope Objective >=Bl/0YH
6.1 The Thin Airspaced Doublet [bM$n
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6.2 Merit Function for a Telescope Objective 5&A{IN
6.3 The Design of an f/7 Cemented Doublet Telescope Objective :kU#5Aj gK
6.4 Spherochromatism Q1f)uwh
6.5 Zonal Spherical Aberration YX*NjXL
6.6 Induced Aberrations ~EIK
6.7 Three-Element Objectives wHx@&Tp
6.8 Secondary Spectrum (Apochromatic Systems) XBx&&
6.9 The Design of an f/7 Apochromatic Triplet 9dS <^E(ZF
6.10 The Diffractive Surface in Lens Design (sM$=M<$
6.11 A Final Note qZQB"Q.*
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7 Eyepieces and Magnifiers
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7.1 Eyepieces )R
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7.2 A Pair of Magnifier Designs a|}v?z\
7.3 The Simple, Classical Eyepieces ^.3(o{g
7.4 Design Story of an Eyepiece for a 6*30 Binocular JG^fu*K
7.5 Four-Element Eyepieces Nm{|
7.6 Five-Element Eyepieces B:mtl?69g
7.7 Very High Index Eyepiece/Magnifier F:$*0!
7.8 Six- and Seven-Element Eyepieces !O)je>A
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8 Cooke Triplet Anastigmats d23;c )'
8.1 Airspaced Triplet Anastigmats X|&v]mJ
8.2 Glass Choice IKo,P$
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8.3 Vertex Length and Residual Aberrations oS>VN<
8.4 Other Design Considerations ,zF^^,lO7
8.5 A Plastic, Aspheric Triplet Camera Lens |)KOy~"
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet N[=c|frho
8.7 Possible Improvement to Our “Basic” Triplet gn-@OmIs
8.7 The Rear Earth (Lanthanum) Glasses 3M^s
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8.9 Aspherizing the Surfaces *ggai?
8.10 Increasing the Element Thickness x)+ q$FB
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9 Split Triplets .gQYN2#zb
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10 The Tessar, Heliar, and Other Compounded Triplets DhVO}g)2#
10.1 The Classic Tessar D( \c?X"
10.2 The Heliar/Pentac z:1"d
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10.3 The Portrait Lens and the Enlarger Lens } "QL"%
10.4 Other Compounded Triplets 62.)fCQ^
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar R6cd;| fan
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11 Double-Meniscus Anastigmats ;9MIapfUd(
11.1 Meniscus Components ee2k..Tq#
11.2 The Hypergon, Totogon, and Metrogon qs$w9I
11.3 A Two Element Aspheric Thick Meniscus Camera Lens ZrNBkfe:
11.4 Protar, Dagor, and Convertible Lenses "?AJ(>wP
11.5 The Split Dagor 4s@oj
11.6 The Dogmar S^Mx=KJG
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens fK/|0@B8
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12 The Biotar or Double-Gauss Lens `RlMfd
12.1 The Basic Six-Element Version b3 NEYn
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens rtxG-a56Q
12.3 The Seven-Element Biotar - Split-Rear Singlet 'w"hG$".
12.4 The Seven-Element Biotar - Broken Contact Front Doublet @1vpkB~ w
12.5 The Seven-Element Biotar - One Compounded Outer Element L#k`>Qn2
12.6 The Eight-Element Biotar 1j_
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12.7 A “Doubled Double-Gauss” Relay ooA%/
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13 Telephoto Lenses 'z9}I
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13.1 The Basic Telephoto A.+Qa
13.2 Close-up or Macro Lenses i'YM9*yN
13.3 Telephoto Designs X..<U}e
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch RW`+F|UbE
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses [;Y*f,UG_-
14.1 The Reverse Telephoto Principle ' e:rL.
14.2 The Basic Retrofocus Lens e3.q8r
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses &{e:6t
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15 Wide Angle Lenses with Negative Outer Lenses .+A2\F.^
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16 The Petzval Lens; Head-up Display Lenses AA XQ+!
16.1 The Petzval Portrait Lens =3;~7bYO
16.2 The Petzval Projection Lens kXN8hU}iq
16.3 The Petzval with a Field Flattener
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16.4 Very Height Speed Petzval Lenses &HBC9Bx/(
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems dZkj|Ua~
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17 Microscope Objectives bLSUF`-z
17.1 General Considerations X:JU#sI
17.2 Classic Objective Design Forms; The Aplanatic Front zP8rW5/
17.3 Flat-Field Objectives LI9
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17.4 Reflecting Objectives
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17.5 The Microscope Objective Designs !B/5@P
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18 Mirror and Catadioptric Systems ,5}")T["u
18.1 The Good and Bad Points of Mirrors )}to7r7`
18.2 The Classic Two-Mirror Systems )mu[ye"p
18.3 Catadioptric Systems |.?$:D&6
18.4 Aspheric Correctors and Schmidt Systems FT6~\9m(
18.5 Confocal Paraboloids 2O(= 2X
18.6 Unobscured Systems @MxB
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18.7 Design of a Schmidt-Cassegrain “from Scratch” 7v
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19 Infrared and Ultraviolet Systems m't8\fo^w
19.1 Infrared Optics c7@[RG !
19.2 IR Objective Lenses dO!B=/
19.3 IR Telescope 7|DPevrk
19.4 Laser Beam Expanders ]--"
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19,5 Ultraviolet Systems -5y=K40
19.6 Microlithographic Lenses y4%[^g~-
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20 Zoom Lenses G O[u
20.1 Zoom Lenses ^WUG\@B
20.2 Zoom Lenses for Point and Shoot Cameras .R_-$/ZP
20.3 A 20X Video Zoom Lens \# _w=gs<i
20.4 A Zoom Scanner Lens $Dm|ol.Z
20.5 A Possible Zoom Lens Design Procedure a{\<L/\
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21 Projection TV Lenses and Macro Lenses jJ3dZ<#
21.1 Projection TV Lenses ~\UAxB=
21.2 Macro Lenses {-l:F2i
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22 Scanner/ , Laser Disk and Collimator Lenses %
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22.1 Monochromatic Systems \<%?=C'w~
22.2 Scanner Lenses -'uz%2 {
22.3 Laser Disk, Focusing, and Collimator Lenses lNx:_g:SrZ
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23 Tolerance Budgeting m`xzvg
23.1 The Tolerance Budget <KrfM
23.2 Additive Tolerances }3=^Ik;x
23.3 Establishing the Tolerance Budget v5 I}a7
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24 Formulary
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24.1 Sign Conventions, Symbols, and Definitions S8Yti
24.2 The Cardinal Points o{OY1 ;=6
24.3 Image Equations @i(;}rx
24.4 Paraxial Ray Tracing (Surface by Surface) -J^t#R^$`
24.5 Invariants ^v&)z,
24.6 Paraxial Ray Tracing (Component by Component) K9c5HuGy
24.7 Two-Componenet Relationships yZY.B
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24.8 Third-Order Aberrations – Surface Contributions -5GRit1q?
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs
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24.10 Stop Shift Equations :|N(:W>=$Y
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces .Lp\Jyegs
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) sh;>6xB
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Glossary V%JG :'6L
Reference gUrXaD#
Index