"Modern Lens Design" 2nd Edition by Warren J. Smith 3yMt1 fy
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Contents of Modern Lens Design 2nd Edition l ?/gWD^
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1 Introduction k2uBaj]
1.1 Lens Design Books n/-N;'2J
1.2 Reference Material _IKQ36=
1.3 Specifications $4h04_"
1.4 Lens Design llqDT-cp
1.5 Lens Design Program Features 4K #^dJnC
1.6 About This Book (WMLNv
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2 Automatic Lens Design 9OZ>y0)K~
2.2 The Merit Function Gx|Dql
2.3 Local Minima Z@nmjj i
2.4 The Landscape Lens \S5V}!_
2.5 Types of Merit Function O3}P07
2.6 Stagnation HnK/A0jM
2.7 Generalized Simulated Annealing 2K~tDNv7
2.8 Considerations about Variables for Optimization 44|03Ty
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems +1f{_v
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits 4^BLSK~(
2.11 Spectral Weighting -W6V,+of
2.12 How to Get Started 5W5pRd>Q
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3 Improving a Design Xr)g
3.1 Lens Design Tip Sheet: Standard Improvement Techniques 04[)qPPS
3.2 Glass Changes ( Index and V Values ) MHn&;
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3.3 Splitting Elements 1W7
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3.4 Separating a Cemented Doublet yEnKUo[
3.5 Compounding an Element ^EUQ449<p
3.6 Vignetting and Its Uses lDH_ Y]bM
3.7 Eliminating a Weak Element; the Concentric Problem `|NevpXY1
3.8 Balancing Aberrations jaNH](V
3.9 The Symmetrical Principle >:fJhF@
3.10 Aspheric Surfaces
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4 Evaluation: How Good is This Design s'2y%E#
4.1 The Uses of a Preliminary Evaluation :e52hK1[T
4.2 OPD versus Measures of Performance m(h/:JZ\
4.3 Geometric Blur Spot Size versus Certain Aberrations ZS|Z98
4.4 Interpreting MTF - The Modulation Transfer Function N6f%>3%1|.
4.5 Fabrication Considerations >4#tkv>S.
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5 Lens Design Data 0sY#MHPT&
5.1 About the Sample Lens Designs xQZMCd
5.2 Lens Prescriptions, Drawings, and Aberration Plots J$<:/^t
5.3 Estimating the Potential of a Redesign s+Cl
5.4 Scaling a Desing, Its Aberrations, and Its MTF L5TNsLx (
5.5 Notes on the Interpretation of Ray Intercept Plots X%*brl$D
5.6 Various Evaluation Plot #SK#k<&P
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6 Telescope Objective dcM+ylB
6.1 The Thin Airspaced Doublet i"ck`6v"8
6.2 Merit Function for a Telescope Objective ,!8*g[^O
6.3 The Design of an f/7 Cemented Doublet Telescope Objective zww?
6.4 Spherochromatism 1h&)I%`?
6.5 Zonal Spherical Aberration ~rQ4n9G
6.6 Induced Aberrations i:AjWC@]
6.7 Three-Element Objectives he_HVRpB
6.8 Secondary Spectrum (Apochromatic Systems) lu<Np9/5<
6.9 The Design of an f/7 Apochromatic Triplet gE-lM/w
6.10 The Diffractive Surface in Lens Design \>w@=bq26
6.11 A Final Note ]5aux
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7 Eyepieces and Magnifiers LAOdH/*:
7.1 Eyepieces /QM0.{Ypl
7.2 A Pair of Magnifier Designs MM/BJ
7.3 The Simple, Classical Eyepieces M^0w/
7.4 Design Story of an Eyepiece for a 6*30 Binocular ^p'D <!6sK
7.5 Four-Element Eyepieces K[`4vsE
7.6 Five-Element Eyepieces m3h2/}%9`
7.7 Very High Index Eyepiece/Magnifier xF2f/y
7.8 Six- and Seven-Element Eyepieces )^V5*#69D
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8 Cooke Triplet Anastigmats
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8.1 Airspaced Triplet Anastigmats :qt82tbn
8.2 Glass Choice uKaf{=*
8.3 Vertex Length and Residual Aberrations -fx(H+
8.4 Other Design Considerations 6~>^pkV
8.5 A Plastic, Aspheric Triplet Camera Lens oaH+c9v
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet _.oRVYK/
8.7 Possible Improvement to Our “Basic” Triplet <VauJB*R
8.7 The Rear Earth (Lanthanum) Glasses ;D%5 nnr
8.9 Aspherizing the Surfaces : 8p2Jxm
8.10 Increasing the Element Thickness iT)2 ?I6!
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9 Split Triplets znGZULa#
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10 The Tessar, Heliar, and Other Compounded Triplets <yX@@8
10.1 The Classic Tessar A`+(VzZgJ
10.2 The Heliar/Pentac <S:,`v&Z
10.3 The Portrait Lens and the Enlarger Lens _Ct@1}aa4x
10.4 Other Compounded Triplets
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10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar ;[;S_|vZ=)
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11 Double-Meniscus Anastigmats +dPE!:
11.1 Meniscus Components b[QCM/
11.2 The Hypergon, Totogon, and Metrogon ^ mQ;CMV
11.3 A Two Element Aspheric Thick Meniscus Camera Lens h|$zHm
11.4 Protar, Dagor, and Convertible Lenses qHcY
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11.5 The Split Dagor 7.F& {:@_
11.6 The Dogmar noB}p4
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens ={wjeRp
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12 The Biotar or Double-Gauss Lens 7csl1|U
12.1 The Basic Six-Element Version yE!7`c.[u
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens J$e Z Lj
12.3 The Seven-Element Biotar - Split-Rear Singlet ocDVCCkxg
12.4 The Seven-Element Biotar - Broken Contact Front Doublet =~(L JPo6
12.5 The Seven-Element Biotar - One Compounded Outer Element ijR*5#5h
12.6 The Eight-Element Biotar } SWA|x
12.7 A “Doubled Double-Gauss” Relay "pKGUM
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13 Telephoto Lenses &6~ncQWu
13.1 The Basic Telephoto tjc5>T[Es8
13.2 Close-up or Macro Lenses ~
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13.3 Telephoto Designs FSXKH {Z
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch 7lBQd (
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses FB^dp}
14.1 The Reverse Telephoto Principle 6A{s%v H
14.2 The Basic Retrofocus Lens jv?aB
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses JUUF^/J
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15 Wide Angle Lenses with Negative Outer Lenses R}K5'`[%ZY
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16 The Petzval Lens; Head-up Display Lenses *T}dv)8
16.1 The Petzval Portrait Lens 83O^e&Bt
16.2 The Petzval Projection Lens |Jx2"0:M
16.3 The Petzval with a Field Flattener _sD]Viqc
16.4 Very Height Speed Petzval Lenses z2EI"'4\9
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems E]e[Ty1
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17 Microscope Objectives <:_]Yl
17.1 General Considerations ]jT[dX|?
17.2 Classic Objective Design Forms; The Aplanatic Front \T#(rt\j
17.3 Flat-Field Objectives !h~#L"z
17.4 Reflecting Objectives %lq7; emtp
17.5 The Microscope Objective Designs ;*$8iwBQ_
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18 Mirror and Catadioptric Systems @#O|
18.1 The Good and Bad Points of Mirrors dA!fv`,6-
18.2 The Classic Two-Mirror Systems 'E6gEJ
18.3 Catadioptric Systems myo~Qqt?
18.4 Aspheric Correctors and Schmidt Systems r^Rcjyc1
18.5 Confocal Paraboloids 5)zj){wL
18.6 Unobscured Systems &4$43\(D
18.7 Design of a Schmidt-Cassegrain “from Scratch” ^`PSlT3<F
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19 Infrared and Ultraviolet Systems J&0wl]w|O%
19.1 Infrared Optics m{=~|I
19.2 IR Objective Lenses nr9#3Lb
19.3 IR Telescope AK\g-]8
19.4 Laser Beam Expanders !j\&BAxTEk
19,5 Ultraviolet Systems :?of./Df|
19.6 Microlithographic Lenses l`w|o
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20 Zoom Lenses l8
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20.1 Zoom Lenses V%KW[v<G<
20.2 Zoom Lenses for Point and Shoot Cameras LW8{a&
20.3 A 20X Video Zoom Lens Y_iF$m/R
20.4 A Zoom Scanner Lens /)OO)B-r
20.5 A Possible Zoom Lens Design Procedure #(wzl
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21 Projection TV Lenses and Macro Lenses 'rx,f
21.1 Projection TV Lenses }n&JZ`8<s
21.2 Macro Lenses >j~70 ?
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22 Scanner/ , Laser Disk and Collimator Lenses ba:du
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22.1 Monochromatic Systems LYo7?rp
22.2 Scanner Lenses >IydXmTy
22.3 Laser Disk, Focusing, and Collimator Lenses ofhZ@3
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23 Tolerance Budgeting %!/liS
23.1 The Tolerance Budget ]KPg=@Q/
23.2 Additive Tolerances O5n]4)<
23.3 Establishing the Tolerance Budget QMfy^t+I
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24 Formulary YyBq+6nq5
24.1 Sign Conventions, Symbols, and Definitions E$zq8-p|
24.2 The Cardinal Points */h9 "B
24.3 Image Equations ENF@6]
24.4 Paraxial Ray Tracing (Surface by Surface) 9%'HB\A
24.5 Invariants thboHPml{
24.6 Paraxial Ray Tracing (Component by Component) *[/Xhx"
24.7 Two-Componenet Relationships ?fX8WRdh
24.8 Third-Order Aberrations – Surface Contributions !(AFT!
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs qk{UO
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24.10 Stop Shift Equations UDq KF85H
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces 1+ARV&bc
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) )C0X]?
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Glossary 03jBN2[!
Reference XA^:n+Yo
Index