"Modern Lens Design" 2nd Edition by Warren J. Smith 94+#6jd e
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Contents of Modern Lens Design 2nd Edition Wr;)3K
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1 Introduction g`6S*&8I
1.1 Lens Design Books @<P [z[
1.2 Reference Material ie)Qsw@
1.3 Specifications H 74hv`G9
1.4 Lens Design MFVFr "
1.5 Lens Design Program Features {.ph )8
1.6 About This Book jU=)4nx
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2 Automatic Lens Design ,v/C-b)I
2.2 The Merit Function _=rXaTp
2.3 Local Minima ZyTah\yPM
2.4 The Landscape Lens
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2.5 Types of Merit Function .Xr_BJ _
2.6 Stagnation fK[9<"PC0
2.7 Generalized Simulated Annealing 0\ /7[nwS
2.8 Considerations about Variables for Optimization d(&vIjy
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems E:7vm@ +
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits ]H RE-g
2.11 Spectral Weighting 0]T
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2.12 How to Get Started R,(^fM
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3 Improving a Design uzsR*x%s-
3.1 Lens Design Tip Sheet: Standard Improvement Techniques Z"P{/~HG
3.2 Glass Changes ( Index and V Values ) ='s2S5#1
3.3 Splitting Elements CN zK-,
3.4 Separating a Cemented Doublet ,5q^/h
3.5 Compounding an Element x9uA@$l^|
3.6 Vignetting and Its Uses MtS$ovg?
3.7 Eliminating a Weak Element; the Concentric Problem ] O 2_&cs
3.8 Balancing Aberrations *H;&hq
3.9 The Symmetrical Principle E-r/$&D5mP
3.10 Aspheric Surfaces a-7nA
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4 Evaluation: How Good is This Design m^`X|xK-
4.1 The Uses of a Preliminary Evaluation
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4.2 OPD versus Measures of Performance H94$Xi"Bd
4.3 Geometric Blur Spot Size versus Certain Aberrations 7I HW j<
4.4 Interpreting MTF - The Modulation Transfer Function }3@`'i7
4.5 Fabrication Considerations @NO&3m]
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5 Lens Design Data ,TL~];J'
5.1 About the Sample Lens Designs K^Xg^9
5.2 Lens Prescriptions, Drawings, and Aberration Plots U9Y'eP.2
5.3 Estimating the Potential of a Redesign U m%E/0j
5.4 Scaling a Desing, Its Aberrations, and Its MTF y:1?~R
5.5 Notes on the Interpretation of Ray Intercept Plots YTY0N5["
5.6 Various Evaluation Plot W0R6<-
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6 Telescope Objective |G IT{_JE
6.1 The Thin Airspaced Doublet LV`- eW
6.2 Merit Function for a Telescope Objective t#kmtJC
6.3 The Design of an f/7 Cemented Doublet Telescope Objective 3n
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6.4 Spherochromatism a29mVmi >
6.5 Zonal Spherical Aberration guBOR 0x`
6.6 Induced Aberrations fE7Kv_N-%
6.7 Three-Element Objectives Yzd-1Jvk
6.8 Secondary Spectrum (Apochromatic Systems) !zD| @sX{
6.9 The Design of an f/7 Apochromatic Triplet jk) U~KGcg
6.10 The Diffractive Surface in Lens Design 5-n N8qs
6.11 A Final Note |
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7 Eyepieces and Magnifiers H.'_NCF&;L
7.1 Eyepieces D T_012 z
7.2 A Pair of Magnifier Designs 8amt TM
7.3 The Simple, Classical Eyepieces T_pE 'U%[
7.4 Design Story of an Eyepiece for a 6*30 Binocular G$ip Wi
7.5 Four-Element Eyepieces ci ,o'`Q
7.6 Five-Element Eyepieces |Y:T3hra61
7.7 Very High Index Eyepiece/Magnifier )00#Rrt9
7.8 Six- and Seven-Element Eyepieces n_iq85
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8 Cooke Triplet Anastigmats ;u , 5
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8.1 Airspaced Triplet Anastigmats S x Mh '
8.2 Glass Choice jt?R
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8.3 Vertex Length and Residual Aberrations t'~:me!
8.4 Other Design Considerations 0M pX.0
8.5 A Plastic, Aspheric Triplet Camera Lens ]kc]YO7i%R
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet ~bvx<:8*%
8.7 Possible Improvement to Our “Basic” Triplet QD7>S(p
8.7 The Rear Earth (Lanthanum) Glasses R(ay&f%E
8.9 Aspherizing the Surfaces ] 5c|
8.10 Increasing the Element Thickness -0lpsF
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9 Split Triplets 852$Ui|I
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10 The Tessar, Heliar, and Other Compounded Triplets , X+0 71.(
10.1 The Classic Tessar /ZX8gR5x
10.2 The Heliar/Pentac JWM/np6
10.3 The Portrait Lens and the Enlarger Lens :y 0' [LV
10.4 Other Compounded Triplets Wu%;{y~#}
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar {{:MJ\_"h_
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11 Double-Meniscus Anastigmats 90M :0SH
11.1 Meniscus Components 0A\o8T.12
11.2 The Hypergon, Totogon, and Metrogon I5PaY.i
11.3 A Two Element Aspheric Thick Meniscus Camera Lens 1 BVi vEG
11.4 Protar, Dagor, and Convertible Lenses 'Zk&AD ~
11.5 The Split Dagor %/s:G )
11.6 The Dogmar W>'R<IY4#N
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens ai#0ZgO
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12 The Biotar or Double-Gauss Lens +n1}({7m
12.1 The Basic Six-Element Version 6<FJ`l]U9
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens Ci=c"JdB
12.3 The Seven-Element Biotar - Split-Rear Singlet [JsQ/|=z
12.4 The Seven-Element Biotar - Broken Contact Front Doublet 2i8'*L+j
12.5 The Seven-Element Biotar - One Compounded Outer Element amgYr$)m
12.6 The Eight-Element Biotar V<P@hAAr
12.7 A “Doubled Double-Gauss” Relay qDOx5.d
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13 Telephoto Lenses H?M8j] R-)
13.1 The Basic Telephoto v&p\ r'w
13.2 Close-up or Macro Lenses 5zfPh`U>1
13.3 Telephoto Designs :@ 19,.L
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch %q(n'^#Z.y
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses &&TQ0w&T
14.1 The Reverse Telephoto Principle b'uH4[zX%
14.2 The Basic Retrofocus Lens <c^m |v
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses MX 6;ww
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15 Wide Angle Lenses with Negative Outer Lenses ? ZE1>L7e
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16 The Petzval Lens; Head-up Display Lenses /k(0}g=\
16.1 The Petzval Portrait Lens cqi: Rj
16.2 The Petzval Projection Lens -0Y8/6](
16.3 The Petzval with a Field Flattener ~~b[X\1
16.4 Very Height Speed Petzval Lenses L0_R2E A
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems Ptw E[YDu
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17 Microscope Objectives 67')nEQ9
17.1 General Considerations sf@g $
17.2 Classic Objective Design Forms; The Aplanatic Front dy#dug6j
17.3 Flat-Field Objectives
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17.4 Reflecting Objectives q/<.^X
17.5 The Microscope Objective Designs B7_:,R.l
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18 Mirror and Catadioptric Systems )nTOIfP2
18.1 The Good and Bad Points of Mirrors R/A 40i
18.2 The Classic Two-Mirror Systems >Ix)jSNLgo
18.3 Catadioptric Systems ZSU;>&>%v
18.4 Aspheric Correctors and Schmidt Systems Ri " 3o
18.5 Confocal Paraboloids ]7fqVOi Ou
18.6 Unobscured Systems N@)tU;U3O
18.7 Design of a Schmidt-Cassegrain “from Scratch” )9l5gZX'I
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19 Infrared and Ultraviolet Systems j^ex5A.&
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19.1 Infrared Optics /0\m;&
19.2 IR Objective Lenses 1j9 .Q;9
19.3 IR Telescope v.c2(w/P
19.4 Laser Beam Expanders }q)o LC
19,5 Ultraviolet Systems km4::'(6
19.6 Microlithographic Lenses ` ` 6?;Y
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20 Zoom Lenses XW%!#S&;X
20.1 Zoom Lenses K.dgQ-v n
20.2 Zoom Lenses for Point and Shoot Cameras %, XyhS5[o
20.3 A 20X Video Zoom Lens wBA[L}
20.4 A Zoom Scanner Lens / F5g@ X&
20.5 A Possible Zoom Lens Design Procedure WpW nwQY`#
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21 Projection TV Lenses and Macro Lenses th2 a'y=0
21.1 Projection TV Lenses 9=&LMjT Q
21.2 Macro Lenses ZS4lb=)G
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22 Scanner/ , Laser Disk and Collimator Lenses BOoLs(p
22.1 Monochromatic Systems 6&`.C/"2
22.2 Scanner Lenses ~ub Gx
22.3 Laser Disk, Focusing, and Collimator Lenses )?:V5UO\
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23 Tolerance Budgeting "'~'xaU!=a
23.1 The Tolerance Budget W52AX.Nm
23.2 Additive Tolerances % tN{
23.3 Establishing the Tolerance Budget k "LbB#Q
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24 Formulary `s Az1/N
24.1 Sign Conventions, Symbols, and Definitions ?
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24.2 The Cardinal Points E dh T;!
24.3 Image Equations KE]!7+8-
24.4 Paraxial Ray Tracing (Surface by Surface) AL>*Vj2h/n
24.5 Invariants $RuJm\f
24.6 Paraxial Ray Tracing (Component by Component) 2a3h m8%U
24.7 Two-Componenet Relationships Rq%g5lK
24.8 Third-Order Aberrations – Surface Contributions $ o?Wum
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs 1NtN-o)N?
24.10 Stop Shift Equations .nJErC##
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces )F,H(LblH
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) )3V5P%Q
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Glossary Hc ]/0 :
Reference ]!E| 5=q
Index
