"Modern Lens Design" 2nd Edition by Warren J. Smith !yfQ^a_ O
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Contents of Modern Lens Design 2nd Edition &*w)/W
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1 Introduction 7GyJmzEE
1.1 Lens Design Books :(^, WOf
1.2 Reference Material =9LeFrz
1.3 Specifications ;X9nYH
1.4 Lens Design
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1.5 Lens Design Program Features G#|`Bjv"aP
1.6 About This Book I_h8)W
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2 Automatic Lens Design *8a 8 Ng
2.2 The Merit Function z. 6-D
2.3 Local Minima A3;}C+K
2.4 The Landscape Lens SF 7p/gG
2.5 Types of Merit Function 52zD!(
2.6 Stagnation t+2!"Jr
2.7 Generalized Simulated Annealing "1#piJ
2.8 Considerations about Variables for Optimization P: p@Ie p
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems 3 BSJ|o<"=
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits NI1jJfH|l
2.11 Spectral Weighting |3h-F5V)
2.12 How to Get Started BS6UXAf{|Z
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3 Improving a Design Z 0(}doh
3.1 Lens Design Tip Sheet: Standard Improvement Techniques (B0tgg^jj,
3.2 Glass Changes ( Index and V Values ) jMH=lQ+8
3.3 Splitting Elements iaq+#k@ V
3.4 Separating a Cemented Doublet A<+veqb4
3.5 Compounding an Element ;1wRo`RD
3.6 Vignetting and Its Uses 'JjW 5
3.7 Eliminating a Weak Element; the Concentric Problem 3Dm`8Xt
3.8 Balancing Aberrations G!^}z (Mgi
3.9 The Symmetrical Principle p ow.@
3.10 Aspheric Surfaces [Ju5O[o
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4 Evaluation: How Good is This Design a%fMf[Fu
4.1 The Uses of a Preliminary Evaluation yLDv/r
4.2 OPD versus Measures of Performance 1U/ dc.x5
4.3 Geometric Blur Spot Size versus Certain Aberrations DO^K8~]
4.4 Interpreting MTF - The Modulation Transfer Function LRuB&4r8
4.5 Fabrication Considerations
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5 Lens Design Data AMm)E
5.1 About the Sample Lens Designs 6UXDIg=
5.2 Lens Prescriptions, Drawings, and Aberration Plots qkg`4'rLg
5.3 Estimating the Potential of a Redesign @gn}J'
5.4 Scaling a Desing, Its Aberrations, and Its MTF _tJ m0z!
5.5 Notes on the Interpretation of Ray Intercept Plots I|SQhbi
5.6 Various Evaluation Plot "P@jr{zvMd
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6 Telescope Objective q\`0'Z,
6.1 The Thin Airspaced Doublet 5g-AB`6T
6.2 Merit Function for a Telescope Objective :O~*}7G
6.3 The Design of an f/7 Cemented Doublet Telescope Objective %:DH _0
6.4 Spherochromatism ~h <<-c
6.5 Zonal Spherical Aberration $YNW T\FE
6.6 Induced Aberrations }1sFddGVt
6.7 Three-Element Objectives Z#1 'ST g
6.8 Secondary Spectrum (Apochromatic Systems) 9S y |:J0
6.9 The Design of an f/7 Apochromatic Triplet |@+/R .l
6.10 The Diffractive Surface in Lens Design 9c}mAg4
6.11 A Final Note 5N_w(B
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7 Eyepieces and Magnifiers 65>1 f
7.1 Eyepieces 8vK$]e36
7.2 A Pair of Magnifier Designs $$ tFP"pZ
7.3 The Simple, Classical Eyepieces X >$s>})Y
7.4 Design Story of an Eyepiece for a 6*30 Binocular G%RL 8HU
7.5 Four-Element Eyepieces w`Ss MI
7.6 Five-Element Eyepieces 3 u tv
7.7 Very High Index Eyepiece/Magnifier 6N<v&7cSB
7.8 Six- and Seven-Element Eyepieces q 9 ^6A90
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8 Cooke Triplet Anastigmats JSAbh\Mq6
8.1 Airspaced Triplet Anastigmats c u~\&3 R
8.2 Glass Choice :|V`QM
8.3 Vertex Length and Residual Aberrations M(8Mj[>>Rj
8.4 Other Design Considerations :9O"?FE
8.5 A Plastic, Aspheric Triplet Camera Lens #AN ]mH
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet Z +vT76g3
8.7 Possible Improvement to Our “Basic” Triplet kW!`vQm~
8.7 The Rear Earth (Lanthanum) Glasses L6ifT`;T
8.9 Aspherizing the Surfaces v RR(b !Lq
8.10 Increasing the Element Thickness Bc!ZHW *&
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9 Split Triplets ,2R7 AHk
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10 The Tessar, Heliar, and Other Compounded Triplets qI C9L"I
10.1 The Classic Tessar 6~r O(
10.2 The Heliar/Pentac Uh t k`2O
10.3 The Portrait Lens and the Enlarger Lens Bw`7ND}&
10.4 Other Compounded Triplets yltzf
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10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar I/&uiC{l@
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11 Double-Meniscus Anastigmats 'ZUB:R@[
11.1 Meniscus Components 9eh9@~mU"l
11.2 The Hypergon, Totogon, and Metrogon ^hN. FIzM
11.3 A Two Element Aspheric Thick Meniscus Camera Lens kYl')L6
11.4 Protar, Dagor, and Convertible Lenses L 4x08 e
11.5 The Split Dagor i"HENJyCb
11.6 The Dogmar ' t hEZ
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens '/[9Xwh9
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12 The Biotar or Double-Gauss Lens Z{".(?+}1
12.1 The Basic Six-Element Version @8jc|X<A
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens p T ;{05
12.3 The Seven-Element Biotar - Split-Rear Singlet #zL0P>P'a
12.4 The Seven-Element Biotar - Broken Contact Front Doublet &|% F=/VU
12.5 The Seven-Element Biotar - One Compounded Outer Element Vo; B #lK
12.6 The Eight-Element Biotar pp!>: %
12.7 A “Doubled Double-Gauss” Relay OfAh? ^R
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13 Telephoto Lenses EK
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13.1 The Basic Telephoto Onqd2'%<
13.2 Close-up or Macro Lenses 8!!iwmH{
13.3 Telephoto Designs KXS{@ /"-B
13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch l|Z<pD
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses M
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14.1 The Reverse Telephoto Principle *@C ]\)
14.2 The Basic Retrofocus Lens G9_M~N%a
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses ' :[ :12y[
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15 Wide Angle Lenses with Negative Outer Lenses Z
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16 The Petzval Lens; Head-up Display Lenses zq?Iwyo
16.1 The Petzval Portrait Lens :AzP3~BI
16.2 The Petzval Projection Lens ? # cX_
16.3 The Petzval with a Field Flattener uINm>$G,5
16.4 Very Height Speed Petzval Lenses .AzGPcJY
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems $:aKb #l)
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17 Microscope Objectives #G/
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17.1 General Considerations L+b"d3!G&%
17.2 Classic Objective Design Forms; The Aplanatic Front ?d?
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17.3 Flat-Field Objectives |iJ+e -_R
17.4 Reflecting Objectives _s&sA2r<
17.5 The Microscope Objective Designs 6$l6 >A
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18 Mirror and Catadioptric Systems hny):59f
18.1 The Good and Bad Points of Mirrors 2Y+8!4^L
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18.2 The Classic Two-Mirror Systems HVz,l iq
18.3 Catadioptric Systems +E nJyli
18.4 Aspheric Correctors and Schmidt Systems K ioD/
18.5 Confocal Paraboloids 5X'com?T
18.6 Unobscured Systems 7T)J{:+0!|
18.7 Design of a Schmidt-Cassegrain “from Scratch” G#~6a%VW
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19 Infrared and Ultraviolet Systems IIW6;jS
19.1 Infrared Optics v8< MAq
19.2 IR Objective Lenses F%v?,`_&I
19.3 IR Telescope >;ucwL i
19.4 Laser Beam Expanders <XfCQq/
19,5 Ultraviolet Systems 6 }vPwI
19.6 Microlithographic Lenses W9$mgs=S`E
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20 Zoom Lenses > H ,t^i}@
20.1 Zoom Lenses 'yWv @)
20.2 Zoom Lenses for Point and Shoot Cameras bN#)F
20.3 A 20X Video Zoom Lens <AzM~]"3
20.4 A Zoom Scanner Lens $jDp ^ -
20.5 A Possible Zoom Lens Design Procedure +bj[.
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21 Projection TV Lenses and Macro Lenses ! u} } V
21.1 Projection TV Lenses ^ H,o I*
21.2 Macro Lenses `GG PkTN
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22 Scanner/ , Laser Disk and Collimator Lenses T]5JsrT
22.1 Monochromatic Systems D/jS4'$vA
22.2 Scanner Lenses p^LUy LG`
22.3 Laser Disk, Focusing, and Collimator Lenses Jk.Ec )w
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23 Tolerance Budgeting 'WUevPmt
23.1 The Tolerance Budget 0 w"&9+kV
23.2 Additive Tolerances }v [$uT-q
23.3 Establishing the Tolerance Budget {$<X\\ &r
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24 Formulary O?ZCX_R:L
24.1 Sign Conventions, Symbols, and Definitions ((U-JeFW
24.2 The Cardinal Points sQT0y(FW
24.3 Image Equations C?Sy90f
24.4 Paraxial Ray Tracing (Surface by Surface) ]i=\5FH e
24.5 Invariants S*o%#ZJN
24.6 Paraxial Ray Tracing (Component by Component) (wNL,<%~
24.7 Two-Componenet Relationships D/CSR= b
24.8 Third-Order Aberrations – Surface Contributions Um
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24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs O; qerE?i`
24.10 Stop Shift Equations aF:_ 1. LC
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces r )cG ee
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) ( _ZOUMe
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Glossary mis
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Reference uvK1gJrA)
Index
