"Modern Lens Design" 2nd Edition by Warren J. Smith L&uPNcZ`-
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Contents of Modern Lens Design 2nd Edition @uG/2'B(
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1 Introduction 5D
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1.1 Lens Design Books %Q;:nVt
1.2 Reference Material $*Wa A`(U
1.3 Specifications ?wn<F}UH
1.4 Lens Design lZ <D,&
1.5 Lens Design Program Features MfKru,LSh
1.6 About This Book %e|UA-(
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2 Automatic Lens Design &SPr#OkW
2.2 The Merit Function 1Oak8 \G
2.3 Local Minima ZU2D.Kf_:
2.4 The Landscape Lens X\*H7;k,
2.5 Types of Merit Function zN-Y=-c
2.6 Stagnation ?`6Mfpvj96
2.7 Generalized Simulated Annealing -_]Ceq/
2.8 Considerations about Variables for Optimization 1YU?+K
2.9 How to Increase the Speed or Field of a System and Avoid Ray Failure Problems ^v:XON<
2.10 Test Plate Fits, Melt Fits, Thickness Fits and Reverse Aberration Fits X?/32~\
2.11 Spectral Weighting f rV_5yK'
2.12 How to Get Started D}-HWJQA3
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3 Improving a Design Y|W#VyM-
3.1 Lens Design Tip Sheet: Standard Improvement Techniques :R$v7{1
3.2 Glass Changes ( Index and V Values ) HW"5MZ8E
3.3 Splitting Elements -Hy>
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3.4 Separating a Cemented Doublet -Y N(j\
3.5 Compounding an Element G%h+KTw
3.6 Vignetting and Its Uses uv{*f)j/d
3.7 Eliminating a Weak Element; the Concentric Problem r|/9'{!
3.8 Balancing Aberrations h///
3.9 The Symmetrical Principle LJt5?zQKrW
3.10 Aspheric Surfaces f}?pY"yvO
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4 Evaluation: How Good is This Design yBv4 xKMH
4.1 The Uses of a Preliminary Evaluation _eH@G(W(
4.2 OPD versus Measures of Performance s=z$;1C
4.3 Geometric Blur Spot Size versus Certain Aberrations ?,[$8V
4.4 Interpreting MTF - The Modulation Transfer Function pK/RkA1
4.5 Fabrication Considerations m93{K7O2e
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5 Lens Design Data ^?0?*
5.1 About the Sample Lens Designs %0 U@k!lP
5.2 Lens Prescriptions, Drawings, and Aberration Plots H;Gs0Qi;
5.3 Estimating the Potential of a Redesign dKw[#(m5v
5.4 Scaling a Desing, Its Aberrations, and Its MTF 2o W'B^-
5.5 Notes on the Interpretation of Ray Intercept Plots oB'5':
5.6 Various Evaluation Plot 4]Gm4zO
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6 Telescope Objective :&E~~EUW
6.1 The Thin Airspaced Doublet d/YQ6oKU
6.2 Merit Function for a Telescope Objective L%pAEoSG
6.3 The Design of an f/7 Cemented Doublet Telescope Objective QPvWdjf#mM
6.4 Spherochromatism cwQ*P$n
6.5 Zonal Spherical Aberration S>"C}F$X
6.6 Induced Aberrations 1WY$Vs
6.7 Three-Element Objectives X[?E{[@Z
6.8 Secondary Spectrum (Apochromatic Systems) \Z~
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6.9 The Design of an f/7 Apochromatic Triplet gs~u8"B
6.10 The Diffractive Surface in Lens Design ogya~/
6.11 A Final Note hWbjA[a/
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7 Eyepieces and Magnifiers 4(,X.GVY/
7.1 Eyepieces ";n%^I}
7.2 A Pair of Magnifier Designs Y$qjQ 1jF+
7.3 The Simple, Classical Eyepieces *_ajb:
7.4 Design Story of an Eyepiece for a 6*30 Binocular ma`sv<f4-!
7.5 Four-Element Eyepieces G2:.8ok
7.6 Five-Element Eyepieces CdtwR0
7.7 Very High Index Eyepiece/Magnifier ye| 2gH
7.8 Six- and Seven-Element Eyepieces Y&i&H=U
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8 Cooke Triplet Anastigmats GB6(WAmr
8.1 Airspaced Triplet Anastigmats |Y2n6gkH[
8.2 Glass Choice s:tWEgZk?
8.3 Vertex Length and Residual Aberrations Z_T~2t
8.4 Other Design Considerations GzT?I
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8.5 A Plastic, Aspheric Triplet Camera Lens /[q_f
8.6 Camera Lens Anastigmatism Design “from Scrach” – The Cooke Triplet +bWo{
8.7 Possible Improvement to Our “Basic” Triplet 1O90 ]c0
8.7 The Rear Earth (Lanthanum) Glasses H;FzWcm
8.9 Aspherizing the Surfaces `_J>R
8.10 Increasing the Element Thickness M IU B]
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9 Split Triplets #vPk
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10 The Tessar, Heliar, and Other Compounded Triplets =Q!V6+}nY^
10.1 The Classic Tessar X:
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10.2 The Heliar/Pentac L|A1bxt
10.3 The Portrait Lens and the Enlarger Lens G/KTF2wl7
10.4 Other Compounded Triplets SMQC/t]HT
10.5 Camera Lens Anastigmat Design “from Scratch” – The Tessar and Heliar ^4{{ +G)j
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11 Double-Meniscus Anastigmats !B#tJD
11.1 Meniscus Components >R\!Qk
11.2 The Hypergon, Totogon, and Metrogon X(C=O?A
11.3 A Two Element Aspheric Thick Meniscus Camera Lens 7TZ,bD_
11.4 Protar, Dagor, and Convertible Lenses pWb8X}M
11.5 The Split Dagor VB4ir\nF
11.6 The Dogmar rFto1m
11.7 Camera Lens Anastigmat Design “from Scratch” – The Dogmar Lens H.[(`wi!I
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12 The Biotar or Double-Gauss Lens +n|@'= ]
12.1 The Basic Six-Element Version 01+TVWKX
12.2 28 Things You Should Know about the Double-Gauss/Biotar Lens (T.g""N~`
12.3 The Seven-Element Biotar - Split-Rear Singlet +1Rz +
12.4 The Seven-Element Biotar - Broken Contact Front Doublet c>#3{}X|x%
12.5 The Seven-Element Biotar - One Compounded Outer Element z_Pq5
12.6 The Eight-Element Biotar 3gW+|3E
12.7 A “Doubled Double-Gauss” Relay Q1DiEg
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13 Telephoto Lenses <!?ZH"F0
13.1 The Basic Telephoto /8lmNA
13.2 Close-up or Macro Lenses ~A*$+c(
13.3 Telephoto Designs OX.g~M
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13.4 Design of a 200-mm f/4 Telephoto for a 35-mm Camera from Scratch gZ {
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14 Reversed Telescope (Retrofocus and Fish-Eye) Lenses nTz(
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14.1 The Reverse Telephoto Principle }wGy#!CSza
14.2 The Basic Retrofocus Lens -.UUa
14.3 Fish-Eye, or Extreme Wide-Angle Reverse Telephoto, Lenses j|y"Lcq
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15 Wide Angle Lenses with Negative Outer Lenses OUm,;WNLf
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16 The Petzval Lens; Head-up Display Lenses AD"L>7
16.1 The Petzval Portrait Lens H$)otDOE
16.2 The Petzval Projection Lens .[vYT.LE
16.3 The Petzval with a Field Flattener d-#yN:}0
16.4 Very Height Speed Petzval Lenses s&6/fa
16.5 Head-up Display (HUD) Lenses, Biocular Lenses, and Head/Helmet Mounted Display(HMD) Systems ezr'"1Ba}
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17 Microscope Objectives 257q%"
17.1 General Considerations Gq.fQ_oOb
17.2 Classic Objective Design Forms; The Aplanatic Front j.29nJ
17.3 Flat-Field Objectives ^FK-e;J
17.4 Reflecting Objectives }[ByN).
17.5 The Microscope Objective Designs C*Dco{
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18 Mirror and Catadioptric Systems S6c>D&Q
18.1 The Good and Bad Points of Mirrors WNiM&iU
18.2 The Classic Two-Mirror Systems X@@7Qk
18.3 Catadioptric Systems +J:wAmY4
18.4 Aspheric Correctors and Schmidt Systems j 4eq.{$
18.5 Confocal Paraboloids NMhI0Ix$w
18.6 Unobscured Systems "'U]4Z%q!
18.7 Design of a Schmidt-Cassegrain “from Scratch” HJOoCf
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19 Infrared and Ultraviolet Systems ~@'DYZb-
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19.1 Infrared Optics mUwGr_)wj
19.2 IR Objective Lenses $Q56~AP
19.3 IR Telescope 7u[$
19.4 Laser Beam Expanders u S{WeL6%
19,5 Ultraviolet Systems ZG_iF#
19.6 Microlithographic Lenses 42,K8
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20 Zoom Lenses AF"XsEt.e
20.1 Zoom Lenses :&$WWv
20.2 Zoom Lenses for Point and Shoot Cameras {tF)%>\#
20.3 A 20X Video Zoom Lens ZgL ]ex
20.4 A Zoom Scanner Lens a |0f B4G
20.5 A Possible Zoom Lens Design Procedure h2ou ]
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21 Projection TV Lenses and Macro Lenses Yq-7!
21.1 Projection TV Lenses QPp>%iE@
21.2 Macro Lenses 4Pr@<S"U
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22 Scanner/ , Laser Disk and Collimator Lenses J8PZVeWx
22.1 Monochromatic Systems F!ra$5u
22.2 Scanner Lenses (^LR9 CW
22.3 Laser Disk, Focusing, and Collimator Lenses ci{WyIh
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23 Tolerance Budgeting ^1z)\p1
23.1 The Tolerance Budget &,iPI2`O A
23.2 Additive Tolerances D
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23.3 Establishing the Tolerance Budget p"=8{LrO
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24 Formulary 9c=`Q5
24.1 Sign Conventions, Symbols, and Definitions vK8!V7o~h%
24.2 The Cardinal Points aDjYT/`l
24.3 Image Equations (,2U?p
24.4 Paraxial Ray Tracing (Surface by Surface) 5q{
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24.5 Invariants ??=su.b
24.6 Paraxial Ray Tracing (Component by Component) VyxX5Lrj
24.7 Two-Componenet Relationships E#mpj~{-
24.8 Third-Order Aberrations – Surface Contributions 1F94e)M)"
24.9 Third-Order Aberrations – Thin Lens Contributions; The G Sum Eqs A,! YXl[
24.10 Stop Shift Equations *Au[{sR
24.11 Third-Order Aberrations – Contributions from Aspheric Surfaces F48W8'un
24.12 Conversion of Aberrations to Wavefront Deformation (OPD) u_X(c'aE;
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Glossary T6Ks]6m_
Reference PW GNUNc
Index